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Living Design

The Writings of Clara Porset


EDITED BY ZOË RYAN AND VALENTINA SARMIENTO CRUZ

TRANSLATIONS BY NATALIE ESPINOSA

December 2024
$39.95 CAD | $39.95 USD
376 pages | 40 halftones | 6 x 8
9781988111551 | Paper
9781988111568 | E-book
 
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Use code PORSET2024 for a 20% discount off pre-orders!

A collection of the work and writing of celebrated Cuban designer Clara Porset

Cuban-born and Mexico-based Clara Porset is renowned for her mid-century modern furniture and interior design and for her collaborations with architects such as Luis Barragán and Mario Pani. She was also an accomplished critic and writer. Living Design collects Porset’s essays, reviews, and lectures to highlight her role as an influential thinker, educator, and practitioner. This volume insightfully contextualizes the politics that shaped Porset’s design principles, charts the influence of the Bauhaus and Black Mountain College on her work, and reveals the period’s fusion of local adaptations and modernist principles that made Mexico a major centre of modernist design.   

At a time when many practitioners believed that design could only be modernized by replacing hand craftsmanship with mechanization, Porset valued both approaches for their distinctive qualities and urged others to do the same. Through her writings, she encouraged efforts to catalyze local design communities during a period of rapid technological and social change. With essays by historian Randal Sheppard and design curator and scholar Ana Elena Mallet, an introduction by volume editors Zoë Ryan and Valentina Sarmiento Cruz, and explanatory notes on the people and publishing forums in Porset’s circle, Living Design makes available works never before published in English, and with only limited circulation in the Spanish language, in order to recover an important and neglected voice in global modernism.

Zoë Ryan is a curator and Daniel W. Dietrich, II Director of the Institute of Contemporary Art at the University of Pennsylvania.

Valentina Sarmiento Cruz is an independent writer, researcher, interpreter, and translator based in Mexico City.

"Living Design: The Writings of Clara Porset is a very welcome contribution to our understanding of Porset’s innovative studio and the histories of design, design education, and everyday life in Mexico and the greater Americas. A large array of illustrations will make this an attractive volume to scholars and design enthusiasts. The contextualizing essays by Zoë Ryan and Valentina Sarmiento Cruz, Randal Sheppard, and Ana Elena Mallet, are well-written and thoroughly researched, and the high quality of Natalie Espinosa’s translations grants greater access to Porset’s writerly voice and her writing as a form of thinking."
George F. Flaherty, University of Texas at Austin

"The value of this collection of Clara Porset’s writings spanning four decades cannot be overstated. Living Design demonstrates Porset’s significant intellectual and social contributions in Cuba, Mexico, and beyond, and makes a compelling case for her enduring commitment to theorizing and promoting interior design at the intersection of artisanal and industrial fabrication. This volume constitutes an important step toward addressing the historical impacts of women designers and critics whose legacies have been overlooked for far too long."
Jennifer Josten, University of Pittsburgh

The e-book version of this title will be available in Winter 2025.

Clara Porset: There is Design in Everything Zoë Ryan and Valentina Sarmiento Cruz 1
Finding Harmony Between People and Things: The Political and Social Context for Porset’s Evolving Ideas about Design Randal Sheppard 69
Bridging Eras: Clara Porset’s Vision and Mexico’s Material Culture Today Ana Elena Mallet 93
The New Spirit   109
Mallet-Stevens: Artist of Today and Tomorrow (1930)   111
A Present-Day Metalsmith: Edgar Brandt (1930)   115
Art Nouveau and Modern Art (1930)   117
Da Silva Bruhns’ Rugs (1930)   120
A Very Ancient Art Revived by a Modern Artist: Jean Dunand (1931)   122
Summary of the Modern Decorative Arts Exhibitions in 1930 (1931)   126
Walter Gropius: Pioneer of New Trends (1932)   130
There Is Design in Everything   137
Aquariums and Their Decorative Value (1930)   141
Lighting Two Modern Theatres (1930)   144
The Double Interest of a Model Nursery (1930)   147
Antique Furniture in Modern Settings (1930)   151
A New Type of Store (1930)   155
Artistic Commercial Offices (1931)   158
The New School for Social Research in New York (1931)   160
Bathrooms (1932)   163
Interior Decoration, Furniture Placement (1932)   165
The President Alemán Urban Center and Interior Space for Living (1950)    169
Residence in Cuernavaca, Architect Mario Pani (1952)   172
Peasant House in the Tropics (1952)   175
Design: Office Furniture (1954)   177
The Handmade and the Machine   183
Metal Furniture (1930)   187
Modern-Day Furniture (1932)   189
Modern Textiles (1932)   193
Ceramics (1932)   197
Three Modern Crystalware Companies: Orrefors, Zwiesel, and Hunebelle (1932)   200
Decorative Wallpaper (1932)   203
Modern Rugs (1932)   207
Folk Furniture of Mexico (1948)   210
Living Design: Towards Our Own Kind of Furniture   223
Contemporary Interior Decoration: Its Adaptation to the Tropics (1931)    228
What Is Design? Art in Industry (1949)   245
Art in Industry: The Expression and Utility of Objects for Daily Life (1949)    252
Industrial Design (1965)   257
Chairs by Clara Porset (1951)   260
Design in Mexico (1952)   262
Art in Daily Life (1952)   268
Living Design (1953)   273
Living Design: Towards Our Own Kind of Furniture (1953)   280
Memorandum (1961)   291
Design School in Mexico. Report presented at the Universidad Naciona lAutónoma De México (National Autonomous University of Mexico) (1965)  297
Porset on Cuba   313
Cuba’s Troubled Waters (1934)   316
Concordia University Press
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