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Concordian nominated for prestigious contemporary art award

Fine arts alumna Karen Tam one of five nominees for prestigious MNBAQ honour
March 31, 2016
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By Isaac Olson


The full-scale, intricately detailed installations of Karen Tam, BFA 00, recreate true-to-life spaces ranging from Chinese restaurants to opium dens. Since graduating from Concordia, her work steadily has been exhibited across Canada, Europe and the United States — and she’s already booked solid for the next two years.

Karen Tam Karen Tam, BFA 00, is one of five finalists for the Musée national des beaux-arts du Québec’s contemporary art award.

Now, as Tam’s career continues to blossom, she’s just been named as one of five finalists for the prestigious Contemporary Art Award offered by the Musée national des beaux-arts du Québec (MNBAQ). The biennial award is aimed at mid-career, Quebec-based artists who have been professionally exhibiting their work domestically and abroad for more than 10 years.

This award was founded with a $400,000 Royal Bank of Canada donation. Another Concordia alumna, Diane Morin, MFA 03, was the inaugural recipient.

“I’m really happy to be nominated for this prize. It’s quite an honour,” says Tam.

“I am humbled by this recognition and to be in the company of the other four artists, as well as those who were nominated the last time, too. There are a lot of artists out there deserving of that, but I am just very happy to be a finalist.”

The MNBAQ award is designed to recognize and support artists and provide their already thriving career an extra boost. The award winner receives a $10,000 grant and a solo exhibition and publication and the museum acquires $50,000 in the artist’s works for its collection. That makes the prize’s total value about $100,000.

A jury will meet on April 5 to select the next winner, and a press conference will be held soon after to announce the selected artist. The winner’s exhibition is scheduled for spring 2017.

Terra dos Chinês Curio Shop For Terra dos Chinês Curio Shop (2012-2015), installed at Artspace in Peterborough, Ont., viewers entered a space that appeared to be real but was a façade of “DIY chinoiserie,” styled after a San Francisco or New York City Chinatown souvenir shop of the 1930s and 1940s.

Concordia beginnings

Tam says she had lifelong aspirations to become an artist. When she started in Concordia’s Faculty of Fine Arts, she majored in painting and drawing before switching to studio arts, with a minor in music.

Along the way she won several scholarships for her work.

The native Montrealer then headed south and earned an MFA in sculpture at the School of the Art Institute of Chicago in 2002, before furthering her education at Goldsmiths, University of London, in the United Kingdom. In 2014 Tam completed her PhD in cultural studies.

By then, her career as an artist was already in full swing. “While I was in London, I was going back and forth a lot between doing shows and residencies in Canada and in Europe. I was keeping busy, both exhibiting and doing artwork while getting my PhD,” she says.

“I am just sort of running with things now. It would be really nice if I could teach. I have some shows lined up for the next two years. The preparation for that takes a really long time, but if any teaching opportunity were to come up, I would take it.”

Over last few years, Tam has returned to her sculpture roots by creating, for example, antique porcelain vase replicas out of paper mâché or silver objects out of aluminum trays. She also does paper and wood cutting, in work related to traditional Chinese paper cutting.

She pursues these shorter projects while working on her time-consuming, life-size installations that art lovers can walk through, such as a karaoke bar or curio shop.

For an exhibition last summer in Peterborough, Ont., Tam recreated a Chinatown souvenir shop from the 1930s and ’40s. Her show, called “Terra dos Chinês Curio Shop,” incorporated objects she found, bought or fabricated using a variety of different materials, to the point that it was almost impossible for viewers to pick out which objects she created herself and which were the real thing.

“Installations come out of sculpture: it’s the creation of an environment that touches upon architecture and could involve all of your senses,” Tam explains. “I feel the need to just make art, and I have a long list of projects I want to finish.”



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