Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven, the iconic collective of Canadian landscape painters, who was based in Western Canada.
Michael Parke-Taylor has uncovered and chronologically organized FitzGerald’s letters, diary, lectures, and reports to show how FitzGerald understood the development of his practice, communicated the philosophy of art to his art students, confronted challenges in his career, and presented his spiritual aspirations, views about the natural world, and private desires. These writings also elucidate the material and reputational realities of artistic production in places beyond the period’s dominant Canadian art centers of Toronto, Montreal, and Ottawa.
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