“The way we relate to the world” is a primary theme for visual artist Josée Pedneault, who recently completed a residency at Japan’s Tokyo Wonder Site thanks to an award from the Conseil des arts et des lettres du Québec.
Working in photography and mixed media such as painting, drawing and sculpture, Pedneault explores “the delicate structure of universal connections, seeking to understand the invisible links that exist between ourselves and the world,” she writes in her artist statement. “The work results in installations exploring recurrent themes reflecting on the human experience: the existential quest, the process of adaptation, and the notion of fate.”
Her public art projects include a permanent artwork in the McGill University Health Centre: Annedda is five murals of black-and-white photographs on ceramic tiles.
She explains on her website that the name of the work means “‘tree of life’ in the language of Stadaconé, an American first nation [which] disappeared 60 years following Jacques Cartier’s travel to Canada.”
Pedneault won Toronto’s CONTACT Photography Festival’s Portfolio Reviews Exhibition Award in 2015, and has also completed residencies in Iceland, Mexico, France and Poland.