Honouring Black Presence
at Concordia University
The new public art program, Honouring Black Presence at Concordia, is a long-term initiative to celebrate the histories, presence, and futures of Black Concordians through the creation of ephemeral public artworks.
The university is piloting the new public art program with the first selected artist and aims to see the initiative grow into a 12-year project. The inaugural artwork will be on public display for approximately three years. The goal is for there to be a total of four cycles of three years and that each cycle will showcase the work of a different artist/group of artists.
2023 jury
- Cynthia Alphonse, project coordinator, President’s Task Force on Anti-Black Racism, Concordia University
- Dominique Dumont, Director Strategic Planning and Development, Facilities Management, Concordia University
- Dominique Fontaine, curator, cultural strategist, and founding director of aPOSteRIORI
- Annie Gérin, dean of the Faculty of Fine Arts, Concordia University
- Analays Alvarez Hernandez, curator, public art specialist, and assistant professor at Université de Montréal
- Leon Llewellyn, artist and educator and founding member of Black Art Histories Montreal (BAHM)
- Michaëlle Sergile, artist, cultural worker and Concordia graduate student
- Michèle Theriault, curator, writer and co-director of Periculum Foundation for Contemporary Art
Dawit L. Petros
Dawit is an Eritrean visual artist, researcher and educator based in Montreal. His work bridges the fields of art, design, architecture and history and aims to “interrogate how legacies of colonialism are enmeshed in current events.”

Charles Campbell, BFA 92
Charles is a Jamaican-born multidisciplinary artist, writer and curator based in Vancouver. He shares that his practice “animates the future imaginaries possible in the wake of slavery and colonization.”
His artworks, which include sculptures, paintings, sonic installations and performances, have been exhibited widely in Canada and internationally.

Anna Jane McIntyre and Charmaine Lurch
The only team submission withdrew from the competition.

Learn more about the submissions process for the inaugural installation.
Support this initiative and celebrate the foundational work and contributions of Black Communities and students at Concordia.