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More Voice-Over

Colin Campbell Writings


EDITED BY JON DAVIES

June 2021
$69.95 CAD | $69.95 USD
Series: Text/Context: Writings by Canadian Artists
344 pages | 23 color plates, 34 halftones | 7 x 9 
9781988111261 | Print
9781988111308 | E-book
 
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Colin Campbell (1942-2001) is widely recognized in the field of video art for his provocative, thoughtful, and wry depictions of sexuality, gender, and social norms and expectations. The creator of more than fifty video works including Hollywood and Vine (1977), Bad Girls (1980), and Dangling by Their Mouths (1981), Campbell was also active in the artist-run centre movement, helping to establish Vtape, Canada’s largest distributor of video art. More Voice-Over: Colin Campbell Writings gathers for the first time a broad selection of Campbell’s writings for video and beyond. Edited and with an introduction by Jon Davies, it includes scripts as well as magazine articles, artists’ books, lectures, short fiction, and excerpts from his two unpublished novels. In these witty and perceptive texts, Campbell considers sexuality and gender, desire and longing, power, history, his own artistic practice and community, artist-run culture, video and its audiences, censorship, the AIDS crisis, and more. Covering three decades, More Voice-Over illuminates Campbell’s development as a central figure in the history of video art as well as the importance of writing to his work and to video as an artistic medium.

Born in Reston, Manitoba, Colin Campbell studied at the University of Manitoba and Claremont Graduate School in California. He began teaching at Mount Allison University in New Brunswick, where he made his first video works. He moved to Toronto in the early 1970s where he taught at OCAD University and the University of Toronto. His works have been exhibited internationally, including at documenta 6 and the 39th Venice Biennale, and are in the permanent collections of the Museum of Modern Art, the Art Gallery of Ontario, and the National Gallery of Canada, among other institutions. His videos are distributed by Vtape in Toronto.

Jon Davies is a PhD candidate in art history at Stanford University. He received his BFA at Concordia University. He has held curatorial roles at The Power Plant Contemporary Art Gallery, Oakville Galleries, and the Art Gallery of Ontario.

“This collection of astonishing texts confirms Colin as one of our greatest raconteurs.  His video eye may have framed our fragrant, lurid foibles, but it was his video ear that most eloquently captured our blurts and falters: those words we struggle and seduce with, those we misspeak and mishear, voiceovers that snip and bite and blur and dangle from our mouths. Delirious queer words, deliciously out of step.”
John Greyson, video/film artist, Fig Trees, Lilies, Zero Patience

“I discovered the remarkable artwork of Colin Campbell around 1975. I was taken by how he brazenly stood alone and faced a video camera to record his witty and urbane monologues. Straddling the line between fact and fiction, his videos showed him brilliantly delivering a text with the candour of a TV commercial actress and the veracity of a handsome newscaster. I exhibited Colin’s early masterpiece, Conundrum Clinique (1981), and quickly added it to MoMA’s video collection. More Voice-Over will secure this pioneering artist’s richly deserved place in video art’s history.”
Barbara London, author of Video/Art: The First Fifty Years, initiator of the podcast Barbara London Calling, and former MoMA curator

"More Voice-Over: Colin Campbell Writings is an impressive labour of personal commitment and erudition on the part of editor Jon Davies. It also confirms the groundbreaking brilliance and coherence of Colin Campbell as a writer, hitherto known as a pioneering Canadian queer video artist. Davies’s important collection fills a major gap in international as well as English Canadian cultural history."
Thomas Waugh, co-editor (with Brandon Arroyo) of I Confess! Constructing the Sexual Self in the Internet Age

Introduction 
“There Is No Fiction” – Colin Campbell, Writing, and Video Art
Jon Davies x
Editorial Note Jon Davies xxxiv
A Work in Progress
An Interview with Colin Campbell
Sue Ditta xxxv
Stories of Reston  
True/False  
Sackville, I’m Yours…  
Love-Life   12
I’m a Voyeur    15
California: Myth/Reality   18
Hindsight   22
Passage   25
I Can Never Think of Endings   27
The Woman from Malibu   30
The Temperature in Lima   33
Culver City Limits   36
Last Seen Wearing   39
Hollywood and Vine   42
Shango Botanica   46
Letter to John Bentley Mays   56
Rat’s Country   60
David Buchan: Lamonte Del Monte and the Fruit Cocktails 61
Video ’79 – Roman Style   67
Modern Love   70
Bad Girls   87
Video: The New Audience   102
L.A. Flex   107
He’s a Growing Boy – She’s Turning Forty 109
Peripheral Blur   113
Dangling by Their Mouths   121
Conundrum Clinique   145
Snip Snip   149
Notes for an Artist’s Talk   158
Enter the Hero   161
White Money   163
The Woman Who Went Too Far   166
No Voice Over   169
B. Mode   177
Both   183
Black and Light   191
It’s a Long Time to Hold Your Breath   195
Art Speaks in the ’80s   198
Fiddle Faddle   206
Skin   211
Noise   216
Artist Talk at The Power Plant   220
Marsden and Alty   223
In Memory of Stuart Marshall   226
Caravaggio Diary   227
The Lizard’s Bite   229
Disappearance   266
Rendez-Vous   302
Deja Vu   307
Dishevelled Destiny   314
Message Forthcoming   321
Colin Campbell: Chronology   325
Appendix
John Bentley Mays, Lines on Video Art Bibliography
  331
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