This article explores how the 1972 exhibition Montréal plus ou moins, curated by the architect Melvin Charney, treated the city’s Museum of Fine Arts as a kind of urban laboratory. Displays created by activist groups as well as artists expressed critical views on Montreal’s urban planning, housing and architectural heritage. By also featuring performance, give-away artworks, documents, and moments of institutional critique, the exhibition successfully merged conceptual art strategies with countercultural urban activism
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Montreal plus ou moins, 1972 by Dr. Johanne Sloan
Urban knowledge meets conceptual attitude
Peer-reviewed article by Dr. Johanne Sloan
“Montreal plus ou moins, 1972: urban knowledge meets conceptual attitude,” Journal of Curatorial Studies, Vol. 7, Issue 1, 2018.
