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FEBRUARY 13: All in-person classes and activities are cancelled due to severe weather

A journalism grad’s journey to the Forbes 30 Under 30

‘Sometimes we’re the biggest blocks in our way, but we can’t put any limits on ourselves,’ says Danielle Gasher
February 13, 2025
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By Adam H. Callaghan


A woman with shoulder length blonde hair and beige sweater stands in front of a dark grey backdrop Danielle Gasher serves as vice-president of Acquisitions and International Sales at Gravitas Ventures.

“Concordia has always been a special place for my family,” says Danielle Gasher, BA 18 (journalism). Her father, the late Mike Gasher, PhD 99, was a professor in the Department of Journalism as well as its chair for four years.

“The university was like home to my dad, and many of his colleagues became kind of like family,” she adds. A former sports journalist himself, Mike steeped his daughter in media including newspapers, television, radio and documentary film. She grew up wanting to be a journalist, too, before a different dream loomed larger.

At 29 years old, the now vice-president of Acquisitions and International Sales for Hollywood film distributor Gravitas Ventures was recently named to the Forbes 30 Under 30 North America 2025 list in the Hollywood and Entertainment category.

Gasher says that recognition is truly meaningful to her as part of a long process of overcoming self-doubt. “It’s a little corny, but I’m big on vision boards and the Forbes list was always something on my vision board as a scrappy little Montrealer. Sometimes we’re the biggest blocks in our way, but we can’t put any limits on ourselves. You can be whatever the hell you want to be.”

‘A collaborative, tight-knit program’

Gasher’s goal shifted in her third year at Concordia. While she had always loved movies, she didn’t think she had the skills to become a filmmaker. In a radio newsroom class, though, she experienced the challenge of creating a radio program from the ground up with her classmates.

It was part of the entrepreneurial core of Concordia’s Journalism program that she loved, which teaches not just by analyzing the work of people in the field, but by putting students through the paces of how to be a journalist — from cold-calling and setting up interviews to working the newsroom and producing a documentary.

“It was less top-down and more of a collaborative, tight-knit program that allowed you to delve into your strengths and be curious and question things,” says Gasher. “I came to realize that process is kind of how production works, so I thought, maybe I could translate my journalism skills to the film industry and be a producer.” She was right. “Every day I use the skills and confidence I acquired in my degree. Sometimes the expectations felt terrifying, but real life is terrifying.”

From a friend, Gasher learned about the now-defunct Creative Mind Group, which matched college interns to sales and production companies who needed assistants at film festivals. She landed an internship with Double Dutch International, joining the small Canadian company at Cannes in 2017.

A path to success

A woman and man sit outside in the sun on a cold day with takeout coffee cups in front of them “The university was like home to my dad, and many of his colleagues became kind of like family,” says Danielle Gasher, pictured with her father Mike.

Some of Gasher’s work was sometimes mundane — making coffee, doing administrative tasks — but she was also reading scripts, providing script coverage, and taking notes in meetings with executives talking about movies all day. It gave her the same thrill as her Concordia radio newsroom, running around wrangling different pieces with collaborators.

“You’ve got to send this distributor this script, find out how much this comparable movie made in the Middle East last year for this particular buyer. It just felt very rushed, and I love being in a rush.”

It went so well, Double Dutch hired her for two additional internships, at the Toronto International Film Festival (TIFF) and at American Film Market in Los Angeles, and then in a full-time coordinator role in Toronto when she graduated. Gasher quickly grew from assisting to selling to distributors, most notably in the notoriously difficult French-language market because of her French fluency. Her skills attracted the attention of Oscar-winning, Los Angeles-based production and distribution company Voltage Pictures, which was a dream, since they produced many of the movies she watched in theatres growing up, including The Hurt Locker, Dallas Buyers Club, I Feel Pretty and Wind River.

Although she joined the company during the COVID-19 pandemic in 2020, nothing slowed her growth. In a sales role, Gasher developed more relationships with international distributors along with an understanding of what movies would work in one market and not another, based on factors such as a country’s cultural norms or political context. It wasn’t long before she realized she didn’t just want to sell, she wanted to have a say in the movies she was selling.

Gasher found her next opportunity at the independent film distribution group Gravitas Ventures, known for the likes of The Mole Agent, an Oscar-nominated documentary, and the romantic drama Our Friend. She joined in late 2022 to co-head acquisitions and launch an international department.

She’s also leading the company into its next phase: production, which will enable her to influence films from their inception. “The goal is to be a vertically integrated company, producing and then distributing and licensing the films, which makes most financial sense and also allows the most creative control,” Gasher says, once again feeding off the thrill of a rush. “Gravitas has to remind me to slow down and take a breath sometimes.”



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