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Clara Gutsche wins 2024 Scotiabank Photography Award

Concordia alumna and instructor will exhibit at 2025 CONTACT Photography Festival and publish new book
July 22, 2024
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By Sandra Evoughlian


A group of nuns in white and red habits, sitting around a table in a brightly colored room, engaging in activities together. “Les Soeurs Adoratrices du Precieux-Sang”, Nicolet, 1995, from the Convent series,1990-1998.

Clara Gutsche, MFA 86, a Montreal-based photographer and part-time faculty member in Concordia’s Department of Studio Arts, is the winner of the 14th-annual Scotiabank Photography Award. As Canada’s largest and most prestigious award for photography, the prize honours mid-to-late career artists for their contributions to Canadian photography.

“I felt ecstatic when I heard the announcement,” says Gutsche, who was nominated by Zoë Tousignant, PhD 13, curator of photography at Montreal’s McCord Stewart Museum

Co-founded by Scotiabank and renowned Canadian photographer Edward Burtynsky in 2010, the Scotiabank Photography Award aims to accelerate the careers of Canadian photographers, elevating their work on both national and international stages.

The award includes a $50,000 cash prize, a solo exhibition at the 2025 CONTACT Photography Festival, and a book of Gutsche’s work to be published by Steidl. 

“The award is very generous,” says Gutsche, who is the seventh Concordian to win the award since its inception. “It provides the finalist with a platform — a way to share their vision with a wider audience.”

A headshot of an woman with long, silver hair, wearing a black top and looking directly at the camera. Gutsche is the seventh Concordian to win the Scotiabank Photography Award.

Building a community

Gutsche’s passion for photography began at the age of eight when she first held her grandmother’s twin-lens reflex camera.

“I was fascinated by seeing the world as 2D images,” Gutsche recalls. Despite initially studying chemistry at Oberlin College in Ohio, her art practice blossomed after moving to Montreal in 1970. She and her then-boyfriend, now husband, David Miller, settled in a small housing cooperative in the Milton Park neighbourhood, where she had access to a darkroom and learned the fundamentals of photography.

Over the next three years, Gutsche and Miller created the Milton Park series, capturing the essence of a neighbourhood facing demolition. Their efforts were part of a broader initiative to preserve the community, with Gutsche’s photography serving as a powerful tool to document what was at risk of being destroyed.

“I was really committed to the idea of creating photographs that would make people aware of what they had before they lost it,” Gutsche recalls, noting the contributions of architect and philanthropist Phyllis Lambert, LLD 86, in saving the neighbourhood.

Lambert, who became a friend and mentor to Gutsche and Miller after visiting their exhibition on the series in 1973, founded the non-profit Héritage Montréal and was instrumental in establishing the Société d’Amélioration de Milton-Parc, Canada’s largest non-profit housing cooperative.

Gutsche’s early career was shaped by her community and mentors. She became a founding member of La Centrale Galerie Powerhouse, an artist-run centre, and received guidance from Ron Solomon of the National Film Board’s Still Photography Division.

“Ron was just very, very important as a mentor to me and to many of the young francophone photographers as well. He created a community,” says Gutsche.

A black and white photo of a group of women sitting and laughing together in a room with a video camera setup, capturing a casual and joyful moment. “The Women’s Centre, 3694, rue Sainte-Famille”, 1971, from the Milton Park series, 1970-1973.

An enduring fascination

Gutsche pursued an MFA at Concordia to build a deeper academic foundation. There, she studied under professors such as Tom Gibson and Gabor Szilasi. She says her time as a student at Concordia was crucial for her development as an artist, educator and critic. 

“Concordia has excellent professors, technicians and lab facilities,” she says. “It’s fairly rare to have a university-level program that has maintained its silver black-and-white darkrooms and chromogenic printing colour darkroom.

Gutsche’s photographs have since been exhibited widely at institutions such as the McCord Stewart Museum, the Musée d’art de Joliette and the Canadian Centre for Architecture. Her work is held in numerous public collections, including at the National Gallery of Canada, the Musée national des beaux-arts du Québec and Library and Archives Canada.

Marked by a process of careful observation, Gutsche’s work often delves into the relationships between people and their environments, whether through portraits or photographs of architectural interiors. She is perhaps best known for her Convent series (1990-98), which offers a glimpse into the lives of cloistered nuns and explores the role of religious communities of women in Quebec’s history. 

“Photography is fundamental to my understanding of myself, my relationships to those closest to me and my relationships to the broader social context — very often within Quebec,” Gutsche says.

“I’ll never stop being fascinated by that transformation that I saw when I was eight,” she adds, “from the moving 3D world into the still 2D image.”

Watch: Meet Clara Gutsche, MFA 86, winner of the 2024 Scotiabank photography award.



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