Julie Robert

My research delves into the intricate cognitive processes of neurodivergent individuals, specifically the twice-exceptional, exploring their unique methods of perceiving, gathering, processing, and communicating information. I utilize materials typically found in domestic architecture as metaphors, thereby illustrating the diversity of cognitive and spatial identities.

Rooted in the exploration of materiality, my work draws parallels between the properties of these materials and brain functions, revealing the often-invisible mental processes at play. From this perspective, I aim to demonstrate the significant impact these dynamics have on the daily lives of neurodivergent individuals and their communities.

In welcoming this approach, I strive to foster coexistence and inclusivity, promoting the recognition and celebration of the richness inherent in diverse experiences. My work acts as a bridge between various perspectives, cultivating a deeper and more compassionate understanding of our shared human experience.

Julie Robert holds a BFA in Studio Arts (Sculpture), with Great Distinction, from Concordia University (2024) and is currently pursuing an MFA, supported by two Concordia Merit Scholarships. Her work garnered significant attention when she won a public art competition commemorating Canada’s most tragic rail disaster, a unanimous decision by a jury chaired by Danièle Archambault, former Director of Collections at the Montreal Museum of Fine Arts. This piece earned two Gold Certifications from the Grands Prix du Design de Montréal (2022) among other distinctions. In addition to her achievements, Julie was a finalist in the 1% public art competition for Candiac, Quebec, where she was commissioned to adapt her proposal for the town's linear park entrance. Her work has been exhibited at venues such as Art Mur, CIRCA, and Articule, and is part of several public and private collections.

julierobert.com

Julie Robert, Maux croisés, 2024. According to the text “ La Force des mots” by Raphaelle Lebel, winner of the youth writing competition RéCIcréation, which addresses various themes of grief. Copper, hand made paper and wood. 33 X 13 X 15 centimeters, 15 1/2 X 5 1/2 X 6 inches

Julie Robert, Point pivot, 2021. Point Pivot commemorates the victims of Canada’s most important rail tragedy when a train fell from a swing bridge into the Richelieu River in 1864, claiming the lives of 99 people. Corten steel, white concrete, limestone and in-ground solar lighting. 381 x 244 x 244 centimeters 150 x 96 x 96 inches Photo by Adrien Williams.