When studying for a doctoral degree (PhD), candidates submit a thesis that provides a critical review of the current state of knowledge of the thesis subject as well as the student’s own contributions to the subject. The distinguishing criterion of doctoral graduate research is a significant and original contribution to knowledge.
Once accepted, the candidate presents the thesis orally. This oral exam is open to the public.
Finally, conducting a comparative analysis of findings from macro-policy and micro-local investigations, I found that the common ground between policy and local scales is a space characterized by heterogeneity, dynamism, and uncertainty, requiring collective praxis and interdisciplinary approaches. This space incorporates dualities like objectivity/subjectivity, formality/informality, individual/social, fixed/dynamic, vulnerability/human rights, and social identity/human interaction. Using theories of Carnival, embedded design, and insights from the Comm-Un community, I conceptualized this common ground, embracing all the dualities, with an imaginary spatial concept called Soup City. In Soup City, different actors from various levels of the macro-policy and micro-local spectrum meet to build human connection, suspend social hierarchies, decentralize knowledge production, challenge social norms, celebrate the power of community, and fuse their diverse intentions, resources, ideas, power positions, knowledge, strategies, worldviews, and stories. I, as a bricoleur and Comm-Un member, represent the Soup City space as a social game and art-informed participatory action research method for understanding the complexity of homelessness. I argue that we cannot make sense of the problem of homelessness without ongoing collective defining the problem, collective imagination, collective planning, collective action, and collective evaluation. No one can define and end homelessness except everyone. It takes a village!