LIVING DESIGN
Living Design
The Writings of Clara Porset
EDITED BY ZOË RYAN AND VALENTINA SARMIENTO CRUZ
TRANSLATIONS BY NATALIE ESPINOSA
376 pages | 40 halftones | 6 x 8
A collection of the work and writing of celebrated Cuban designer Clara Porset
Cuban-born and Mexico-based Clara Porset is renowned for her mid-century modern furniture and interior design and for her collaborations with architects such as Luis Barragán and Mario Pani. She was also an accomplished critic and writer. Living Design collects Porset’s essays, reviews, and lectures to highlight her role as an influential thinker, educator, and practitioner. This volume insightfully contextualizes the politics that shaped Porset’s design principles, charts the influence of the Bauhaus and Black Mountain College on her work, and reveals the period’s fusion of local adaptations and modernist principles that made Mexico a major centre of modernist design.
At a time when many practitioners believed that design could only be modernized by replacing hand craftsmanship with mechanization, Porset valued both approaches for their distinctive qualities and urged others to do the same. Through her writings, she encouraged efforts to catalyze local design communities during a period of rapid technological and social change. With essays by historian Randal Sheppard and design curator and scholar Ana Elena Mallet, an introduction by volume editors Zoë Ryan and Valentina Sarmiento Cruz, and explanatory notes on the people and publishing forums in Porset’s circle, Living Design makes available works never before published in English, and with only limited circulation in the Spanish language, in order to recover an important and neglected voice in global modernism.
"Living Design: The Writings of Clara Porset is a very welcome contribution to our understanding of Porset’s innovative studio and the histories of design, design education, and everyday life in Mexico and the greater Americas. A large array of illustrations will make this an attractive volume to scholars and design enthusiasts. The contextualizing essays by Zoë Ryan and Valentina Sarmiento Cruz, Randal Sheppard, and Ana Elena Mallet, are well-written and thoroughly researched, and the high quality of Natalie Espinosa’s translations grants greater access to Porset’s writerly voice and her writing as a form of thinking."
George F. Flaherty, University of Texas at Austin
"The value of this collection of Clara Porset’s writings spanning four decades cannot be overstated. Living Design demonstrates Porset’s significant intellectual and social contributions in Cuba, Mexico, and beyond, and makes a compelling case for her enduring commitment to theorizing and promoting interior design at the intersection of artisanal and industrial fabrication. This volume constitutes an important step toward addressing the historical impacts of women designers and critics whose legacies have been overlooked for far too long."
Jennifer Josten, University of Pittsburgh
The e-book version of this title will be available in Winter 2025.
Clara Porset: There is Design in Everything | Zoë Ryan and Valentina Sarmiento Cruz | 1 |
Finding Harmony Between People and Things: The Political and Social Context for Porset’s Evolving Ideas about Design | Randal Sheppard | 69 |
Bridging Eras: Clara Porset’s Vision and Mexico’s Material Culture Today | Ana Elena Mallet | 93 |
The New Spirit | 109 | |
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Mallet-Stevens: Artist of Today and Tomorrow (1930) | 111 | |
A Present-Day Metalsmith: Edgar Brandt (1930) | 115 | |
Art Nouveau and Modern Art (1930) | 117 | |
Da Silva Bruhns’ Rugs (1930) | 120 | |
A Very Ancient Art Revived by a Modern Artist: Jean Dunand (1931) | 122 | |
Summary of the Modern Decorative Arts Exhibitions in 1930 (1931) | 126 | |
Walter Gropius: Pioneer of New Trends (1932) | 130 | |
There Is Design in Everything | 137 | |
Aquariums and Their Decorative Value (1930) | 141 | |
Lighting Two Modern Theatres (1930) | 144 | |
The Double Interest of a Model Nursery (1930) | 147 | |
Antique Furniture in Modern Settings (1930) | 151 | |
A New Type of Store (1930) | 155 | |
Artistic Commercial Offices (1931) | 158 | |
The New School for Social Research in New York (1931) | 160 | |
Bathrooms (1932) | 163 | |
Interior Decoration, Furniture Placement (1932) | 165 | |
The President Alemán Urban Center and Interior Space for Living (1950) | 169 | |
Residence in Cuernavaca, Architect Mario Pani (1952) | 172 | |
Peasant House in the Tropics (1952) | 175 | |
Design: Office Furniture (1954) | 177 | |
The Handmade and the Machine | 183 | |
Metal Furniture (1930) | 187 | |
Modern-Day Furniture (1932) | 189 | |
Modern Textiles (1932) | 193 | |
Ceramics (1932) | 197 | |
Three Modern Crystalware Companies: Orrefors, Zwiesel, and Hunebelle (1932) | 200 | |
Decorative Wallpaper (1932) | 203 | |
Modern Rugs (1932) | 207 | |
Folk Furniture of Mexico (1948) | 210 | |
Living Design: Towards Our Own Kind of Furniture | 223 | |
Contemporary Interior Decoration: Its Adaptation to the Tropics (1931) | 228 | |
What Is Design? Art in Industry (1949) | 245 | |
Art in Industry: The Expression and Utility of Objects for Daily Life (1949) | 252 | |
Industrial Design (1965) | 257 | |
Chairs by Clara Porset (1951) | 260 | |
Design in Mexico (1952) | 262 | |
Art in Daily Life (1952) | 268 | |
Living Design (1953) | 273 | |
Living Design: Towards Our Own Kind of Furniture (1953) | 280 | |
Memorandum (1961) | 291 | |
Design School in Mexico. Report presented at the Universidad Naciona lAutónoma De México (National Autonomous University of Mexico) (1965) | 297 | |
Porset on Cuba | 313 | |
Cuba’s Troubled Waters (1934) | 316 |