Ricardo Dal Farra, Ph.D.
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Biography
Dr. Ricardo Dal Farra (Buenos Aires, 1957) is a composer and new media artist, educator, historian, and curator working in the intersection of the arts, sciences, and technology. He is a Professor at the Music Department of Concordia University, Canada (http://goo.gl/SeuhUx).
He has been researcher and consultant on electroacoustic music and media arts history for UNESCO, France; director of the Hexagram Centre for Research-Creation in Media Arts and Technologies, Canada; associated researcher of the Music, Technology and Innovation Research Centre at De Montfort University, in the UK; senior consultant of the Amauta - Andean Media Arts Centre in Cusco, Peru; coordinator of the international research alliance DOCAM - Documentation and Conservation of the Media Arts Heritage; and director of the Multimedia Communication national program at the Federal Ministry of Education, Argentina.
Dal Farra has presented his sound-art, electroacoustic and visual-music works in more than 40 countries, and recordings of his pieces are published in 23 international editions (including CDs by Computer Music Journal and Leonardo Music Journal, by MIT Press). Among others, he received awards and commissions from the Sao Paulo International Arts Biennale, Brazil; the National Endowment for the Arts, Argentina, the Concours International de Musique Electroacoustique de Bourges, France; the Centro di Sonologia Computazionale of the University of Padua, Italy; and the International Computer Music Association.
For UNESCO, he conducted extensive research on Latin American electroacoustic music (https://cutt.ly/Ud7TfhZ in English, and https://cutt.ly/Ud7Ttmi in Spanish). Funded by The Daniel Langlois Foundation for Art, Science and Technology of Montreal, he created the largest collection publicly available of Latin American Electroacoustic Music, including a database with over 2,000 recordings of works digitally preserved, composed 1957-2007 by almost 400 composers, and 200,000 words (http://www.fondation-langlois.org/html/e/page.php?NumPage=556). Also, he made a substantial contribution to the ElectroAcoustic Resource Site - EARS project (http://ears.huma-num.fr).
Dal Farra is founder-director of the international conference series Understanding Visual Music – UVM (held in Canada, Argentina, and Brazil - https://www.facebook.com/UVMvisualmusic), and founder-director of the international conference series Balance-Unbalance (held in Argentina, Canada, Australia, United States, Colombia, the UK, and The Netherlands, among other countries - http://www.facebook.com/balanceunbalance) on how the media arts could contribute to solving the environmental crisis. He also has been leading art-science projects, like the three editions of the sound-art international contest organized with the Red Cross Climate Centre, and designed multiple art-science-technology educational programs.
Dr. Dal Farra was the artistic director of the Mexican electronic arts biennale Transitio in 2015, and a guest keynote at Congreso Internacional de Humanidades Digitales (2016) and SIGRaDi - Ibero-American Digital Graphic (2016), held in Argentina, and HDRio - I Congresso Internacional em Humanidades Digitais (2018) and Immersphere - International Fulldome Festival (2021) held in Brazil. He is an active member of several editorial boards: Leonardo/ISAST (MIT Press, USA), Organised Sound (Cambridge University Press, UK), Artnodes (UOC, Spain), and Resonancias - Musical Research Journal (Catholic University of Chile). He has served in the editorial board of Leonardo Music Journal (MIT Press), the Journal of Research on Music Education (ADOMU, Argentina), and the Journal of New Music Research (The Netherlands). Dal Farra is a member of the advisory board of the Fulldome Festival (Jena, Germany), a full member of Colegio Latinoamericano de Compositores de Música de Arte, and member of the board of ISEA International, formerly the International Society for the Electronic Arts.
Ph.D. in Study and Practice of the Arts. Post-doctorate in Art-Science - Applied Transdiscipline and Innovation.
Research activities
Selected research projects
Balance-Unbalance (BunB). Art, Science, Technology, Society and the Global Environmental Crisis.
7th BunB: Rotterdam, The Netherlands 2018. http://balance-unbalance2018.org/
6th BunB: Plymouth, United Kingdom 2017. http://balance-unbalance2017.org/
5th BunB: Manizales, Colombia 2016. http://www.balance-unbalance2016.org/
4th BunB: Phoenix, United States 2015. http://www.balance-unbalance2015.org
3rd BunB: Noosa, Australia 2013. http://www.balance-unbalance2013.org
2nd BunB: Montreal, Canada 2011. http://balance-unbalance2011.hexagram.ca
1st BunB: Buenos Aires, Argentina 2010. http://ceiarteuntref.edu.ar/eq-deseq-en
art! x climate. Sound-art miniatures international contest, organized with the Red Cross / Red Crescent Climate Centre.
Understanding Visual Music - UVM. Conferences: UVM Montreal 2011, UVM Buenos Aires 2013-2014, UVM Brasilia 2015. Also, academic and artistic activities in: Planetarium of Buenos Aires - Argentina 2013-2018, Planetarium of Bogotá - Colombia 2018, and Planetarium of Jena - Germany 2017-2018, among several others.
The aural body. Moving sound performance tools and techniques for 3D environments. Concordia University. 2013-2014.
Electronic Arts Education in Latin America. Current situation and trends in Argentina, Bolivia, Brasil, Chile, Colombia, Ecuador, Mexico and Venezuela. Argentina 2012-2013.
Latin American Electroacoustic Music Collection - The Daniel Langlois Foundation for Art, Science and Technology - Montreal, 2003-2005 and 2007-2008.
Historical aspects of Latin American Electroacoustic Music - UNESCO / Digi-Arts. France, 2002-2003.
EARS Glossary (Spanish version) - MTI, De Montfort University, UK.
Senior consultant for the Amauta Project in Cusco, Peru, since 2005.
Founding Director and principal researcher at Electronic Arts Experimenting Research Centre (CEIArtE-UNTreF) in Buenos Aires. Argentina, since 2002.
BaDArtE - electronic arts database (CEIArtE-UNTreF), Argentina.
redcatsur - a network of artists, scientists, engineers and theoreticians promoting collaboration in art, science and technology around Latin America.
National Ministry of Culture and Education, Argentina - multimedia communication, national standards for new media education,1996-2003.
National Ministry of Education, Science and Technology, Argentina - REDI, multimedia educational resources, with GTZ, Germany, and Apple, USA, 2000-2001.
Publications
Selected publications
Main publications (author and/or editor)
Papers from the 4th and 5th Balance-Unbalance International Conference. Tempe, United States and Manizales, Colombia. Special Section of Leonardo Statements [27 selected papers]. Guest Editor. Leonardo - Journal of the International Society for the Arts, Sciences and Technology. The MIT Press. United States. Online: July, 2017. Printed version: Part 1 - Vol. 51, No. 2,
pp. 175-200, April 2018; Part 2 - Vol. 51, No. 3, pp. 284-311, June 2018. https://www.mitpressjournals.org/toc/leon/51/2
https://www.mitpressjournals.org/toc/leon/51/3
Media-N, Journal of the New Media Caucus. Special issue on: Research-Creation: Explorations. Supporting Associate Editor. Fall, V.11 N.3. Scholarly electronic (ISSN 1942-017X) and print journal (ISSN 2159-6891). United States. 2015.
http://median.newmediacaucus.org/research-creation-explorations/
Papers from the 3rd Balance-Unbalance International Conference. Queensland, Australia, 2013. Special Section of Leonardo Transactions [15 selected papers]. Guest Editor. Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 47, No. 5, pages 489-514. The MIT Press. United States. 2014. http://www.mitpressjournals.org/toc/leon/47/5
New Music and Education. Sonic Ideas/Ideas Sónicas Journal. Special issue: guest editor.
Centro Mexicano para la Música y las Artes Sonoras [ISSN 2317-9694]. Mexico. 2013. http://www.cmmas.org/cmmas_eventos.php?&id=584&lan=en
ElectroAcoustic Resource Site (online). Music, Technology and Innovation Research Centre,
De Montfort University. United Kingdom, 2006-2007. http://www.ears.dmu.ac.uk
A journey of sound through the electroacoustic wires. Art and new technologies in Latin America. Ph.D. Thesis. Université du Québec à Montréal. Canada, 2006.
https://archipel.uqam.ca/2062/1/D1367.pdf
Latin American Electroacoustic Music Collection. The Daniel Langlois Foundation for Art, Science, and Technology. Canada, 2003-2005, 2007-2008, 2013-2014.
La música electroacústica en América Latina. UNESCO’s Digi-Arts. France, 2003.
Historical aspects of Electroacoustic Music in Latin America: From the Pioneering to the Present Days. Extensive research commissioned by UNESCO’s Digi-Arts. France, 2002-2003.
Módulos y Material de Apoyo para el Trayecto Técnico Profesional en Comunicación Multimedial (Ricardo Dal Farra, Coordinator). National Institute for Technology Education - National Ministry of Education, Science and Technology. Argentina. 2000-2003.
redi. Multidisciplinary oriented electronic database with multimedia educational resources. (Project Director: R. Dal Farra). National Ministry of Education, Science and Technology of Argentina, with support by the German Agency for Technology Education - GTZ and Apple Computers, Inc. Argentina, 2000-2001
Trayecto Técnico Profesional - Comunicación Multimedial. Documento Base (National standards for multimedia education - R. Dal Farra, Coordinator), National Institute for Technology Education - National Ministry of Culture and Education. Argentina, 1996-1999.
Book chapters, papers, texts, articles (author - partial list):
Design Art Science. La Tadeo DeArte journal. Special issue: guest editor. Jorge Tadeo Lozano University [ISSN 2422-3158 / ISSN 2590-6453] https://doi.org/10.21789/issn.2422-3158. Colombia. 2023. https://revistas.utadeo.edu.co/index.php/ltd
Investigación-creación, arte-ciencia… y después (entrevista a Ricardo Dal Farra). Entropia - Colección InterLocuções, Volumen III (eds. C. Rocha, O. Rodrigues, and C. Flexor). Brazil [submitted 2023].
Ecology ArtScience in a time of needed Symbiosis. International Symposium of Electronic Arts - ISEA2023. France. May 2023. https://isea2023.isea-international.org
Part of Computer Music History… (Trust Me, Latin America Has Always Been There!) [online Issn: 1531-5169 - print Issn: 0148-9267] Computer Music Journal. The MIT Press. United States. 2022-2023. http://www.computermusicjournal.org/index.html https://doi.org/10.1162/comj_a_00632
Nowhere to hide…! Somewhere to live…? in Anais do ENTROPIA: IX Simpósio Internacional de Inovação em Mídias Interativas [ISSN 2358-0488 - DOI 10.5281/zenodo.7515753] - Anais do 21o. Encontro Internacional de Arte e Tecnologia [2238-0272] - 9th. Balance-Unbalance. Rocha, Cleomar; Venturelli, Suzete; Cruz, Daniel; Dal Farra, Ricardo (Orgs). Universidad de Chile and Media Lab / BR. Chile and Brazil. 2023. https://zenodo.org/record/7515753#.Y9rJhS_717w
https://files.cercomp.ufg.br/weby/up/777/o/Nowhere_to_hide...!_Somewhere_to_live..._.pdf
https://siimi.medialab.ufg.br - https://siimi.medialab.ufg.br/n/155495-chamada-de-trabalhos
Transdisciplinaridade e inovação aplicadas, in Anais do ENTROPIA: IX Simpósio Internacional de Inovação em Mídias Interativas [ISSN 2358-0488] - Anais do 21o. Encontro Internacional de Arte e Tecnologia [2238-0272] - 9th. Balance-Unbalance. Rocha, Cleomar; Venturelli, Suzete; Cruz, Daniel; Dal Farra, Ricardo (Orgs). Universidad de Chile and Media Lab / BR. Chile and Brazil. 2023. DOI 10.5281/zenodo.7515789 https://zenodo.org/record/7515789#.Y9rKiC_717w
https://files.cercomp.ufg.br/weby/up/777/o/Transdisciplinaridade_e_inovação_aplicadas_.pdf
https://siimi.medialab.ufg.br - https://siimi.medialab.ufg.br/n/155495-chamada-de-trabalhos
Symbiosis between Images and Music in Immersive Environments. International Symposium of Electronic Arts - ISEA2023. France. 2023. [submitted: June 2022]
https://www.isea2023-proposals.org
Arte-Ciencia. Transdisciplina e innovación aplicadas. Postdoctoral research - manuscript. 2022.
Memory’s death… or the desire of immortality. International Symposium of Electronic Arts - ISEA2022 Barcelona Proceedings (pp. 692-694). [ISBN 978-84-08-47459-2]. Spain. 2022. https://isea2022.isea-international.org - https://isea2022.isea-international.org/event/short-papers-memorys-death-or-the-desire-of-immortality/
https://isea2022.isea-international.org/event/online-presentations/
https://www.youtube.com/watch?v=nv_oaesViWg&t=1597s
https://doi.org/10.7238/ISEA2022.Proceedings
Balance-Unbalance. Ecology and Citizenship. International Symposium of Electronic Arts - ISEA2022 Barcelona Proceedings (pp. 1000-1001). [ISBN 978-84-08-47459-2]. Spain. 2022. https://isea2022.isea-international.org - https://isea2022.isea-international.org/event/institutional-presentation-balance-unbalance-ecology-and-citizenship/
https://isea2022.isea-international.org/event/online-presentations/
https://www.youtube.com/watch?v=FWlUp9CfeEI&t=311s
https://doi.org/10.7238/ISEA2022.Proceedings
A forgotten, almost lost, and partially hidden piece of history: new media arts in Latin America. 2nd Summit on New Media Art Archiving - SNMAA and ISEA2022 Barcelona Proceedings (pp. 1137-1141). [ISBN 978-84-08-47459-2]. Spain. 2022.
https://isea2022.isea-international.org/event/2nd-summit-on-new-media-art-archiving/
https://doi.org/10.7238/ISEA2022.Proceedings
Práticas entre Planetários e Laboratórios de Arte e Tecnologia com Projeções Fulldome: Projetos Colaborativos e Redes de Sociabilidade entre Brasil e Argentina / Collaborative Fulldome Networks. eBook chapter (pp. 50-74), in A dimensão cultural nos processos de integração entre países de América Latina (co-authored with Andreia Machado Oliveira and Matheus Moreno dos Santos Camargo), edited by Suzuki, Cintra Nepomuceno, and Cerqueira de Araújo. Universidade de São Paulo [ISBN 978-65-87621-92-0, DOI 10.11606/9786587621920]. Brazil. 2021. http://www.livrosabertos.sibi.usp.br/portaldelivrosUSP/catalog/view/735/653/2420
Balance-Unbalance: The art of living in the physical world, in Proceedings of PANORAMAS 2021: 8th Balance-Unbalance International Conference (BunB) SIIMI and #20.ART. Rede Media Lab / BR, Brazil Polytechnic University of Valencia, Spain. 2021.
https://files.cercomp.ufg.br/weby/up/777/o/Balance-Unbalance_-_744.pdf
https://siimi.medialab.ufg.br/p/38651-anais-2021
Espectros Computacionais 360°/3D II para Panorama 360º: processo de criação da interface cérebrocomputador (BCI) na experiência narrativa e imersiva, in Proceedings of PANORAMAS 2021: SIIMI #20.ART and 8th Balance-Unbalance International Conference (co-authored with Luiza Guimarães and Randolpho Julião) [ISSN 2358-0488]. Rede Media Lab / BR, Brazil Polytechnic University of Valencia, Spain. 2021. https://siimi.medialab.ufg.br/p/38651-anais-2021 - https://files.cercomp.ufg.br/weby/up/777/o/Espectros_Computacionais_360_-_734.pdf
Humanidades e metamorfoses: interfaces cérebro-computador em “Espectros Computacionais 360°”, in Revista Brasileira de Humanidades Digitais - v.1, n.2 (pp. 195-211), January-June 2011 / Proceedings of the II Congresso Internacional em Humanidades Digitais - HDRio20/21 (co-authored with Dr. Luiza Guimarães). Brazil.
http://abhd.org.br/ojs2/ojs-3.3.0-9/index.php/rbhd/article/view/54/79
http://abhd.org.br/ojs2/ojs-3.3.0-9/index.php/rbhd/article/view/54 https://www.even3.com.br/hdrio2020/ - https://hdrio2020.org.br/
Acerca de “Apenas el aliento” de Patricia Martinez. Foreward. Book of scores and CD – multimedia. Colección Premio de Composición Casa de las Américas, 2021. Cuba. http://www.casadelasamericas.org/premios/composicion/2019/inicio.php
Balance-Unbalance. Ecology and Citizenship. Ubiquity: Journal of Pervasive Media. Vol. 7. (pp. 63-79). Intellect [ISSN 20456271, online ISSN 2045628X]. December, 2020. United Kingdom. https://www.ubiquityjournal.net - www.intellectbooks.com
Una visión del arte sonoro, y la electroacústica, desde América Latina. Historias no autorizadas de una tierra olvidada, for the catalog accompanying the exhibition Disonata. Arte en sonido hasta 1980 (on sound works by visual artists), curated by Maike Aden. September 23, 2020 to March 1, 2021. Museo Nacional Centro de Arte Reina Sofía. Madrid, Spain.
https://www.museoreinasofia.es/publicaciones/disonata
https://www.museoreinasofia.es/en/publicaciones/disonata
https://www.museoreinasofia.es/en/exhibitions/disonata
Investigación-Creación: Arte y Ciencia, Política y Economía. Updated and revised 2019 version from the original text published in “Creación musical, investigación y producción académica: desafíos para la música en la universidad” [a book edited by D. Quaranta, and published by CMMAS]. (pp. 48-63). Observatorio Iberoamericano de Artes Digitales y Electrónicas. Universidad de la República [ISBN 978-9974-0-1715-3]. Uruguay. November, 2019. http://elbaronrampante.com/OIADEPub.pdf
Also published online by gen.BA - Arte, Ciencia y Tecnología. Argentina. July, 2020. http://gen-ba.org/
Production of Fulldome Artistic Projects Among Southern Hemisphere Countries (co-authored with Andreia Oliveira and Matheus Camargo Moreno, Labinter - Federal University of Santa Maria, Brazil; Milena Szafir, #iR - Federal University of Ceara, Brazil; Luyanda Zindela, René Schmit, and Tasneem Seedat, Durban University of Technology, South Africa). [forthcoming].
About the History of Sound Art, Music and Technology in Latin America. Proceedings of the International Sound Art Curating Conference Series - ISACS17 held at ZKM, Center for Art and Media. Denmark and Germany. [forthcoming].
Experimental [media and computer art] Transdiscipline. Computer Art Congress, CAC.6. Guanajuato, Mexico. October, 2018. http://europia.org/cac6/
Transdisciplinary Collaborative Practices in Art, Science and Technology. International Symposium of Electronic Arts (ISEA2018). Co-authors: Andreia Oliveira (editor), Karla Brunet, René Alicia Smith, Lenara Verle, and Ricardo Dal Farra. South Africa. June, 2018
Arte, Educación, y Medios Electrónicos. Experiencias, desafíos y propuestas. Revista Observatório Itaú Cultural nº 24. Brazil. May, 2018.
http://www.itaucultural.org.br/revista-observatorio-24-arte-cultura-e-educacao-na-america-latina
Research-Creation in Latin America. Book chapter, in The Routledge Research Companion to Electronic Music: Reaching out with Technology, edited by Simon Emmerson. Routledge - Taylor & Francis Group [ISBN 978-1-472-47291-5]. United Kingdom. May, 2018.
Balance-Unbalance: Transforming Paradigms (Art <--> Environment). Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 51, No. 2, pp. 176-177.
The MIT Press. United States. April, 2018.
https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_01586
Is it possible to collaborate? Transdisciplinary [art] experiences in education, research, and creation. International Symposium of Electronic Arts (ISEA2018). South Africa. [submitted: 2018].
Cuando la Tierra suena …y nosotros escuchamos. Text (on soundscape, art, culture and society) for the research project and publication Argentina Suena. Argentina [forthcoming].
Interacciones y Comprovisación. New version from an original text published in 2011. Instituto Nacional de Música (INaMu). Argentina. [forthcoming].
Investigación-creación transdisciplinar. Cuando la música está integrada a …todo lo demás. Sonic Ideas/Ideas Sónicas journal, year 10 no. 19. Centro Mexicano para la Música y las Artes Sonoras (CMMAS) [ISSN 2317-9694]. Mexico. October, 2017. http://sonicideas.org/index.php?vol=10&num=19
Investigación-Creación: Arte y Ciencia, Política y Economía (…o la permanente búsqueda por eludir al Sistema). Book chapter in “Creación musical, investigación y producción académica: desafíos para la música en la universidad” [compiled by Daniel Quaranta], pp. 55-86. Centro Mexicano para la Música y las Artes Sonoras (CMMAS) [ISBN: 978-85-5512-310-8]. Mexico. October, 2017. https://cmmas.org/store.php?lan=es&accion=viewDetail&id=2043
Interacciones Electro[±]Acústicas (Entre la composición, la improvisación y la comprovisación) - versión 2015, revisada y actualizada. Updated and revised 2015 version. In Sonic Ideas/Ideas Sónicas journal, year 9 no. 18. Centro Mexicano para la Música y las Artes Sonoras (CMMAS) [ISSN 2317-9694]. Mexico. October, 2017. http://sonicideas.org/index.php?vol=9&num=18
A Transdisciplinary Approach to Research-Creation. (When Art is Part of… Everything Else). Proceedings of the 23rd Symposium on Electronic Arts - ISEA2017. Manizales, Colombia. June, 2017.
Was part of the media arts history swept under the carpet? (Latin America’s lost ark). Proceedings of the 23rd Symposium on Electronic Arts - ISEA2017. Manizales, Colombia. June, 2017.
Space-time (dis)placement [(Des)locamento Espaço-Tempo]. Curatorial text for the Immersphere fulldome festival and exhibition. Brasilia, Brazil. May, 2017. http://immersphere.com.br/en/festival/curators/ricardo-dal-farra/
About the history of music and technology in Latin America. InterArtive, a platform for contemporary art and thought, Issue #90. Spain. December, 2016. http://interartive.org/2016/06/art-new-media-latin-america-call/
Memory’s death… or the desire of immortality. Proceedings of the 5th Computer Art Congress, CAC5. Paris, France. October, 2016.
From the other side: About the history of e-art in Latin America. Book chapter in: Mutações, Confluências e Experimentações na Arte e Tecnologia, edited by S. Venturelli and C. Rocha, published by PPG-ARTE/UNB; and Proceedings of the 15° Encontro Internacional de Arte e Tecnologia (#15.ART): arte, ação e participação. Brasilia, Brazil. October, 2016. https://art.medialab.ufg.br/p/10112-presentation
Why didn’t you tell me this before? (Maybe you didn’t want to hear this side of the story). Alternative Histories of Electronic Music, international conference. The Science Museum Research Centre, London. England. 2016. https://ahem2016.wordpress.com
Arte sonoro y acciones humanitarias. Espacios Sonoros 2016: La ciudad como lugar de experimentación, creación e investigación plurisensorial. Publisher: Universidad Autónoma de Madrid. [ISBN: 978-84-617-9814-8]. Spain. 2017. http://espaciossonoros2016.blogspot.ca
Repensando la Holocubierta. Artmedia 15. Universidad Maimónides. Argentina. 2015.
Brisser les paradigms: arts électroniques et actions humanitaires. Circuit, musiques contemporaines. Vol. 25, No. 2, 9-20. Canada: Les Presses de l'Université de Montréal. 2015.
Breaking Paradigms: Electronic Arts & Humanitarian Actions. International Symposium on Electronic Arts - ISEA2015 conference. Canada. 2015. http://isea2015.org/proceeding/submissions/ISEA2015_submission_11.pdf
Arte, Ciencia y Tecnología como un Ensemble Resonante de Acciones Ambientales Responsables. Book chapter, in: Ecología desde el Arte Digital. Caldas University, Colombia and Telefónica Foundation. Publisher: Ariel [ISBN: 978-980-271-546-6]. Venezuela. 2015.
Humid Balance. In Water Views: Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14 e-book (pgs. 384-387) Editor: Suzon Fuks. Igneous Incorporated [ISBN: 978-0-9925610-0-0]. Australia. 2015.
http://water-wheel.net/resource_files/3wds14ebook.pdf
Breaking Paradigms: Electronic Arts & Humanitarian Actions. Balance-Unbalance 2015 international conference at Arizona State University, Tempe. United States, 2015.
http://www.balance-unbalance2015.org/?page_id=228
Balance-Unbalance: art and environmental crisis. Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 47, No. 5. The MIT Press. United States. 2014. https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00815
Red Cross / Red Crescent Climate Centre and Balance-Unbalance: the Art! ⋈ Climate Project (co-authored with Dr. Pablo Suarez). Leonardo - Journal of the International Society for the Arts, Sciences and Technology. Vol. 47, No. 5. The MIT Press. United States. 2014. https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00818
Computer art –for all– in times of global crisis? Proceedings of the 4th Computer Art Congress, CAC4, Brazil. September, 2014. http://cac4.eba.ufrj.br
Transformational Art-Science Actions in Times of Global Crisis [submitted – ARTEM Research Alliance, France]. 2014.
About precarity and musical thinking (contribution; thematic: ‘precarity’ - collective writing). To be integrated in Inflexions: A Journal for Research Creation. SenseLab. Concordia University. Canada. 2014.
El archivo de música electroacústica latinoamericana… 10 años después. Artnodes - Journal on Art, Science and Technology. No 13 (2013) Universitat Oberta de Catalunya - UOC [ISSN 1695-5951 - https://doi.org/10.7238/a.v0i13.2000]. Spain. 2014.
http://journals.uoc.edu/ojs/index.php/artnodes/article/download/n13-dal-farra/n13-dal-farra-es
Balance-Unbalance and our daily uncertainty. Can the Arts Help to Save the World? Proceedings of the Balance-Unbalance international conference 2013 at Noosa, UNESCO’s designated biosphere. Australia. 2013.
Can the Arts Help to Save the World? Leonardo - Journal of the International Society for the Arts, Sciences and Technology [guest editorial]. Vol. 46, No. 2, 110. United States: The MIT Press. 2013.
https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_e_00524
Concerning Ideas and Facts. Sonic Ideas/Ideas Sónicas Journal (bilingual isue on: New Music and Education). Centro Mexicano para la Música y las Artes Sonoras (CMMAS). Mexico. 2013.
http://www.sonicideas.org/info.php?vol=5&num=9&secc=notes
Balance-Unbalance and our daily uncertainty. Mutamorphosis conference 2012. Prague, Czeck Republic.
Interacciones Electro[±]Acústicas (Entre la composición, la improvisación y la comprovisación). En el límite, escritos sobre arte y tecnología. Universidad Nacional de Lanús. Ediciones UNLa [ISSN 2250-6136]. Argentina. 2011. http://www.unla.edu.ar/public/en_el_Limite/index.php?cual=1
Acerca del CMMAS. Lustro 01. CMMAS 2006-2011. Centro Mexicano para la Música y las Artes Sonoras [ISBN 978 8201-05-1]. Morelia, Mexico. 2011.
Posibles Infinitos. Essay included in the catalog of Víctor Magariños D. Exhibition: Presencias Reales. MUNTREF museum. Argentina. 2011.
Diseñando el Holodeck. Ideas Sónicas/Sonic Ideas, Vol. 3 No. 1. Centro Mexicano para la Música y las Artes Sonoras [ISSN 2317-9694]. Morelia, Mexico. 2010.
Re-thinking the gap. Electroacoustic music in the age of virtual networking. Proceedings of the Electroacoustic Music Studies Network – EMS09 international conference. Argentina. 2009.
http://www.ceiarteuntref.edu.ar/dalfarra
http://www.ems-network.org/ems09/papers/dal_farra.pdf
Alternative models for research/creation in the digital world. Between interdisciplinary artistic experimentation, new educational paradigms and technology-based cultural industries. Published in the book: Society of Information and Communication. Emerging Technologies and their Applications in Society and Arts. Proceedings of the Second Czeck-Argentine “e-Golems” (ISBN 978-987-25203-0-4). Argentina. 2009.
The Southern tip of the electroacoustic tradition. Circuit, musiques contemporaines. Vol. 17, No. 2, 65-72. Montreal: Les Presses de l'Université de Montréal. 2007.
http://www.erudit.org/revue/circuit/2007/v17/n2/016840ar.pdf
Something lost, something hidden, something found: electroacoustic music by Latin American composers. Organised Sound Vol. 11 No. 2, 131-142. UK: Cambridge University Press. 2006.
Recent Actions to Preserve, Document and Disseminate Fifty Years of Latin American Electroacoustic Music. Leonardo Electronic Almanac, special issue: Research Our Origins. United States. 2005.
50 años de arte y tecnología en América Latina. Arte & Media symposium, Primer Encuentro Iberoamericano de Nuevas Tendencias en Arte y Tecnología. Spain. 2005.
Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composers. International Computer Music Conference. United States. 2004.
Educación a través de la comunicación multimedial como propuesta de cambio para la comunidad. VI Jornadas de Artes y Medios Digitales. Simposio: Prácticas de Comunicación Emergentes en la Cultura Digital. Córdoba, Argentina. 2004.
Latin American Electroacoustic Music Collection. The Daniel Langlois Foundation for Art, Science and Technology. Canada. 2004.
English version: https://www.fondation-langlois.org/pdf/e/Dal_Farra_EN.pdf
French version: https://www.fondation-langlois.org/pdf/f/Dal_Farra_FR.pdf
Spanish version: https://www.fondation-langlois.org/pdf/e/Dal_Farra_ES.pdf
Sound of the spheres, music of space. Text for an exhibition of Marc Fournel's Tontauben interactive project at Oboro art center. Montreal, Canada. 2004.
An electroacoustic music collection project (or how to open the cage and let them fly). Commissioned article, fineArt forum (fAf), vol. 17 issue 4. Australia. 2003.
REDI, on line educational resources for the development of professional multimedia skills. World Conference on E-Learning in Corporate, Government, Health, & Higher Education. Vol. 2002 (1). Canada. 2002.
Multimedia Communication - A National Program for High Schools to Develop Professional Multimedia Skills. World Conference on Educational Multimedia, Hypermedia and Telecommunications, Vol. 1999, No. 1. United States. 1999.
Una Propuesta Educativa Integradora: Producción Musical. Boletín de Investigación Educativo-Musical. Argentina. 1998.
Music, New Technologies and Latin America. Proceedings of IV Simpósio Brasileiro de Computação e Música. Brasilia, Brazil.1997.
A Southerner's Perspective, Computer Music Journal Vol. 20 Number 3, pp. 36–37. The MIT Press. United States, 1996. https://doi.org/10.2307/3680821
Electroacoustic and computer music in Latin America. Proceedings of the 1996 International Computer Music Conference. Hong-Kong. 1996.
An Integral Educational Project: Musical Production. Proceedings of I Simpósio Brasileiro de Computação e Música. Brazil. 1994.
Some comments about electroacoustic music (and life) in Latin America. Leonardo Music Journal Vol. 4. United States. 1994.
Un Proyecto Educativo Integrador: Producción Musical. Proceedings of VI Tribuna de Música de América Latina y el Caribe – Trimalca. Argentina. 1993.
Una visita al Center for Computer Research in Music and Acoustics. Musica journal. Sao Paulo University. Brazil. 1993.
An interview with David Jaffe. Journal of New Music Research, Vol. 22 No. 4. The Netherlands, 1993.
More than 90 articles on media arts, music and technology, published on periodicals of Argentina.
Artistic performances
Selected recordings
Red de Arte Sonoro Latinoamericano - RedASLA Vol. 5 - CMMAS, Mexico. 2018.
Ensamble Experimental Latinoamericano [forthcoming - Fondo de la Música del Consejo Nacional de la Cultura y las Artes, Chile]. 2016.
Red de Arte Sonoro Latinoamericano - RedASLA Vol. 4 - CMMAS, Mexico. 2015.
Accompanying CD/DVD: Ecología desde el Arte Digital - Caldas University, Colombia and Telefónica Foundation, Venezuela]. 2015.
Parte de la Historia. Vol. III. Centro Mexicano para la Música ylas Artes Sonoras - CMMAS. Mexico. 2014.
Accompanying DVD: Los instrumentos musicales autóctonos de América Latina (Native Latin AmericanMusical Instruments) by Frega, Ana Lucía and Luraschi, Graciela María [ISBN 987-987-1256-89-1] Argentina. 2011.
REC. memorias en tiempo real (Memorias delFestival “en tiempo real. nuevos encuentros sonoros 2009”). Fundación EspacioCero. Bogota, Colombia. 2010.
North and South project. Elektron Records. Sweden. 2009.
Leonardo Music Journal Vol. 15. Leonardo/ISAST. International Society for the Arts, Sciences and Technology . The MIT Press.United States. 2005.
Memoria del Primer Festival de Música Electroacústica - Música para un Nuevo Siglo. Cuenca, Ecuador. 2005.
Bonk. Bonk Festival of New Music, United States. 2004.
Computer Music Journal Vol. 23. The MIT Press. United States. 2000.
Bonk Thy Neighbor. Bonk Festival of New Music, UnitedStates. 1999.
Travels of the Spider. Pogus, United States. 1998.
Desde el otro lado. O.O.Discs, United States. 1998.
VOYS. A journal exploring sign in sound. United States.1997.
The Frog Peak Collaborations Project. Frog Peak Music.United States. 1997.
International Computer Music Association. ICMA - Commission Awards 1994-96. Computer Music Series Volume 25, CDCM - Centaur Records. UnitedStates. 1997.
Panorama de la Música Argentina - Compositores nacidos entre1957-1958. National Endowment for the Arts. Argentina. 1995.
The Aerial #6. Nonsequitur/What Next? United States. 1994.
Leonardo Music Journal Vol. 4. International Society for theArts, Sciences and Technology (ISAST), United States. 1994.
Contemporary Music Review - Live Electronics. UK. 1991.
Música Argentina del Siglo XX - Arturo Gervasoni. Circe. Argentina. 1989.
Música Contemporánea Argentina. Argentina Music Council. Argentina. 1988.
Música Electroacústica en Tiempo Real -Ricardo Dal Farra. IRCO - Cosentino Producciones. Argentina. 1987.