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Great Concordian: Yves Bélanger, award-winning cinematographer

‘Concordia opened my eyes to the possibilities of filmmaking’
April 16, 2025
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By Ian Harrison, BComm 01


Alt="A black and white photo in which Yves sits at a table with his arms crossed. He looks to his left at something in the distance." Photo by Jean-Francois-Cormier

When Yves Bélanger, BFA 84, was a boy in Sainte-Foy, Quebec, his father took him to see Stanley Kubrick’s 2001: A Space Odyssey.

“I had a physical reaction,” the award-winning cinematographer recalls. “After that, I was hooked on cinema.”

The young Bélanger’s nascent passion grew stronger. At age 12, he did an oral presentation on Kubrick and was later enthralled by the filmmaker’s classic, A Clockwork Orange.

Bélanger soon took up a camera himself and, later, found a group of like-minded peers at Concordia’s film school, now the Mel Hoppenheim School of Cinema.

“Concordia opened my eyes to the possibilities of filmmaking,” he says.

Bélanger’s career took off with the short film Killing Time in 2001, which earned him a Canadian Society of Cinematographers (CSC) award nomination. Further recognition came with the short film Wildflowers, which won a CSC award in 2003, and a nomination for the 2006 film Cheech.

A collaboration with director Xavier Dolan on Laurence Anyways (2012) earned Bélanger a Camerimage award nomination.

His major break, however, came when he worked on Dallas Buyers Club (2013) with director Jean-Marc Vallée. The Oscar-winning film marked a significant milestone in Bélanger’s career, and helped lead to projects like Brooklyn (2015), directed by John Crowley, for which Bélanger received a Canadian Screen Award for Best Cinematography, and three feature films with Clint Eastwood.

Without question, Bélanger’s most fruitful partnership was with his late friend Vallée, and also included the films Wild (2014) and Demolition (2016), as well as the HBO drama Big Little Lies (2017).

After the Montreal-born director tragically passed on Christmas Day 2021 — mere weeks after his final public appearance, a Concordia event with Bélanger — Bélanger helped to raise funds to endow scholarships in Vallée’s name in support of future filmmakers.

The Great Concordian’s most recent credits include the Eastwood thriller Juror No. 2, as well as the Québécois production Nos Belles-sœurs, René Richard Cyr’s film adaptation of Michel Tremblay’s celebrated play Les belles-sœurs.

A man with gray hair and beard holds a microphone Yves Bélanger at Concordia's 2021 Wild Talks Lecture event that featured Award-winning filmmaker Jean-Marc Vallée, who passed away shortly thereafter.

When you reflect on your time as a Concordia student, what stands out?

Yves Bélanger: I enrolled in 1980 from Quebec City, not speaking much English. My first feeling was like I was in a dreamland because we had cameras, editing tables, sound-mixing equipment and experienced professors and graduate students at our disposal.

I remember Rodney Gibbons, BFA 79, George Mihalka, BA 73, and Christian Duguay, attendee, 80, among others. We were exposed to great films in our classes. It was an inspiring time, and I still use some of the movies I saw back then as inspiration even now. I realized I wanted to be a cinematographer in my second year and by the time I graduated, I had already shot several short films as a director of photography. The training I received at Concordia and the camaraderie with fellow students was invaluable.

What are some of the factors that have enabled your success?

YB: Coming out of Concordia in the early ’80s, there wasn’t much of a cinema industry in Quebec. My generation had to wait until the end of the decade, and many of us got our start in music videos and commercials. We had to hustle to make names for ourselves, but that hard work paid off.

Another important factor for me was building relationships. For example, I got to work with Clint Eastwood because his camera operator, Steve Campanelli, BFA 83, was a classmate at Concordia. In fact, I can proudly say that many of my colleagues from Concordia are still part of my professional network today.

What advice do you have for students who may want to follow in your footsteps?

YB: First, if you want to become a director or a cinematographer, shoot anything and everything you can, even if it means working for free.

Second, be a nice person. You never know who will become important in the future. The person bringing you coffee one day could become an executive tomorrow. It’s a small industry, and being known as someone who is pleasant to work with will open many doors.

Lastly, stay humble and be patient. The first few years can be tough, but persistence pays off in this line of work.

How does it feel to be a Great Concordian?

YB: I was amazed and didn’t expect it at all. I feel very lucky. There are so many talented people from Concordia who have had great careers. Being named one of the Great Concordians is an honour, and it makes me reflect on the journey I’ve had. It’s also a reminder of the importance of the community we have built at Concordia, which continues to inspire me.

Take pride in our Great Concordians!



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