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Student profile

Jessie Stainton

Thesis supervisor: Arseli Dokumaci

Jessie Stainton is an artist and FQRSC-funded doctoral student based in Tiohtià:ke/ Montreal. She utilizes research-creation and critical theory to consider issues of disability and access in political and cultural contexts. Her research centers around intellectual and developmental disability in arts and culture scenes, to think of engagement that moves beyond representation.

Often experimenting with materiality, her art practice weaves around textiles, technology and sound. She works with fabric, fiber, trash, biomaterial, natural dye and soft circuitry to create immersive and collaborative installations.

Jessie is a steering committee member and co-technical coordinator of the Access in the Making (AIM) Lab. She is an active member of the Textiles and Materiality Milieux Cluster, Speculative Life BioLab, and COMS Doctoral Students Association, where she also serves as co-coordinator.

Her community work spans radio, art spaces and provincial organizations. She is collaborating on a Mitacs-funded research project with Centre d'art et de diffusion CLARK, exploring accessibility in artist-run centers and has previously served as a research associate for the Société Québécoise de la Déficience Intellectuelle.

Publications:

Dokumaci, A., Mazowita, A., Stainton, J., Goberdhan, N., Bessette-Viens, R., and Lucas, S. 2023. "Spaced Apart: Autoethnographies of Access throughout the Covid-19 Pandemic." Space and Culture 26, no. 3: 365-382. https://doi-org.lib-ezproxy.concordia.ca/10.1177/12063312231181520

Stainton. Jessie. 2022. “Textiles as Methodology: Craft-based Interviews: Intervening in Intellectual Ableism Through Research-Creation.” MA Thesis. Distinction Outstanding; https://spectrum.library.concordia.ca/id/eprint/991226/

Stainton, Jessie. 2022. Merging Practices of Sensory Design and Access in the Museum Space. Explorations in Sensory Design.https://www.sensorydesign.ca/merging-practices-access-musuem

Stainton, Jessie. 2020. Marine Serre to Balenciaga’s Apocalypse Fashion and Face Masks in the Age of COVID-19. Screenshot Magazine. Selected Presentation of Artworks Wasteland. 2024. Centre d'art et de diffusion CLARK, Montréal. Using up the excess. 2024.

Needlebound vol.1: Fibre artists publication. Path is a spiral. 2023. The Commons, The Milieux Institute for Arts, Culture, and Technology, Montreal.

Chipping away at the bitterness. 2023. Digital Intimacies, 4th Space, Montreal.

 

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