Skip to main content
CONCORDIA UNIVERSITY PRESS

SOME MAGNETIC FORCE

Some Magnetic Force

Lionel LeMoine FitzGerald Writings


EDITED BY MICHAEL PARKE-TAYLOR

December 2023
$64.95 CAD | $59.95 USD
Series: Text/Context: Writings by Canadian Artists
232 pages | 56 colour & b/w illustrations | 7 x 9
9781988111452 | Paper
9781988111469 | E-book
 
Order Now: Canada                          

The first collection of the writings of artist Lionel Lemoine FitzGerald

Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven, the iconic collective of Canadian landscape painters, who was based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with personal reflections late in life on the nature of art and his career.

Michael Parke-Taylor has uncovered and chronologically organized FitzGerald’s letters, diary, lectures, and reports to show how FitzGerald understood the development of his practice, communicated the philosophy of art to his art students, confronted challenges in his career, and presented his spiritual aspirations, views about the natural world, and private desires. These writings also elucidate the material and reputational realities of artistic production in places beyond the period’s dominant Canadian art centers of Toronto, Montreal, and Ottawa.

Including illustrations of his work and an introduction and notes that contextualize FitzGerald’s biography and social circles, Some Magnetic Force provides remarkable insights into the influences, interests, and innovations of the Group of Seven’s prairie artist.

Michael Parke-Taylor is an art historian and curator based in Toronto.

"Some Magnetic Force is a sound and important book. Although Lionel LeMoine FitzGerald’s writings have been quoted in publications on the artist, the full richness of the artist’s writings has never been published and available to the general public. This is especially true of his substantial travel diary and his teaching notes from the Winnipeg School of Art. His diary is crucial for understanding the breadth of FitzGerald’s familiarity with the work of international artists in particular, while his teaching notes lay out the issues and concerns that drove FitzGerald when he was attempting to convey his aesthetic and philosophical concerns as they pertained to the visual arts." 
Brian Foss, Carleton University

Introduction: “Eternal Wonders Surround Us”: The Prairie Experience of L.L. FitzGerald  Michael Parke-Taylor xvi
Editorial Note on Source Materials    xxxi
I. Correspondence    1
Letters to Bertram Brooker, 1930–37    2
Letter to Peter Haworth, 1955    14
Letters to H.O. McCurry, 1932–41    17
Letters to Irene Heywood, 1941–43    27
Letters to Robert Ayre, 1934–49    65
Letter to Canadian Art, 1953    97
II. Travel Diary, 1930    100
III. Winnipeg School of Art Lectures and Miscellaneous Notes on Art, 1933–35  151
IV. Reports to the Board of Directors: Winnipeg School of Art, 1930–44  167
V. John Simon Guggenheim Memorial Foundation Fellowship Application, 1940  176
VI. Report on a Little Journey Around the Art World of Vancouver, 1944  181
VII. “Painters on the Prairie,” Canadian Broadcasting Corporation  Midwest Network, December 1, 1954  188
Concordia University Press
Back to top

© Concordia University