Dr. Eldad Tsabary

Articles

Bellemare Pepin, A., Estarellas, M., & Tsabary, E. (submitted). Melodies of the forest: Nature as an Improvisational Space for Shared Creative Embodiment. Ecopsychology, N/A(N/A).

Nguyen, P., & Tsabary, E. (2023). The aesthetics of deconstruction: Neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data. Journal of New Music Research, 52(2-3), 245-262. https://doi.org/10.1080/09298215.2024.2311651

Nguyen, P., & Tsabary, E. (2023). Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process. Organised Sound, 28(1), 1-12. https://doi.org/10.1017/S1355771823000237

Knotts, S., Betancur, C., Khoparzi, A., Laubscher, Melandri, Mynah Marie, Ogborn, D., Oka, C., & Tsabary, E. (2022). Negotiating Shared Live Coding Practices in SuperContinent, an Online Laptop Ensemble. eContact!, 21(1). https://econtact.ca/21_1/knotts-etal_supercontinent.html

Tsabary, E., Savage, D., Ogborn, D., Beckett, Christine., Szigetvári, A., Beverley, J., Del Angel, L.N., Leblond-Chartrand, J., & Park, S. (2019). Inner Ear: A tool for individualizing sound-focused aural skill acquisition. Journal of Music, Technology & Education, 12(3). https://doi.org/10.1386/jmte_00010_1

Tsabary, E. (2016). Stabilizing and Destabilizing Agents in Laptop Orchestra Improvisation. Cahiers de la Société québécoise de recherche en musique, 17(1), 39-49. https://doi.org/10.7202/1044668ar

Tsabary, E. (2016). Improvisation as an evolutionary force in laptop orchestra culture. Critical Studies in Improvisation / Études critiques en improvisation, 11(1-2). http://dx.doi.org/10.21083/csieci.v11i1-2.3714

Tsabary, E., & Woollard, J. (2014). Whatever works: An action-centred approach to creation and mediation in designing laptop orchestra performances. Gli spazi della musica, 3(2), 54-70. https://ojs.unito.it/index.php/spazidellamusica/article/view/818/661

Tsabary, E. (2009). Which aural skills are necessary for composing, performing, and understanding electroacoustic music and to what extent are they teachable by traditional aural training?. Organised Sound, 14(3), 299-309. https://doi.org/10.1017/S1355771809990112

Tsabary, E. (2007). A Survey of Audio Coders for Electronic-Art Music. eContact!, 9(4). http://cec.sonus.ca/econtact/9_4/tsabary.html

Book Chapters

Tsabary, E. (invited, in preparation). Orchestrating the laptop orchestra. In Delisle, J., Hasegawa, R., Noble, J., & Touizrar, M. (Eds.), The Oxford Handbook of Orchestration Studies. Oxford University Press.

Joshi, P.T., Tsabary, E., & Gamage, I.P. (2025). AI and Language: Transforming Communication in Health and Wellness. In Kukreti, M., Sehajpal, S., Tiwari, R., & Sood, K. (Eds.), Driving Global Health and Sustainable Development Goals With Smart Technology (pp. 181-212). IGI Global Scientific Publishing.

Tsabary, E. (2015). Atomes et structures sonores en électroacoustique : de la formation auditive à l’analyse et inversement. In Marty, N. (Eds.), Musiques électroacoustiques : Analyses ↔ Écoutes (pp. 189-208). Editions Delatour France.

Tsabary, E. (2012). Electroacoustic ear training. In Brown, A. R. (Eds.), Sound musicianship: Understanding the crafts of music (pp. 292-301). Cambridge Scholars Publishing.

Books

Tsabary, E., & Fitzgerald, O. (Eds.) (expected 2025). Collaboration in the Age of Heightened Individualism [working title]. Collaboration in the Age of Heightened Individualism [working title]. Cambridge Scholars.

Tsabary, E. (2013). The aural skills acquisition process of undergraduate electroacoustic (EA) music majors in the context of a new aural learning method. *The aural skills acquisition process of undergraduate electroacoustic (EA) music majors in the context of a new aural learning method* [Doctoral dissertation, Boston University]. ProQuest Dissertations and Theses. UMI: 3581107.

Conference Proceedings

Nguyen, P., & Tsabary, E. (2023). The phenomenology of deconstructivist aesthetics in music: An autoethnography of errors, erasures, permutations, discontinuities, paradoxes and artificial intelligences. In AI Music Creativity (August-September), University of Sussex, Brighton, UK. https://aimc2023.pubpub.org/pub/q8c63z7t/release/1?readingCollection=4d9db16c

Ogborn, D., et al., & Tsabary, E. (2022). Estuary 0.3: Collaborative audio-visual live coding with a multilingual browser-based platform. In The 7th International Web Audio Conference (WAC 2022), Nice, France. https://www.academia.edu/91465180

Nguyen, P., & Tsabary, E. (2022). Random Walks on Neo-Riemannian Spaces: Towards Generative Transformations. In AI Music Creativity Conference (AIMC) 2022, Hosted from Japan, held online. https://aimusiccreativity.org/2022-aimc/

Koren, M., Tsabary, E., & Focsaneanu, B. (2021). Promoting singing and music literacy in the primary classroom. In Horizons of Art 9 (September), Banská Bystrica, Slovakia. https://fmu.aku.sk/images/uav/HU_9/prispevky/Muntean__Weidenfeld__Koren__Tsabary.pdf

Marie, M., Knotts, S., Tsabary, E., & Laubscher, M. (2021). Layers of Unpredictability: Developing the Aesthetic and Identity of a Network-Based Live Coding Ensemble. In The International Conference on Live Coding (ICLC), Valdivia, Chile.

Ogborn, D., Beverley, J., Del Angel, L., Tsabary, E., & McLean, A. (2017). Estuary: Browser-based Collaborative Projectional Live Coding of Musical Patterns. In Third International Conference on Live Coding. http://iclc.livecodenetwork.org/2017/cameraReady/ICLC_2017_paper_78.pdf

Tsabary, E. (2016). Aural atoms and structures: From electroacoustic ear training to analysis and back again. In Electroacoustic Music Studies Network Conference (EMS) 2015, Sheffield, UK. http://www.ems-network.org/IMG/pdf_EMS15_Tsabary.pdf

Ogborn, D., Tsabary, E., Cárdenas, A., Jarvis, I., & McLean, A. (2015). extramuros: making music in a browser-based, language-neutral collaborative live coding environment. In First International Conference on Live Coding. http://iclc.livecodenetwork.org/2015/html/100.html

Tsabary, E. (2014). Music education through innovation: The Concordia Laptop Orchestra as a model for transformational education. In 8th International Technology, Education and Development Conference (INTED2014), Valencia, Spain.

Tsabary, E. (2009). Aural Training for Electroacoustics at Concordia University. In Toronto Electroacoustic Symposium 2008, Toronto, ON. http://cec.sonus.ca/econtact/11_2/tsabary_training.html

Research Areas

1. Finding ways to adapt the educational environment to emerging contexts, goals, and ways of knowing/learning among neurodiverse and culturally diverse individuals.
   
   
2. Using research-creation for investigating the nature of collective improvisation, creation, and mediation; and developing approaches and technologies for equitable, collaborative, inclusive, neurodiverse co-creation.
   
   
3. Developing strategies, pedagogies, and technologies for sound-focused ear training that encourage critical self-reflection, provide informative timely feedback, and foster self-motivated growth.

• Sound studies
• Sound-focused aural training
• Live electronic music
• Laptop Orchestra
• Live coding
• Collective improvisation
• Research-creation methodologies 
• Transformational education
• Collaborative education
• Motivation

RISE Mini-operas

1. A variety of emerging issues related to life during a global crisis (health, economy, societal, psychological, technological, political, ethical, human rights, EDI)
2. Opera culture: the defining elements of the opera medium, its history and present, and ways to expand and update opera practice.
3. Diversified collaboration across practices and abilities/career statuses—utilizing professional artists, student creators, and community musicians.
4. Speculative research, investigating the future via scenario enactments and collaborative critical reflection.
5. Practical/logistical production matters.

• (2023-06-1 to 12) Creator: Waste Whisperer, a sound installation about the waste crisis, offered by the RISE project as part of the Arts and Human Rights event, Concordia University.  
• (2023-04-13) Director: Concordia Laptop Orchestra: Coalesce, a telematic streamed performance.
• (2023-03-23) Director: Concordia Laptop Orchestra: Sanctuaries: A sonic space-exploration (Concordia University, Visualization Strudio)
• (2023-02-23) Director: Heart Tethers: A performance by the RISE Project, envisioned and led by Danielle Garrison, with Ryan McCullough, Concordia Laptop Orchestra, and community dancers (Concordia University, VPS EV 10.760)
• (2023-02-08) Director, performer: The Values in Our Hearts: A performance by the RISE Project, envisioned and led by Oonagh Fitzgerald (Concordia University, VPS EV 10.760) 
• (2023-02-02) Director: CLOrk's Groundhog Day Performance (Concordia University, MB8.245)
• (2022-12-02) Director, participant: yes no yes no yes no yes no yes no I don't know. A private improv workshop/performance by the RISE project with movement and tethering (Danielle Garrison), voice and body (Adriana Minu), and developmental transformation (Mira Rosenberg) at Concordia University's Department of Contemporary Dance 
• (2022-10-30) Orchestra director, performer: Concordia Laptop Orchestra at the Freespace Jazz Fest Hong Kong (a telematic performance)
• (2022-04-07) Director, performer: lost_connection: an opera by RISE and CLOrk about how technology fails us, at Concordia University's 4th space.
• (2022-03-17) Director, performer: Why do we dream? A lucid dream opera by RISE and CLOrk at the Performing Arts Research Cluster (LePARC)
• (2022-02-10) Director, live sound and telematics: Concordia Laptop Orchestra (CLOrk) - Dance with Chance (a YouTube concert)
• (2022-01-06) Orchestra director: Reaching the Kármán line, a Concordia Laptop Orchestra creation for Cambridge Festival 2022: Nature Minds (April 2022).
• (2021-12-11) Project director: Returning to the Trees—the Technological Burnout Crisis, a presentation of a RISE mini-opera by Sheena Bernett at Concordia's 4th Space
• (2021-12-16) Live coder: The Supercontinent live-code-of-conduct. A live coding performance with the Supercontinent ensemble at The International Conference on Live Coding (ICLC), Valdivia, Chile.
• (2021-11-26) Project director, sound coder (music and visuals): Cyber Identity Crisis—a RISE mini-opera at the Oscar Peterson Concert Hall, Montreal. 
• (2021-10-16) Director: A telematic collective improvisation by the Concordia Laptop Orchestra (CLOrk) at Concordia's 4th Space as part of the Montreal Connect event.
• (2021-10-15) Project director, performer: Returning to the Trees—the Technological Burnout Crisis. A creation of a RISE mini-opera by Sheena Bernett in the forest at St. Joachim, Quebec.
• (2021-10-14) Director, PI: A screening of Personal Pandemic, a digital mini opera by the RISE project, followed by a public panel. Montreal Connect event at Concordia's 4th Space. 
• (2021-10-13) Live coder: A networked live coding performance by the supercontinent ensemble, Montreal Connect event (online)
• (2021-09-22) Live coder: Code Healing: A live Coding and Soundscape Performance with Alana DeVito at The 8th International Conference on Arts and Humanities: Health in the Arts and Humanities (Online)
• (2021-06-28) Executive producer, Primary investigator: Premiere of "Personal Pandemic: A Socially Distanced Opera, created as part of the RISE project, https://youtu.be/Av0nOz6GPe4
• (2021-06-17) Live coder: SuperContinent: Global, collective live coding improvisation at The International Conference on New Interfaces for Musical Expression (NIME) 2021, https://youtu.be/7S0hFRui9GA
• (2021-04-16) Director, visuals: Concordia Laptop Orchestra with Juanita Marchand Knight (voice, composition) and Katrine Amsler (electronics), CLOrk: Opera in Le PARC (mixed messages, no pants), hosted by Le PARC and the RISE project (online), https://youtu.be/92soJT4NMXc
• (2021-03-26) Director: Concordia Laptop Orchestra, CLOrk's Spring Song: Live Networked Music (online), https://youtu.be/nqDlivgs4Os 
• (2021-02-26) Director: Concordia Laptop Orchestra, CLOrk's Into the Deep: Live Networked Music (online), https://youtu.be/HR2U_CmlLWU
• (2021-02-05) Director: Concordia Laptop Orchestra, CLOrk's Crystal Radio: Live Networked Music (online), https://youtu.be/9Fha4gqznSI
• (2020-11-25) Live coder: A mini-CLOrk performance at the 20-50 Anniversary celebration of Electroacoustic Studies at Concordia Music (online)
• (2020-10-31) Live coder: A Supercontinent performance in a community event at Yogyakarta Indonesia, organized by composer Rangga Purnama Aji 
• (2020-08-12) Live coder: A Supercontinent performance at the course New Music and Media Arts (taught by Prof, Ricardo Dal Farra at Concordia University, Montreal).
• (2020-07-18) Live coder, as part of the Supercontinent ensemble. A performance at the Network Music Festival 2020 (online).
• (2020-07-17) Electronics and ensemble direction. Trust is a One Way Street (TOWS), a performance with Amir Amiri (santur) and Mynah Marie (accordion and electronics) at the Network Music Festival 2020 (online).
• (2020-06-28 and 2020-05-31) Composer: Trombonist Andrew Pacht performs New Kid on the Mountain (2001) in remote recitals ("Fundraising Recital for Dan" and "In Solitude").
• (2020-06-10) Live coder: SuperContinent Live: A performance and conversation at Concordia University’s 4th Space.
• (2020-05-22) Live coder, as part of the Supercontinent ensemble. A performance at the HalfStack Online JavaScript event.
• (2020-05-04) Composer: Trombonist Andrew Pacht performs New Kid on the Mountain (2001) in a remote recital "Bone House Recital".
• (2020-03-19) Live coder, as part of the Supercontinent ensemble. A remote multi-continent live coding ensemble in the EulerRoom Equinox 2020 online algorithmic event.
• (2020-03-19) Composer: The piece Un sac avec un micro was broadcast on Martian Gardens—A Modern classical and experimental music radio show hosted by Max Shea on Valley Free Radio WXOJ 103.3 FM, Northampton, Massachusetts
• (2020-03-08) Composer: The piece Sunrise in Detroit was broadcast on Martian Gardens—A Modern classical and experimental music radio show hosted by Max Shea on Valley Free Radio WXOJ 103.3 FM, Northampton, Massachusetts.
• (2020-02-15) Live coder, as part of the Supercontinent ensemble. Algorave Tokyo at the Ochai Soup venue. A remote multi-continent performance to live audience in Tokyo.
• (2019-12-17) Performer, laptop and live coding. Electro-Acoustics at Mazkeka venue (Jerusalem). A quartet of improvisers with Mynah Marie (Accordion and live coding), Shira Legmann (keyboards and DIY synthesizer), and Or Sinai (Doublebass).
• (2019-06-14) Performer, Concordia Laptop Orchestra (CLOrk) - (all the same) (all different) by Kasey Pocius: A performance lead by Pocius at the Centro Cultural y de Convenciones, Teatro los Fundadores, Manizales, Colombia, as part of the Festival Internacional de la Imagen2019(2019-06-11) Performer, Concordia Laptop Orchestra (CLOrk) - an improvised street performance at Torre Del Cable, Manizales Colombia, as part of the Festival Internacional de la Imagen 2019.
• (2019-05-18) Concordia Laptop Orchestra (CLOrk) - (all the same) (all different) by Kasey Pocius: A performance lead by Pocius at the Embodied Interventions Le PARC event, in the EV building BlackBox, Concordia University.
• (2019-05-07) Concordia Laptop Orchestra (CLOrk) - (all the same) (all different) by Kasey Pocius: A performance lead by Pocius at the lauréats de bourses Hexagram 2019 event, Agora Hydro-Québec UQAM.
• (2019-04-11) Director, Concordia Laptop Orchestra (CLOrk) - CLOrk Believes in Spring: a collaboration with Gary Schwartz, Tariq Harb, Michael Pinsonneault, Corey Thomas, and Alex Paradis with video by Aidan Baker, at the Milieux Institute 11th floor lobby of the EV building, Concordia University.
• (2019-03-21) Director, Concordia Laptop Orchestra (CLOrk) - Text-Sound: with Swiss sound poets Vincent Barras and Jacques Demierre and singer Ayelet Rose-Gottlieb at The 4th Space (Library Building), Concordia University.
• (2019-03-07) Director, Concordia Laptop Orchestra (CLOrk) - Perfect Moments: with Max and Honey Pazhutan, at the Visualization Lab (Library building), Concordia University.
• (2019-02-07) Director, Concordia Laptop Orchestra (CLOrk) with DJ Ohm, Concordia University, Department of Music.
• (2019-01-14) Broadcast: the piece Tikkun Nefesh in the radio show Acoustic Frontiers (hosted by Ralph Hopper) on CKCU FM 93.1, Ottawa ON, Canada.
• (2018-12-31) Broadcast: the piece Silicon-based Life in the radio show Acoustic Frontiers (hosted byRalph Hopper) on CKCU FM 93.1, Ottawa ON, Canada.
• (2018-11-18) Director, Concordia Laptop Orchestra (CLOrk) at Music in New Technologies (MINT) forum, University of Kings College, Halifax, NS.
• (2018-07-02) Broadcast: the piece The Soul of the City in the radio show Acoustic Frontiers (hosted byRalph Hopper) on CKCU FM 93.1, Ottawa ON, Canada.
• (2018-04-12) Director, CLOrk goes Free Jazz, with Michael Pinsonneault and Eden Bahar, Department of Music, Concordia University.
• (2018-03-22) Director, Concordia Laptop Orchestra with Andrea Young, Concordia University, Department of Music.
• (2018-03-08) Director, Set Phasers To Stun: CLOrk, Amanda Christie, & Damaris Baker, Eastern Bloc, Montreal.
• (2017-12-08) Live coder. Cybernetic Orchestra: Cybernetic Orchestra and friends. A collaborative Estuary/TidalCycles performance at ICLC Algorave 2 at Jeudi 27, Morelia, Mexico.
• (2017-04-14) Director, performer. CLOrk with guests Kathy Kennedy, Elizabeth Millar, Mallika Guhan, and Channel No One (Eric Séguin & Justin Wright), Eastern Bloc, Montreal.
• (2017-04-04) Collaborator. CLOrk at L'Arsenal, a mobile phone interactive performance organized by Ilyaa Ghafouri. Part of TD Cultural Tuesday, Montreal.
• (2017-03-23) Director, CLOrk with Kathy Kennedy and Damaris Baker, Concordia University, Music Department.
• (2017-03-11) Director, performer. Eldad Tsabary and the SARU Laptop Orchestra, Audiograft Festival, Old Fire Station, Oxford UK.
• (2017-02-09) Director, CLOrk - No Complaints, a collaboration with electroacoustic duo No Complaints (Fernando Alexis & Line Katcho), Concordia University, Music Department.
• (2017-02-08) Broadcast: the program Six Pillars by Fari Bradley featured the piece Homo Religiosus on Resonance FM, 104.4 FM, London UK.
• (2016-10-21) Director, CLOrk at Akousma Festival 2016, Usine C, Montreal.
• (2016-09-29) Director, CLOrk 22h22 : Ariane Moffatt with Concordia Laptop Orchestra at the Musée d'art contemporain de Montréal (MAC), part of Les Journées de la culture, organized by Culture pour tous.
• (2016-04-07) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with QUADr (Myriam Boucher, Alexis Langevin-Tétrault, Lucas Paris, and Pierre-luc Pierre-Luc Lecours) and Choeur Élan Choir (directed by Damaris Baker). Concordia University, Music Department.
• (2016-03-24) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with Nashim Gargari and Jeremie Jones. Concordia University, Music Department.
• (2016-03-24) webcast: Martian Gardens, Taint Radio Version. Piece: Creatures of the Ice (2006).
• (2016-03-10) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk and Sponge, with Martin Marier. Concordia University, Music Department.
• (2016-02-18) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with Le Trio Carson (Alain Lefebvre, Hazy Montagne Mystique, & Guillaume Vallée). An audiovisual performance. Concordia University, Music Department.
• (2016-02-04) Organizer, director. Concordia Laptop Orchestra (CLOrk): CLOrk with CCRMA and York. A telematic performance with Chris Chafe, Michael Palumbo, Michael Pinsonneault, and others. Concordia University, Music Department.
• (2015-11-06) Organizer, conductor, presenter. Concordia Laptop Orchestra (CLOrk) at the Learning and Teaching Music in the Twenty-First Century: The Contribution of Science and Technology 2015, McGill University, Montreal.
• (2015-10-30) Live coder: Shared buffer #10. A telematic performance at the 139th International Audio Engineering Society (AES) Convention, Jacob Javits Centre, New York City, a concert organized by Michael Palumbo.
• (2015-10-16) Composer: a piece at the 60x60 Presenters mix, played at the Fleischmann Planetarium and Science Centre in Reno, Nevada (organized by Vox Novus).
• (2015-09-26) Live coder, presenter: Shared buffer #9. 41st International Computer Music Conference (ICMC) 2015, Denton, Texas.
• (2015-07-29) Live coder: Shared buffer #8. 12th Sound and Music Computing Conference (SMC) 2015, Maynooth University, Ireland.
• (2015-07-13) Live coder: Shared buffer #7. International Conference on Live Coding (ICLC) 2015, Leeds, UK.
• (2015-05-29) Live coder: Shared buffer #6. Web We Want Festival, Southbank Centre, Belvedere Road, London.
• (2015-04-09) Organizer, conductor. Concordia Laptop Orchestra (CLOrk): Shedding. Featuring anaudiovisual piece with piano by Jamie Woollard and Nania Sergi, a piece by Bennett Dobni, and a telematic (phone) collaboration with Stephen Cooley.
• (2015-03-26) Organizer, conductor. Concordia Laptop Orchestra (CLOrk): Game of Drones. Featuring a telematic collaboration with Doug Van Nort and his York University Laptop Ensemble, live coding with tidal and extramuros, and pianist Tram Minh Nguyen. Concordia University, Music Department.
• (2015-02-19) Organizer. Concordia Laptop Orchestra (CLOrk): Laptops…in…spaaaaaaaace. A performance featuring NASA sounds, network music, and a tribute to film music. Concordia University, Music Department.
• (2015-01-29) Organizer, conductor. Concordia Laptop Orchestra (CLOrk): The Waiting Room. A collaboration with Eric Boivin and Albérick. Concordia University, Music Department.
• (2015-01-15) Curator. FARR 60 x 60: a month-long installation at the Concordia Fine Arts Reading Room, exhibiting 8 student sound works inspired by books in the collection.
• (2015-01-14) Co-organizer, Music director. 60x60 Concordia Music-video-dance-theatre-lighting. DB Clark theatre.
• (2014-11-20) Composer. HaGuGum (for trombone and piano). 75th OSM Standard Life competition (semifinals) at Tanna Schulich Hall, McGill University.
• (2014-11-15) Live coder. Shared Buffer #5. The 12th annual Piksel Festival (Bergen, Norway).
• (2014-11-01) Flutist, pianist. A tribute to Nitza Parry. Federation CJA.
• (2014-10-18) Laptop performer (live coder). Shared Buffer #4. Electronic Music Midwest (Lewis University, Romeoville, IL).
• (2014-10-11) Network manager, live coding performer. Telematic Embrace: You had me at hello world. Telematic (Hexagram blackbox, Montreal and CCRMA, Stanford University).
• (2014-09-28) Laptop performer (live coder). Shared Buffer #2. Network Music Festival, Birmingham.
• (2014-07-19) Composer. Creatures of the Ice (2005). World Listening Day Events, NAISA space, Toronto.
• (2014-05-24) Laptop performer (live coder). Shared Buffer #1. TransX festival (NAISA space, Toronto, telematic).
• (2014-05-21) CLOrk director. CLOrk at CCA (Media and Machines exhibition). Canadian Centre for Architecture (CCA).
• (2014-05-12) Laptopist, CLOrk director. CLOrk playing Trésors caches at the opening of 83e Congrès de l'Acfas. Concordia University, Montreal.
• (2014-05-03) Artistic collaborator, technical director. Yodel EA OH!. Multi-local (telematic) as part of Deep Wireless Festival (NAISA, Toronto).
• (2014-05-02) Composer. Juicer (2014). Sonic Vigil 8 at National Sculpture Factory, Cork City, Ireland.
• (2014-04-13) Composer. HaGuGum (for trombone and piano). 13th street piano series, Canadian Music Centre.
• (2014-04-10) Director, organizer. Blind dates, animals, spectrograms, and things of that nature. Concordia University, Music Department.
• (2014-03-20) Organizer, director. Spring Equinox in Sound. Phi Centre, Montreal.
• (2014-03-06) Director, organizer. CLOrk into Darkness. Concordia University, Music Department.
• (2014-02-13) Co-organizer, CLOrk director. CLOrk Presents: An Improvisational Collaboration with Bradyworks, Doug Van Nort, Ricardo Dal Farra, Concordia Contemporary Ensemble. Concordia University.
• (2014-01-30) Organizer, Orchestra director. Dancing with Laptops. Concordia University.
• (2014-01-15) Co-organizer, Music director. 60x60 Concordia Music-video-dance-theatre-lighting. DB Clark theatre.
• (2013-10-22) Co-director. BeatBits: A telemetronomic piece for two laptop orchestras. CentralConservatory of Music in Beijing Concordia University McMaster University.
• (2013-04-11) Director. Blast Class (by Concordia Laptop Orchestra). Concordia University.
• (2013-03-23) Composer, conductor. Creation for laptop and symphonic orchestras. With Orchestre symphonique de l'Isle at Oscar Peterson Concert Hall (Montreal).
• (2013-03-07) Director. Concordia Laptop Orchestra and Acoustic Friends - Liveware!. Concordia University.
• (2013-02-23) Composer, conductor, director. Small World Network: A telematic piece for laptops and acoustic ensembles. Birmingham Network Music Festival.
• (2013-01-17) Director, conductor. Live EA with CLOrk. Concordia University.
• (2013-01-15) Co-organizer, Music director. 60x60 Concordia Music-video-dance-theatre-lighting. DB Clark theatre.
• (2012-05-25) Director, conductor. CLOrk at Matralab. Hexagram Black Box: Matralab Comprovisation Workshop.
• (2012-05-01) Organizer, musical director. Hug The World 2012. Deep Wirless Festival (telematic): 24 cities worldwide.
• (2012-04-04) Composer, conductor, co-organizer. Dance and EA. Concordia University.
• (2012-03-23) Composer, conductor, director. Baryon Acoustic Oscillations. ToBeContinued 2012: stazione di topolò (Italy) Concordia University.
• (2012-01-28) Conductor, co-organizer. CANDLE telematic performance. Calgary University: Happening festival Concordia, McMaster, and Alberta Universities.
• (2012-01-12) Organizer, conductor. CLOrk with Art Clay. Percolation Turbulence event @ Atomic Caféaccueille (Montreal).
• (2011-11-20) Composer, conductor. Dancity: A telematic piece for mixed laptop, jazz, and chamber ensembles. Concordia NYU UCSD Queens U (Belfast) Hamburg Hochschule.
• (2011-11-11) Conductor, co-organizer. CLOrk at CEC25. Canadian Electroacoustic Community’s 25th anniversary (Montreal).
• (2011-04-23) Laptop performer. Telematic Transform Music. Telematic: NYU, Concordia, UCSD, UC Irvine, University of Washington (DXArts).
• (2011-04-01) Conductor, director. Bring Your Own Laptop Ensemble. S.A.T. (Montreal): TAMUKE Offrandes pour le Japon / Offerings for Japan.
• (2011-03-25) Co-composer, conductor, organizer. Concerto for T-Stick and Two Laptop Orchestras. DB Clarke Theatre (Montreal).
• (2011-01-29) Co-composer, conductor. Durées: A Canada Distributed Laptop Ensemble piece. Telematic: Concordia, Calgary University, U of Alberta (Edmonton).
• (2010-08-04) Composer, flutist, laptopist. Tikkun Nefesh for flute and 12 channel electronics. Toronto Electroacoustic Symposium at Wychwood Artscape Barns (Toronto).
• (2010-05-30) Director, curator. 60x60 Order of Magnitude. Congress 2010: FOFA Gallery, Concordia (Montreal).
• (2010-05-22) Composer. Fire in the Wire in 60x60 at 35 venues worldwide.
• (2010-05-08) Co-composer, flutist, laptopist. From My Home to Your Home: A 20-minute multichannel telematic duet. Telematic: Deep Wireless Festival (Toronto) Concordia (Montreal) Calgary U.
• (2010-02-17) Composer, organizer. Tikkun (healing) for trombone and 10-channel electronics. Oscar Peterson Concert Hall (Montreal).
• (2010-02) Article: Musicworks Magazine, Issue #108 featured an article titled "Composing Religion" about Tsabary's piece Tikkun Nefesh (also included in the #108 CD release), https://www.musicworks.ca/featured-article/works/eldad-tsabary.
• (2009-10-01) Co-composer with Rob Voisey. Outside Turn. The Phillips Collection (Washington).
• (2009-08-05) Laptop, flute. Live electronic improvisation. New Adventures in Sound Art (Toronto): Sound Travels Intensive concert.
• (2009-08-04) Co-composer with Yifat Cohen. Heart-lung Machine. New Adventures in Sound Art: Sound Travels Intensive concert.
• (2009-05-16) Composer. In Memoriam Karlheinz Stockhausen. Elektramusic at CEAAC de Strasbourg.
• (2009-04-22) Webcast: Elektramusic WebRadioshow for Experimental Music featured the piece Tzu Chi MTL.
• (2008-07) Album track: 60X60 2006-7 by Vox Novus with the piece One Minute under God (2005).
• (2008-06-06) 1-2-3-4-5-6-7 (2007) as part of a 60x60 video collaboration with Zlatko Cosic at installation at Stimultania art gallery in Strasbourg, France.
• (2008-06-28) webcast: Episode 210, Some Assembly Required featured the piece Into-Nation by host Jon Nelson.
• (2008-05-01) The commissioned piece Whole Heartiness (2008) featured at the Deep Wireless festival and in “Outfront” on CBC Radio.
• (2008-05) Album track: V/A Deep Wireless V Radio Art Compilation by New Adventures in Sound Art, includes the piece Creatures of the Ice (2006).
• (2008-04-19) 1-2-3-4-5-6-7 (2007) as part of a 60x60 at CSUF Second Annual New Music Festival California State University, Fresno, California.
• (2008-04-19) 1-2-3-4-5-6-7 (2007) as part of a 60x60 at Los Angeles Harbor College, Wilmington, California.
• (2008-04-13) 1-2-3-4-5-6-7 (2007) as part of a 60x60 at Oxford Brookes University, Oxford, England.
• (2008-04-04) 1-2-3-4-5-6-7 (2007) as part of a 60x60 video collaboration with Zlatko Cosic at installation at New Music Circle, St. Louis, Missouri.
• (2008-02-01) The piece In the Eye of the Believer (2006) in the FILE Rio 2008 edition at Oi Futuro (Rio de Janeiro, Brazil); the festival will also feature the piece God is Good to Daddy (2003) as part of Agricola de Cologne’s Memoryscape installation.
• (2008-02-26) 1-2-3-4-5-6-7 (2007) as part of a 60x60 installation at Spark Festival, Minneapolis University, Minneapolis, Minnesota.
• (2008-02-20) 1-2-3-4-5-6-7 (2007) at Duquesne University, Pittsburgh, Pennsylvania as part of the 60x60 (2007) video collaboration with Zlatko Cosic.
• (2008-02-09) The piece Tzu Chi MTL (2007) in Sound Café, curated by James Wyness (Scotland).
• (2007-12-20) The piece Creatures of the Ice as part of Agricola de Cologne’s Soundlab V @ Know Future Festival Rome/Italy.
• (2007-11-30) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at Collective:Unconscious, New York, New York.
• (2007-11-15) The piece Creatures of the Ice as part of Agricola de Cologne’s Soundlab V @ the International Digital Art Festival Rosario/Argentina.
• (2007-11-14) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at John L. Hill Chapel, Georgetown College, Georgetown, Kentucky.
• (2007-11-14) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at University of Central Florida (Orlando, Florida).
• (2007-11-09) Presented the 60X60 Canadian premiere at the Oscar Peterson Concert Hall in Concordia University, Montréal (including the piece 1-2-3-4-5-6-7).
• (2007-11-06) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at at Longy School of Music (Cambridge, Massachusetts).
• (2007-11-05) The piece 1-2-3-4-5-6-7 (2007) in 60X60 2007 at Merrill Ellis Intermedia Theater, UNT College of Music (Denton, Texas).
• (2007-11-01) The piece Creatures of the Ice as part of Agricola de Cologne’s Soundlab V @ NewMediaFest 2007 (Cologne).
• (2007-10-13) The piece In the Eye of the believer (2006) presented in the Electroacoustic Music Festival of Santiago de Chile “Ai-maako” organized by the Electroacoustical Chilean Community (Santiago, Chile).
• (2007-10-05) Presented the pieces Tzu Chi MTL (2007) and In the Eye of the Believer (2006) at the Harvest Moon Concert Series at the Oscar Peterson Concert Hall, Concordia University (Montréal QC).
• (2007-10-01) The piece One Minute Under God (2006) in 60x60 2006 at North Carolina State University (Raleigh, NC).
• (2007-10) Album track: What More do you Need than a Recorder? (Ambolthue Records, Oslo) including the piece In the Eye of the Believer (2006).
• (2007-09-06) The pieces Creatures of the Ice (2006) and Into-Nation (2004) were presented as part of the multimedia event “the Happening” curated by Sharon Gal with the support of Israel office of cultural affairs in the UK at The Basement (London).
• (2007-08-26) The piece One Minute Under God (2006) in the 60x60 dance collaboration with Jeramy Zimmerman @ Jan Hus Church (New York, NY).
• (2007-08-14) The piece In the Eye of the Believer (2006) in the HIPERSONICA festival at the SESI gallery (Sao Paulo, Brazil).
• (2007-08) Album track: 60X60 2004-5 by Vox Novus with the piece Decay Date 14 April 1966.
• (2007-07-30) The piece One Minute Under God (2006) in the 60x60 Munich Mix @ Ruth S. Harley "University Center" Ballroom Adelphi University (Long Island, NY).
• (2007-07-14) The piece In the Eye of the Believer (2006) in the Digital Art Weeks 2007 soundscape event at Klangpur (Zurich).
• (2007-07-07) With the assistance of Canada Council for the Arts, presented the piece In the Eye of the Believer (2006) in the Digital Music Research Network Conference at Leeds Metropolitan University (UK).
• (2007-07) Album track: Electroacoustic Music CD Vol. 2 (Elektramusic, Paris) includes the piece Creatures of the Ice (2006).
• (2007-07) Album track: Music no Music (Vibrö magazine, Paris) includes the piece Into-Nation (2004).
• (2007-06-30) The piece In the Eye of the Believer is featured by the Canadian Music Centre in its program Composer Portraits: Influences of Many Musics.
• (2007-06-26) The two trombone pieces Mikhtav (2006) and Elohay, Neshama (2007) at a recital in the Summer Trombone Workshop by Haim Avitsur at Rock Hall, Temple University (Philadelphia, PA).
• (2007-06-10) One Minute under God (2006) as part of the 60X60 international mix @ Amadeus Centre (London, UK).
• (2007-06-07) One Minute under God (2006) as part of the 60X60 international mix @ "Theatersaal" of the University Bremen (Bremen, Germany).
• (2007-06-01) The piece The Cosmic Chainsaw (2004) in the Prague Quadrennial Scenofest 2007.
• (2007-05-24) The piece Creatures of the Ice (2006) in the Cycle de Concerts de Musique par Ordinateur 2006/07, Université Paris VIII.
• (2007-04-28) The piece In the Eye of the believer (2006) in the 3ra Bienal Patagonica de Musica Electroacustica y Arte Sonoro (Patagonia, Argentina).
• (2007-04-21) The piece One Minute under God (2006) was presented as part of the 60x60 (international) event at the Oberlin Conservatory of Music, Fairchild Chapel (Oberlin, Ohio).
• (2007-04-19) Sponsored by Conseil des arts et des lettres du Québec, presented the piece Into-Nation.1 (2006) at the Signal and Noise Festival in Vancouver.
• (2007-03-24) The piece In the Eye of the Believer (2006) was presented at the WOCMAT 2007 conference at National Chiao Tung University, Hsinchu, Taiwan.
• (2007-03-04) The piece In the Eye of the Believer (2006) broadcasted as part of the Santa Fe International Festival of Electroacoustic Music 2007.
• (2007-03-01) The piece In the Eye of the Believer (2006) was selected for presentation at the Sonorities 2007 Festival in Belfast, Ireland.
• (2007-02-26) The piece One Minute Under God (2006) was presented as part of the 60x60 event (international) at University of North Texas (Denton, Texas).
• (2007-02-12) The piece Bendicho juez de la verdad (2000) aired as a winner in the Public Art Project Competition 2007 by Fundación Altadis-Madrid Abierto.
• (2007-02-09) The piece God is Good to Daddy (2003) As part of Agricola de Cologne’s exhibition ://selfprortrait a - show for Bethlehem - a show for Peace opening at MACRO - Contemporary Art Museum Rosario/Argentina.
• (2007-02-08) Presented own piece In the Eye of the Believer (2006) in the Concordia University EuCuE concert series.
• (2007-01-29) Psychotropic (57 minutes) featured on DEGEM WebRadio@ZKM (Germany) everyday between 17:00 to 20:00 for five weeks.
• (2006-12-16) The piece God is Good to Daddy (2003) in Agricola de Cologne’s selfportrait–a show for Bethlehem at the Casoria Contemporary Art Museum (Naples, Italy).
• (2006-12-10) Chris Bruckman performed the piece Tarot Images for piano (1999) in a recital at the Wave Hill botanical garden in Riverdale (NYC).
• (2006-11-30) The piece Creatures of the Ice (2006) in the III "International Festival of Electronic Art 404" at Plaza Cívica and Centro Cultural Parque de España, Rosario / Argentina.
• (2006-11-18) The piece One Minute Under God (2006) as part of 60X60 2006 concert at Harbor College, (Los Angeles).
• (2006-11-16) The piece God is Good to Daddy (2003) as part of Agricola de Cologne’s “Memoryscapes” at Festival Arte Digital Rosario/Argentina.
• (2006-11-11) The piece The Cosmic Chainsaw (2004) at the Unsafe 2 Festival of Improvised and Experimental Music, 2006 (Lighthouse, Poole, UK).
• (2006-11-10) The piece One Minute Under God (2006) as part of 60X60 2006 premier at Collective: Unconscious, Tribeca (NYC).
• (2006-10-20) God is Good to Daddy (2003) as part of Agricola de Cologne's Soundlab Channel, Edition IV "Memoryscapes" installation was presented at PI 5 Intermedia Art Festival Szczecin (Poland).
• (2006-09-21) Presented the work Creatures of the Ice (2006) at the Mid-Autumn Harvest Moon Festival, Concordia University, Montréal.
• (2006-07-18) The work In the Eye of the Believer (2006) – 3rd prize winner of ZKM’s international electroacoustic music competition Shortcuts: Beauty - was played four times (18, 22, 25, and 28 July 2006) at ISCM World New Music Festival at the Kunstmuseum stuttgart.
• (2006-07-12) The work Creatures of the Ice (2006) was presented at Digital Art Weeks Symposium 2006 in Zurich.
• (2006-06) Score: Three Haim Sabari Poems [V-43] for alto, guitar, and cello is published and distributed worldwide by publisher Editions BIM Switzerland (30 pages).
• (2006-05-13) The piece Intercultural Phase was a first prize winner of Harbourfront Centre New Canadian Sound Work competition 2006; the commissioned sound work was officially launched as a Podcast from Harbourfront Centre’s website as part of of digifest 2006: mods.
• (2006-04-01) Presented the piece Neshama (2004) at the Ammerman Center for Arts and Technology at Connecticut College, Biennial Symposium for Arts and Technology (New London, CT).
• (2006-03-24) As part of the cultural festival accompanying the 2006 Commonwealth Games in Melbourne, the piece Creatures of the Ice (2006) was selected for presentation in the installation Empirical Soundings curated by Jacques Soddell at the council meeting room of the historic Bendigo Town Hall (Bendigo, Australia).
• (2006-03-14) The piece Decay Date 14 April 1966 in the 60x60 (2004) multimedia collaboration with Shimpei Takeda at Sydney Conservatorium of Music, The University of Sydney (Sydney, Australia).
• (2006-02-22) The work Julia (2005) on Spark Radio, Spark Festival of Electronic Music and Art 2006 (Minneapolis, MN).
• (2006-02-12) The piece Julia (2005) in Santa Fe International Festival of Electroacoustic Music, Radio Broadcast (Santa Fe, NM).
• (2006-01-09) Decay Date 14 April 1966 (2004) at Chashama, part of the 60X60 2004 project with video artist Shimepi Takeda (New York, NY), 9 Jan – 29 Jan.
• (2005-12-14) Decay Date 14 April 1966 (2004) part of the 60X60 2004 at the Essl Collection (Klosterneuburg, Austria).
• (2005-12) Web: a piece in “A Memorial for the Victims of Terror” created by Agricola de Cologne.
• (2005-11-26) The piece Un sac avec un micro (2005) in the Sound Café Event at the Jedburgh Community and Arts Centre, the Butterfield Gallery (Scotland).
• (2005-11-25) Broadcast: “Framework” on Resonance 104.4FM (London).
• (2005-11-18) The piece Unearthly Sadness Takes Over (2004) in the Biennale of Video & New Media Santiago, Chile (18-28 November 2005), included in the interactive installation of [R][R][F]2005--->XP.
• (2005-11-12) Decay Date 14 April 1966 in the 60x60 (2004) multimedia collaboration with Shimpei Takeda at Auditorium of the National Conservatory of Region of Lille (Lille, France).
• (2005-11-11) Webcast: “Episode #6 – Comfort Stand Records” on Bedroom Radio (web).
• (2005-11-05) Unearthly Sadness Takes Over (2004) at FILE - Hipersonica Festival (Sao Paulo, Brazil) part of Soundlab Channel compilation (curated by Agricola de cologne).
• (2005-11-04) A recital by singer Silvie Jensen at The Construction Company (NYC); work: Three Haim Sabari Poems (1998).
• (2005-11-01) The work T.O.R.E.T. (2003) in Concert #1 at LaSalle University (Philadelphia) – part of a conference with the subject of electroacoustic works with popular music influences.
• (2005-10-31) Unearthly Sadness Takes Over (2004) at FILE - Electronic Language Festival (Sao Paulo, Brazil) part of the interactive installation of [R][R][F]2005--->XP.
• (2005-10-20) Unearthly Sadness Takes Over (2004) at Select Media 4 Festival (Chicago, IL) part of the interactive installation of [R][R][F]2005--->XP (20 October - 13 November).
• (2005-10-19) The piece Into-Nation (2004) at Zeppelin 2005, Festival of Sound Art (Barcelona, Spain).
• (2005-10-14) Unearthly Sadness Takes Over (2004) at Regina Gouger Miller Gallery at Carnegie Mellon University, Pittsburg (14 October - 11 December 2005), in the interactive installation of [R][R][F]2005--->XP, in the framework of Groundworks - Environmental Collaboration in Contemporary Art.
• (2005-10-08) Unearthly Sadness Takes Over (2004) at Agricola de Cologne’s IMPACT'SA 05, an event series in South America (Argentina, Chile, Uruguay, Brazil), 8 October – 27 November.
• (2005-10) Broadcast: “Inner Space” on FM 100.5 (Zagreb, Croatia).
• (2005-08-29) The piece The Digestive System of Lizards with Gastro-intestinal Disorder (collaboration, 2005) as part of Audilisk, an art installation by Rob Baseel and Erik Poulson at the Burning man Festival 2005 at Black Rock, Nevada.
• (2005-08-25) Broadcast: “Art on Air” on CKLN 88.5 (Toronto).
• (2005-06-19) Broadcast: “Magentic Tape” on WZBC 90.3 FM (Boston MA).
• (2005-06-09) Flutes of the Black Forest (2004) at Club Kadan (San Diego, CA).
• (2005-06-04) “Quiet Space” on ABC Radio National (over 260 frequencies around Australia).
• (2005-06-01) The piece I, Roomba (2005) in the work overture project, Festival Synthese no. 35 2005 (Bourges, France).
• (2005-05-30) The piece Soul of the City (2004) at Deep Wireless Festival 2005 Radio Art Station.
• (2005-05-27) The work Parc du Portugal (2005) at Radio Taxi program at Taxi Gallery (Cambridge, England).
• (2005-05-10) The piece Soul of the City (2004) at Deep Wireless Festival 2005 Radio Art Station (Toronto, Canada).
• (2005-05-09) Lucky Cat, (Brooklyn, New York); work: Decay Date 14th April 1966 (2004).
• (2005-05-09) Broadcast: “Foldover” on WOBC 91.5 FM, Oberlin, Ohio.
• (2005-05-08/9) Broadcast: “Elektra Radioshow for Experimental Music” (Lewis University Romeoville, IL).
• (2005-05-07) Bellingham Electronic Arts Festival (Bellingham, Washington); works: Flutes of the Black Forest, Soul, The Cosmic Chainsaw.
• (2005-05) Album: Eldad Tsabary – Psychotropic (ISA2101) on Infinite Sector.
• (2005-05) Broadcast: CKLN 88.1 FM throughout the month of May (Ryerson University, Toronto, Canada).
• (2005-04-27) Webcast: UMBC’s art@radio.
• (2005-04-17, 2005-04-03, 2005-03-13) Broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
• (2005-04) Album track: V/A Deep Wireless II Radio Art Compilation by New Adventures in Sound Art, includes the piece Soul of the City.
• (2005-04) Web: A piece in the web-based Tsunami Memorial created by Agricola de Cologne.
• (2005-03-19) Collective: Unconscious (Tribecca, New York); work: Decay Date 14th April 1966 (2004).
• (2005-03-07) Western Illinois University New Music Festival 2005 – invited to attend as guest composer and present the pieces Flutes of the Black Forest and The Cosmic Chainsaw (2004).
• (2005-03-13, 2005-03-06) broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
• (2005-02-28) broadcast: “Foldover” on WOBC 91.5 FM, Oberlin, Ohio.
• (2005-02-27) broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
• (2005-02-17) The work Decay Date 14 April 1966 (2004) at Spark Festival, Weisman Museum (Minneapolis, Minnesota).
• (2005-01-17, 2005-01-16) broadcast: “Martian Gardens” on WMUA 91.1 FM, Amherst, MA.
• (2005-01-16) broadcast: “Space Bop” on CKUT 90.3 FM in Montreal, Canada.
• (2005-01) Score: HaGuGum [TB-62] for trombone and piano by Eldad Tsabary is published and distributed worldwide by publisher Editions BIM Switzerland (15 pages).
• (2004-12-09) The work Decay Date 14 April 1966 (2004) at Chopin Concert Hall of the National University of Music (Bucharest, Romania).
• (2004-12-05) broadcast: Analog 99 FM, Italy.
• (2004-12) Album track: V/A – 60X60 (CPS-8744), Capstone Records, NYC includes Tsabary’s piece Lost-Salvaged-Divined.
• (2004-11-19) Contemporary Art Museum (St Louis, Missouri); work: Decay Date 14th April 1966 (2004).
• (2004-11-19) Presented the piece Recurring Lucid Nightmare (2003) at the last EuCuE Concert of the 2004 season at the Oscar Peterson Concert Hall, Concordia University (Montreal, Canada).
• (2004-11-12) The work The Cosmic Chainsaw (2004) at the 38th Annual Indiana State University Contemporary Music Festival at the Centre for Performing and Fine Arts Recital Hall (Terre Haute, Indiana).
• (2004-11-09) The Birmingham-Southern College, Hill Recital Hall (Birmingham, Alabama); work: Decay Date 14th April 1966 (2004).
• (2004-11-07) Under St. Marks Theatre (New York City); work: Decay Date 14th April 1966 (2004).
• (2004-11-04) Southern Utah University (Cedar City, Utah); work: Decay Date 14th April 1966 (2004).
• (2004-09) Album track: V/A – Remixes and Collaborations 4 (Infinite Sector MP3 release) includes a collaboration piece Tsabary-Mystified and remixes of Tsabary’s music by other artists.
• (2004-08-31) The album Psychotropic was part of the Art installation by Erik Poulson at The Burning Man Festival 2004 (Near Gerlach, Nevada).
• (2004-07) Album track: V/A – Focus to Unfocus (Infinite Sector) includes a piece by Tsabary.
• (2004-06-06) The piece Sunrise in Detroit (2004) presented at Electrolune day, the 3rd Rencontres Musiques Nouvelles (Lunel).
• (2004-05-13) The Lobby (New York City); work: Lost-Salvaged-Divined (2003).
• (2004-04-28) Lost-Salvaged-Divined (2003) at One Arm Red (Brooklyn, NY) – four shows (28 Apr, 29 Apr, 2 May, 5 May).
• (2004-04-08) Lost-Salvaged-Divined (2003) at “New Music Days” Festival at Bilgi University (Istanbul, Turkey).
• (2004-04) Album track: V/A – Tabla Ture (by Mystified) – an album of remixes of tabla sounds by various artists includes Tsabary’s piece Under the Tabla.
• (2004-03-31) Lost-Salvaged-Divined (2003) at the 11th Annual International Electro-Acoustic Music Festival at Brooklyn College (Brooklyn, NY).
• (2004-03-18) Lost-Salvaged-Divined (2003) at Most Significant Bytes 2004 at the Mount Union College (Alliance, Ohio).
• (2004-03-17) The work Lucid Nightmare (2003) at “Primavera en la Habana” International Electroacoustic Music festival at Minor Basilica at the San Francisco de Asis Convent (Havana, Cuba).
• (2004-03-15) Lost-Salvaged-Divined (2003) at Chopin Concert Hall of the National University of Music (Bucharest, Romania).
• (2004-02) Score: Self Remembering for guitar by Eldad Tsabary is published by Musica Contemporanea, Italy.
• (2003-12) Album track: Philharmonia Bulgarica, conductor Robert Ian Winstin – Masterworks of the New Era, Vol. 1 (ERM-6692) – First of a 12 CD series – highly praised by author Tom Wolfe - featuring symphonic music of selected contemporary composers, including Tsabary’s piece June 5th, 1973.
• (2003-11-02) Lost-Salvaged-Divined (2003) at Under St. Marks Theatre (New York City).
• (2003-09) Album track: V/A – Remixes and Collaborations 3 (Infinite Sector ISC0203) includes Tsabary’s music.
• (2003-09) Album track: Mystified – The Heavens and their Unity (Independent artist release) – includes Tsabary’s piece Sunrise in Detroit.
• (2003-08-23) Presented the piece New Kid on the Mountain (2000) at the Electric Rainbow Coalition Festival at Dartmouth College (Hanover, NH).
• (2003-08) Album track: V/A – collective Compilation 4 (Infinite Sector ISC0104) – a piece by Tsabary.
• (2003-07) Score: Self Remembering for guitar published online by Eythor Torlaksson Guitar School (Hafnarfjordur, Iceland).
• (2003-07) Score: Self Remembering for guitar published by Werner Icking Music Archive (Arhus, Denmark).
• (2003-06-10) Festival Synthese 2003 at Théâtre Jacques Coeur (Bourges, France); work: God is Good to Daddy (2003).
• (2003-05-19) The work Bendicho juez de la verdad (2000) performed by trombonist Haim Avitsur – New Music for trombone and electronic sounds at Bar Ilan University (Ramat Gan, Israel).
• (2003-02-26) The piece Sweet&Sour (1999) performed by the Cygnus Ensemble at Elebash Hall, CUNY as part of their residency celebration concert Commissioned through a Chamber Music America Commissioning Grant.
• (2003-02-07) Bendicho juez de la verdad (2000) in a New Music for trombone and electronic sounds concert at the Construction Company (NYC).
• (2002-02-10) Bendicho juez de la verdad (2000) at Strictly Ballroom Series at CCRMA, Stanford University (California).
• (2001-10-09) webcast: UMBC’s art@radio.
• (2001-06-18) Bendicho juez de la verdad (2000) at the Summer recital by trombonist Haim Avitsur at Goldmark Hall, Mannes College of Music (NYC).
• (2001-03-28) Tarot Images (1999) performed by Christopher Bruckman at the Soroptimists International of NYC Second Annual Artist-in-training concert, Elebash Hall CUNY (NYC).
• (2000-11-05) The piece New Kid on the Mountain (2000) in the Artists International Special Presentation Winners Series Trombone Recital at Weill Recital Hall, Carnegie Hall (NYC).
• (2000-05-04) CUNY Composers Alliance Spring Concert, Elebash Hall (New York City); work: Bendicho juez de la verdad. (2000).
• (1999-05-07) Mannes Guitar Ensemble Recital at Mannes Concert Hall (New York City); work: Adventures of Whim.
• (1999-04-29) Eldad Tsabary Graduation Recital, Goldmark Hall, Mannes College (NYC); works: HaGuGum, Adventures of Whim, Tarot Images (1998).
• (1999-03-27) Music for Modern dance “Fomphie & Lulu” by choreographer Sofia Gal at the Gowanus Arts Exchange (Brooklyn, NY).
• (1999-02-08) Student composer concert at Mannes Concert Hall (NYC).
• (1998-12-22) Student composer concert at Mannes Concert Hall (NYC).
• (1998-11-12) An orchestral piece at a 50th anniversary celebration concert for the state of Israel with the support of Israel office of cultural affairs in the US and Permanent Mission of Luxemburg to the UN at the Mannes Concert Hall (NYC); work: June 5th 1973.
• (1998-02-20) Student composer concert at Mannes Concert Hall (NYC).
• (1997-05-22) Graduation Recital by Haim Avitsur, Mannes Concert Hall (NYC); work: HaGuGum.
• (1997-04-01) Student composer concert at Mannes Concert Hall (NYC).
• (1995-07-15) Bogrimon solo graduation recital at Beit Lesin Theatre (Tel Aviv, Israel); works: a collection of original songs.
• (1995-07) Album: Graham Collier – Adam’s Marble (JAZZIS 1025): appeared as flute player.
• (1995-07) Album track: RAM-Rimon project – Miscellaneous Items (JAZZIS 1026): Includes Tsabary’s flute playing and his piece Lophophora Wiliamsii.
• (1995-04-01) Music for the play “A Beautiful thing” by Jonathan Harvey produced at the Beit Zvi Theater (Ramat Gan, Israel).
• (1995-02-01) Music for choreography by dancer Tomer Sharabi.

Presentations

• (2022-11-25) Invited speaker: Aural atoms to synergistic structures: From electroacoustic aural training to orchestrating the laptop orchestra at the III Simposio Internacional sobre Cognición Sensorial 2022 (National Autonomous University of Mexico UNAM)
• (2022-09-16) Keynote speaker: Reflective Iterative Scenario Enactments (RISE): Reflecting on Operatic Enactments of Technological Crises at the 9th International Conference on Arts and Humanities (ICOAH), Colombo Sri Lanka (remote presentation)
• (2022-09-15) Workshop: Live coding with Estuary. The International Conference on Arts and Humanities: Technological Transformations (online)
• (2022-09-15) Chair’s address, the 9th International Conference on Arts and Humanities: Technological Transformations (online)
• (2022-09-13,14,15) co-author (PhD supervisor): Random Walks on Neo-Riemannian Spaces: Towards Generative Transformations, presented by Philon Nguyen at the 3rd Conference on AI Music Creativity (AIMC 2022)
• (2022-09-05) Invited plenary speaker: Reflective Iterative Scenario Enactments (RISE) of Futuristic Cataclysms through Collaborative Mini-Operas at the Horizons of Art 9/Horizonty umenia 9 conference, Banská Bystrica, Slovakia (online presentation)
• (2022-09-05) Promoting singing and music literacy in the primary classroom at the Horizons of Art 9/Horizonty umenia 9 conference, Banská Bystrica, Slovakia (online presentation)
• (2022-09-05) co-author/presenter: Promoting singing and music literacy in the primary classroom at the Horizons of Art 9/Horizonty umenia 9 conference, Banská Bystrica, Slovakia (online presentation)
• (2022-07-07) co-author. Estuary 0.3: Collaborative audio-visual live coding with a multilingual browser-based platform. At the 7th Web Audio Conference (WAC 2022). Cannes, France (remote).
• (2022-04-14) guest speaker in roundtable. LOST_CONNECTION: A presentation about the premise of the RISE opera. At The Second International Arts and Human Rights Symposium Building Positive Relations: The Arts, New Materialism, Posthumanism & Human Rights, University of Ottawa (remote).
• (2022-02-04) Panelist: A panel on interdisciplinary digital practice and collaboration for the Keywords Reading the Arts Across the Disciplines course (FFAR 250) 
• (2021-12-17) Co-author: "Layers of Unpredictability: Developing the Aesthetic and Identity of a Network-Based Live Coding Ensemble" A presentation at The International Conference on Live Coding (ICLC), Valdivia, Chile
• (2021-11-11) Panelist: Developing a philosophy for teaching creativity in the future: Interdisciplinary thought experiments on the value of pedagogies for creative thinking and being, in the UNE Cultural and Creative Arts Research Symposium 2021
• (2021-09-22) Keynote Address: "Personal Pandemic: An Original take on the Human Impact of COVID-19 in a Unique Desktop Opera Format", The 8th International Conference on Arts and Humanities: Health in the Arts and Humanities (Online)
• (2021-09-21) Chair's address, The 8th International Conference on Arts and Humanities: Health in the Arts and Humanities (Online)
• (2021-06-17) Panelist: "Educational Applications of the Estuary Live Coding Platform" at the Digital Humanities Summer Institute (DHSI), University of Victoria, Canada (online)
• (2021-02-26) Principal Investigator, panelist: Personal Pandemic: A mini-opera-workshop launch by the RISE project. A show-and-tell of the Personal Pandemic mini-opera in the works at Concordia's 4th Space (online), https://youtu.be/tWwA--Bvq7k
• (2020-11-27) Guest lecture on spatial perception in the class Introduction to Digital Audio (MMEDIA 2G03) at McMaster University's Communication Studies and Multimedia Department (taught by Dr. David Ogborn)
• (2020-11-03) Dr. Donna Hewitt presented our co-investigated educational research "Impacts of Assignments’ Deadlines and Structural Guidelines on Creativity, Motivation, and Quality as Perceived by Tertiary Music and Music-Technology Students" at the HASSE Research Summit 2020 (online) organized by University Of New England, NSW, Australia 
• (2020-10-27) Guest talk on improvisation, laptop orchestra, and research-creation in the course Experiencing the Arts at Kwantlen Polytechnic University's Faculty of Arts (taught by Dr. Shoshannah Bryn Jones Square)
• (2020-10-22) Panelist at Concordia's Art Volt Collection Soft-Launch event
• (2020-09-17) Opening chair’s speech at the International Conference on Arts and Humanities: Imagination and Freedom. Taking place remotely (based in Colombo, Sri Lanka)
• (2020-08-12) A collaborative networked live coding performance with Supercontinent ensemble and a panel about collaborative live coding at the course New Music and Media Arts (taught by Prof, Ricardo Dal Farra at Concordia University, Montreal).  
• (2020-08-11) Gave a talk about telematic performance and collaborative live coding at the course New Music and Media Arts (taught by Prof, Ricardo Dal Farra at Concordia University, Montreal). 
• (2020-06-10) Panel: SuperContinent Live: A performance and conversation at Concordia’s 4th Space. A panel about live coding, networked collaboration, and collective improvisation.
• (2020-02-13) Lecture: Sonic Aural Training with Inner Ear. At the Centre for Cognitive Science, Concordia University.
• (2019-12-01 to 22) Guest lecturer in four classes at the Advanced Studies in Experimental Music and Sound Art Certificate, Musrara School, Israeli Center for Digital Art, Holon. 
• (2019-12-11) Collaborative Live Coding: A workshop at The Interdisciplinary Center Herzliya, for students of music technology and members of the Tel Aviv Music Technology Meetup Group.
• (2019-11-20) Sound-focused aural training with Inner Ear. A lecture at International Laboratory for BRAin, Music and Sound Research (BRAMS). 
• (2019-11-02) Guest artist/listener at Listening Tables event, Acts of Listening Lab, Concordia University (organized by Dr. Rajni Shah). 
• (2019-10-02) Sound-focused aural training with Inner Ear. A lecture at the Music & Sound Design Program at the University of Technology, Sydney Australia. 
• (2019-10-01) Concordia Laptop Orchestra (CLOrk): Co-creating live interdisciplinary performance in a large ensemble. A guest lecture at School of the Arts & Media, University of New South Wales, Sydney Australia.
• (2019-09-26) Workshop: Decolonisation in the Arts and Humanities. A guest workshop at School of the Arts & Media, University of New South Wales, Sydney Australia. 
• (2019-09-22) Concordia Laptop Orchestra (CLOrk): Co-creating live interdisciplinary performance in a large ensemble. A guest lecture at Universiti Teknologi Mara (UiTM), as part of the event Mediating of Understanding Intercultural Art. Perak, Malaysia.
• (2019-09-20) Workshop: Collective Improvisation. at The 6th International Conference on Arts and Humanities (ICOAH), Kuala Lumpur, Malaysia. 
• (2019-09-20) Workshop: On Scholarly Publications. Co-presented with Grace Chin at The 6th International Conference on Arts and Humanities (ICOAH), Kuala Lumpur, Malaysia. 
• (2019-09-19) Workshop: Live Coding: Collaboration, Learning and Decolonization workshop. Co-presented with Abhinay Khoparzi, David Ogborn, Shelly Knotts, and Luis Navarro Del Angel at The 6th International Conference on Arts and Humanities (ICOAH), Kuala Lumpur, Malaysia.
• (2019-07-17) Panel: A presentation of sound works by Musrara School graduating students, Musrara, Jerusalem, Israel. 
• (2019-06-12) Workshop: Live coding with Estuary, Punctual, and Tidalcycles. At the Centro Cultural Banco De La República Manizales, Caldas, Colombia, as part of the Festival Internacional de la Imagen 2019.
• (2019-04-06) Paper: Inner Ear: Toward the democratization of electroacoustic aural skill acquisition (w/ Danielle Savage, David Ogborn, Jasmine Leblond-Chartrand, Jamie Beverley, Spencer Park, Luis Navarro del Angel). The American Education Research Association (AERA) Annual Meeting. 5-9 Apr, Metro Toronto Convention Centre, Toronto ON.
• (2019-04-03) Panel: Creating an Inclusive Science Ecosystem: A panel discussion on equity, diversity and inclusion in academia. The Centre for Research on Brain, Language and Music (CRBLM) in collaboration with Healthy Brains for Healthy Lives (HBHL), McGill University.
• (2019-01-25) Booth: Inner Ear: An interactive web-based sound-focused aural training technology. Health initiative networking reception, Concordia University.
• (2019-01-16) Workshop: Platforms and Practices for Geographically Distributed Live Coding (w/ David Ogborn and Shelly Knotts). The International Conference on Live Coding, Madrid Spain.
• (2018-11-18) Workshop: Inner Ear: An interactive sound-focused aural training software (w/ Jasmin Leblond-Chartrand and Danielle Savage). Music in New Technologies (MINT) Forum, Halifax NS.
• (2018-11-16) CLOrk: Education Through Democratic Research-Creation (w/ Danielle Savage, Robin Schmidt, Nick Lavigne, and Kasey Pocius). Music in New Technologies (MINT) Forum, Halifax NS. 
• (2018-11-03) Long paper with Donna Hewitt: Getting it done” in electroacoustic studies: The effects of deadlines and structured guidelines on the creativity and motivation of electroacoustic music students. The Society for Music Education in Ireland Conference, Dublin, Ireland.
• (2018-09-27) Keynote address: Designing and Conducting Research-Creation. 5rd International Conference on Arts and Humanities 2018, Colombo, Sri Lanka.
• (2018-09-27) Workshop: Soundwalk—Reconnecting With Our Sonic Environment. 5rd International Conference on Arts and Humanities 2018, Colombo, Sri Lanka.

• (2017) Long paper: Browser-based Collaborative Projectional Live Coding of Musical Patterns. Co-presented with David Ogborn, Jamie Beverley, Luis Navarro del Angel, Esteban Betancur, and Alex McLean. 3rd International Conference on Live Coding (ICLC) 2017, Morelia, Mexico.

• (2017) Panel “Meshworks: diversity and equity in live coding practice” at 3rd International Conference on Live Coding (ICLC) 2017. CMMAS. Morelia, Mexico.

• (2017) A presentation and discussion at the Feminist University Seminar (offered by The Simone de Beauvoir Institute) about ongoing developments in gender social-action in electroacoustic studies.

• (2017) Keynote speech: The Arts as a Testing Ground for Democratic Education: The Internal and External Workings of Learning through Making Art, 4th International Conference on Arts and Humanities 2017, Colombo, Sri Lanka.

• (2017) Electroacoustic Studies, sound design, and aural training: A presentation to music students at The University of Visual and Performing Arts, Colombo, Sri Lanka.

• (2017) w/ Dr. Donna Hewitt (UNE, Australia). “Getting it done” in electroacoustic studies: The effects of deadlines and structured guidelines on the creativity and motivation of electroacoustic music students, Electroacoustic Music Studies (EMS) conference 2017, Nagoya City University, Japan. 

• (2017) Risk taking and collectiveness in laptop orchestra improvisation at Dalcroze Studies - 3rd International Conference 2017 (ICDS3). 

• (2017) Presentation and discussion of two articles at the International Institute for Critical Studies in Improvisation (IICSI—McGill).

• (2017) Improvisation as an evolutionary force in laptop orchestra culture, Concordia Music Research Series, Concordia University.

• (2016) Panel on ensemble collaboration in live coding ensembles, International Conference on Live Coding (ICLC) 2016, Hamilton, ON.

• (2016) Keynote speech: Collective Interdisciplinary Improvisation and its Role in Creating Bridges Across Arts. 3rd International Conference on Arts and Humanities 2016, Bali, Indonesia.

• (2016) Improvisation as an Evolutionary Force in Laptop Orchestra Culture. Klingt gut! Symposium für Tongestaltung, Hamburg, Germany.

• (2016) Why is Electroacoustics So Much Fun? A shared panel with Mark Corwin at Concordia's Music Research Talks, organized by Christine Beckett.

• (2015) Transformational education through creative innovation in the laptop orchestra. International Symposium in Learning and Teaching Music in the Twenty-First Century: The Contribution of Science and Technology (LTM21/AEM21), Montreal QC. 

• (2015) Extramuros, Tidal, and Dirt. Presenting Shared Buffer technology in a demo session, International Symposium in Learning and Teaching Music in the Twenty-First Century: The Contribution of Science and Technology (LTM21/AEM21), Montreal QC.

• (2015) Why is Electroacoustics So Much Fun? A guest lecture at The Visual and Performing Arts in Canada course (MJ Thompson), Fine Arts Faculty, Concordia University.

• (2015) Auditory Scene Analysis. A guest lecture at the Language and Mind course (Charles Reiss) at the department of Classics, Modern Languages and Linguistics, Concordia University.

• (2015) Long paper: extramuros: making music in a browser-based, language-neutral collaborative live coding environment. Co-presented with David Ogborn, Ian Jarvis, Alexandra Cardenas, and Alex McLean. International Conference on Live Coding (ICLC) 2015, Leeds, UK.

• (2015) Aural atoms and structures in electroacoustics : From ear training to analysis and back again. Electroacoustic Music Studies (EMS) 2015, Sheffield, UK.

• (2015) Roundtable: Digital Careers: Education, Entrepreneurship and Funding. MusDig Montreal Symposium: Transformations in digital music and sound (part of MUTEK festival).

• (2015) Aural training class for grade one elementary school students at JPPS; A live coding workshop with Tidal/Extramuros for grade three students. 

• (2015) Aural atoms and synergetic structures: From electroacoustic ear training to analysis and back again. A faculty research talk at Concordia University.

• (2014) w/ Jamie Woollard (Research assistant). Whatever Works: Research/Creation in the Context of Concordia Laptop Orchestra. Verge Conference 2014: Arts Re/Search, Langley, Canada.

• (2014) Understanding Analysis of EA Music through Aural Training Pedagogy. VIIIth EUROPEAN MUSIC ANALYSIS CONFERENCE (EUROMAC), Leuven, Belgium.

• (2014) The laptop orchestra as a framework for transformational education. Toronto International Electroacoustic Symposium, Toronto, Canada.

• (2014) Whatever works: musical communication in the context of interdisciplinary, networked laptop orchestra. CMPCP’s Performance Studies Network international conference, Cambridge, United Kingdom.

• (2014) Telemetronomy: Beat-based synchronization of remote laptop ensembles. INTER/actions: Symposium on Interactive Electronic Music (Bangor University), Bangor, United Kingdom.

• (2014) Music education through innovation: The Concordia Laptop Orchestra as a model for transformational education. 8th International Technology, Education and Development Conference, Valencia, Spain.

• (2013) Panel discussion at the Musrara School of Photography, Media and New Music (alongside Avi Elbaz Boaz Cohen) . Musrara Graduation Day, Jerusalem, Israel.

• (2013) Laptop orchestra direction, conduction, composition, and technology. Faculty Research Series, Concordia University, Montreal, Canada.

• (2012) Dissections: Ryoji Ikeda (Panel). Ryoji Ikeda Exhibition, DHC/ART Foundation for Contemporary Art, Montreal, Canada.

• (2012) EA aural training workshop. Sound Travels Intensive, Toronto, Canada.

• (2012) Comprovisation with laptop orchestra. Matralab’s Comprovisations workshop, Montreal, Canada.

• (2011) Recent developments in EA ear training. Canadian Electroacoustic Community 25th anniversary, Montreal, Canada.

• (2011) About the Concerto for T-Stick and Two Laptop Orchestras. Toronto Electroacoustic Symposium, Toronto, Canada.

• (2010) Electroacoustic aural training workshop. Sound Travels Intensive, Toronto, Canada.

• (2010) The Results of a Year-Long Action-Study on Aural Skills Acquisition by Students of Electroacoustics at Concordia University. Toronto Electroacoustic Symposium, Toronto, Canada.

• (2009) The Aural Skills of Undergraduate Electroacoustic (EA) Music Majors in the Context of a New Aural Training Method Designed for EA. Toronto Electroacoustic Symposium, Toronto, Canada.

• (2009) Aural training for electroacoustics. Sound Travels Intensive, Toronto, Canada.

• (2008) Technical Workshop: Spectrum. Mid-Autumn Harvest Moon Festival/Symposium (Concordia), Montreal, Canada.

• (2008) A clinic in electroacoustic history and composition at Rimon School of Contemporary Music (Ramat HaSharon)

• (2008) A master class/clinic in electroacoustic composition at Hed Music College (Tel Aviv)

• (2008) Aural Training for EA. Toronto Electroacoustic Symposium, Toronto, Canada.

• (2007) A workshop on aural perception at CRES/CFRO Co-op Radio (Vancouver)

• (2007) A master class in electroacoustic composition for (classical) music composition students at Tel Aviv University

• (2005) Compositional collaboration in the electronic medium. New Music Festival at Western Illinois University, Macomb, United States.

Courses taught

Courses taught at Concordia

• Concordia Laptop Orchestra (2010-present)
• Aural Training for Electroacoustics I (2005/06, 2008-present)
• Aural Training for Electroacoustics II (2008/09, 2010-present)
  
• Mentor for electroacoustics at Feminist University Seminar (2017-present) 
• Jerusalem Fine Arts Field School (2017)
• Electroacoustics (composition) I (2006-2009)
• Electroacoustics (composition) II (2008/09, 2011/12)
• Edison to iPod: the history of sound from loudspeaker (2006-2008)
• Music Composition (2011/12)
• Digital Editing (2010/11)
• Sound for Artists (2005/06)
  

• Sound Recording Theory (2007-2012)
• Digital Audio Theory and Pro Tools (2007-2011)
• Applied Synthesis (2007/08)
• Sampling (2007-2010)
• MIDI Language and Interactivity (2007/08)
• MIDI Environment: MIDI Studio and Introduction to Post Production (2007-2010)
• Organization: Sound Design and Music for Image (2009-2011)
• Sequencer (2009-2011)
• Music Theory (2010-2011)
• Music Production (2012-2013)

Post Graduate Supervision

Sep 2023-Sep 2025: Primary Post-doctoral supervisor; Exploring Schizophrenia Awareness Through Mixed Reality: A Postdoctoral Research-Creation Project in Music and Audiovisual Composition; Takuto Fukuda; Le PARC

Sep 2022-Sep 2024: Primary Post-doctoral supervisor; Dispositif de biofeedback audiorespiratoire relaxant: Techno-Audio-Biophilia; Martin Leduc; Le PARC

Graduate Supervision

Sep 2024-Present: Primary PhD supervisor; Enhancing Musicianship in Jazz Education Through Vocalization Exercises: The Fixed-Do Solfège System Approach; Étienne Beausoleil

Sep 2024-Present: Primary PhD supervisor; The People’s Square: A Study of Sonic Narratives in Dorchester Square; Joey Zaurrini

Sep 2023-Present: Primary PhD supervisor; Psychoacoustics, Cognition, and Sonic Memory in Multi-Channel Spatial Sound Installations: Compositional Strategies for Acoustically Unconventional Spaces; Lisa Conway

Sep 2023-Present: Primary PhD supervisor; Exploring Oral Tradition in Collaborative Music Making as a Restorative Practice in University City, Missouri; Sara Lucas

Sep 2022-Present: Primary PhD supervisor; The Cherry Orchard Workbook: From Dadaist collages to AI music in a RISE opera; Philon Nguyen

Jan 2022-Present: Primary PhD supervisor; Expressive timing and bio-aesthetics of the movement in dance-inspired piano music in the context of Spanish and Latin American piano repertoire; Katarzyna Musial

Jan 2021-Present: Primary PhD supervisor; Re-envisioning and Re-embodying a Planetary Charter for Our Times through Art Practice and Performance; Oonagh Fitzgerald

Jan 2018-Apr 2024: Primary PhD supervisor; The Neurophenomenology of Spontaneous Creativity: Its Implementation In a Neurofeedback Protocol and Algorithmic Aesthetism; Antoine Bellemare

Oct 2022-May 2023: Primary doctoral (visiting scholar) supervisor; Composing with the senses: Working with musicians to express perceived experience as new musical material; Adriana Minu (University of Glasgow)

Sep 2024-Present: Secondary PhD supervisor; Exploring the Relationship Between Creativity and Reality with Human-AI Ethnography: A Crealitic Approach to Study Consciousness Using Computational Phenomenology; François Lespinasse

Sep 2024-Present: Secondary PhD supervisor; VEGETAL LENSES for an OBSERVATORY for PLANT ACTIVITY: towards a beyond-human cinematic exploration of vegetal life; Oana Suteu Khintirian

Jan 2021-Present: Secondary PhD supervisor; The Ontology and Culture of Queer Classical Performance, Urban Geographies, and Community Engaged Art; Jacob Caines

Jan 2021-Present: Secondary PhD supervisor; A Study of Voice Dysphoria and Methods of Intervention: Perspectives from Vocal Pedagogy; Juanita Marchand

Jan 2019-Present: Secondary PhD supervisor; Epistemic Self-reflexivity to the Human Machine Relationship within an Unconventional Piano Performance Practice; Anoush Moazzeni

Jan 2019-Present: Secondary PhD supervisor; Understanding neurodiversity through transdisciplinary art; Sheena Bernett

Jun 2016-Aug 2021: Secondary PhD supervisor; Collaborative A/R/Tography: Mapping transatlantic mariner life in the 1920-1960’s; Jennifer Wicks

Sep 2024-Present: Primary MA supervisor; Exploring Collaborative Methods: Enhancing Intra- and Interpersonal Collaboration Skills in Music and Dance Creation with Phenomenological Self-Portraiture, Mindfulness, and Jungian Archetypes; Christian Brun del Re

Sep 2023-Present: Primary MA supervisor; Degrees of Once: Navigating the Boundaries of Perception in VR and MXR - A Journey into Suspended Time and Disbelief; Debora Alanna

Sep 2023-May 2024: Primary MFA supervisor; Generative Visuals for Art & Performance; Nora Gibson

Sep 2021-Present: PhD reader; Hybrid Approaches to Tensile Discourse in Post-Acousmatic Composition; Patrick Carroll; Sydney Conservatorium of Music, The University of Sydney

May 2021-Present: PhD reader; Bacharach, Britney and Acid Techno Bangers: The Evolving Compositional Practice of Honeysmack; David Haberfeld; Monash University, Clayton Australia

Jun 2020-Present: PhD reader; Context Responsive: Intersections of Design and Improvised Music Practice; Clare Cooper; Macquarie University, Sydney Australia

Nov 2019-Present: PhD reader; Dynamic Range Compressor Ear Training: Improving critical listening skills through software-assisted practice; Dennis Martin; McGill University

Sep 2017-Present: PhD reader; What is new in new media art education? A critical discourse analysis of the mythologies of media art education at the university; Manuelle Freire

Oct 2019-Present: PhD Confirmation committee guest; A project focused on technical ear training; Stephane Elmosnino; University of Technology Sydney

May 2019-Present: MFA reviewer; Objects of Sound; Philippe Battikha

Mar 2017-Present: PhD Dissertation Defence Chair; Witnessing Stories: The Transformative Impact of Witnessing Performed Lived Experience Within the Context of Family Life Education; Shea Wood

Sep 2022-Present: PhD Dissertation Defence Chair; Pursuing Sustainability in Food Systems through Womanism and Community Development: Family Farmers Cooperative in Northeast Brazil; Monica Dantas

Mar 2021-Present: PhD Dissertation Defence Chair; Hybrid Knowing: Preserving Physically and Digitally Entangled Traces in Hybrid Game Design; Jess Marcotte

Aug 2020-Present: PhD Dissertation Defence Chair; Expressing Tacit Material Sensations from a Robo-Sculpting Process by Communicating Shared Haptic Experiences; Morgan Rauscher

Research Assistant Supervision

Sep 2023-May 2024: Research assistant, co-author of publishable outcome; Reflective Iterative Scenario Enactment (RISE); Sara Lucas

Sep 2023-May 2024: Research assistant, co-author of publishable outcome; Reflective Iterative Scenario Enactment (RISE); Lisa Conway

Sep 2023-May 2024: Research assistant, co-author of publishable outcome; Reflective Iterative Scenario Enactment (RISE); Debora Alana

Sep 2023-May 2024: Research assistant, movement and staging for RISE's opera composed by Takuto Fukuda; Reflective Iterative Scenario Enactment (RISE); Milena Pereira dos Santos

Jan 2023-Present: Research assistant in improvised performance, live coding, and poetry; Reflective Iterative Scenario Enactment (RISE); Kofi Oduro

Oct 2022-May 2023: Research assistant responsible for administration and promotion; Reflective Iterative Scenario Enactment (RISE); Jiya Vesali

Jul 2022-May 2024: Research assistant in opera composition, artificial intelligence, and coding (doctoral); Reflective Iterative Scenario Enactment (RISE); Philon Nguyen

Jul 2022-May 2024: Research assistant in piano performance, dance, and somatics (doctoral); Reflective Iterative Scenario Enactment (RISE); Katarzyna Musial

Jan 2022-May 2024: Research assistant in improvisation, voice, acting, and electroacoustics; Reflective Iterative Scenario Enactment (RISE); Valentina Plata

Jul 2021-May 2024: Research assistant in AI, creativity, and perception (doctoral); Reflective Iterative Scenario Enactment (RISE); Antoine Bellemare

Jul 2021-May 2024: Research assistant in improvisation, soundscape, and electroacoustics; Reflective Iterative Scenario Enactment (RISE); Malte Leander

Sep 2020-Jan 2024: Research assistant leading methodology development and all organizational aspects of RISE (doctoral); Reflective Iterative Scenario Enactments (RISE); Sheena Bernett

Sep 2020-May 2024: Research assistant investigating opera culture (doctoral); Reflective Iterative Scenario Enactments (RISE); Juanita Marchand

Sep 2020-May 2022: Research assistant investigating RISE's production (doctoral); Reflective Iterative Scenario Enactments (RISE); Anoush Moazzeni

Sep 2020-May 2021: Research assistant responsible for RISE's visuals and video creation (doctoral); Reflective Iterative Scenario Enactments (RISE); Olivia Mc Gilchrist

Sep 2020-Jan 2021: Research assistant director/dramaturg of RISE's mini-operas (masters); Reflective Iterative Scenario Enactments (RISE); Ülfet Sevdi

Sep 2020-May 2021: Research assistant set designer of RISE's mini-operas (masters); Reflective Iterative Scenario Enactments (RISE); Ayam Yaldo

Sep 2020-May 2021: Research assistant web designer of RISE (masters); Reflective Iterative Scenario Enactments (RISE); Sunanda Bansal

Sep 2020-May 2021: Research assistant costume designer/makeup artist of RISE's mini-operas (undergraduate); Reflective Iterative Scenario Enactments (RISE); Rosalee Tavormina

Sep 2020-May 2022: Research assistant (supervised by co-investigator Dr. Deanna Yerichuk at Wilfrid Laurier University), conducting and facilitating community music research and practice for RISE's mini-operas (masters); Reflective Iterative Scenario Enactments (RISE); Cynthia Kinnunen

Sep 2017-Apr 2019: Research assistant facilitating data collection, research method, literature (undergraduate); Inner Ear; Danielle Savage

Sep 2017-Apr 2019: Research assistant programmer (undergraduate); Inner Ear; Jasmine Leblond-Chartrand

Jul 2017-Apr 2019: Research assistant programmer (graduate, McMaster University, supervised by co-applicant David Ogborn); Inner Ear; Luis Navarro Del Angel

Jul 2017-Apr 2019: Research assistant programmer (graduate, McMaster University, supervised by co-applicant David Ogborn); Inner Ear; Jamie Beverley

Sep 2016-May 2017: Research assistant organized and managed all prototype ear training tools, served as project manager for the international team and began the development of an FM-synthesis aural training tool. RA (undergraduate); Inner Ear; Travis West

Jul 2016-Jun 2017: Research assistant collected and analyzed ongoing data from electroacoustic ear training students and began investigating the effects of the training methods on motivation to practice. RA (doctoral); Inner Ear; Tracy Valcourt

Oct 2013-Jun 2014: Research assistant accomplished: two conference presentations, a co-authored publication in a peer reviewed journal. RA (undergraduate); Interdisciplinary, Networked, and Telematic Laptop Orchestra Project (FRDP funded); Jamie Woollard

Directed Studies (Graduate)

Sep 2024-Dec 2024: Explorations in the Square: The First Resonance; Joey Zaurrini

Sep 2024-Dec 2024: CLOrk Intra-Collab Perf Absorption; Christian Brun del Re

Sep 2024-Dec 2024: Vocalization exercises in Jazz academia: Literature review & creation/adaptation; Etienne Beausoleil

Sep 2023-Dec 2023: Sonic & Musical Explorations; Lisa Conway

Sep 2023-Dec 2023: Virtuality of Sound; Debora Alana

Jan 2023-Apr 2023: Embodied Sound Perception & Movement; Katarzyna Musial

Sep 2022-Dec 2022: Deconstructivism in Music; Philon Nguyen

Sep 2022-Dec 2022: A Survey of CAC at IRCAM; Philon Nguyen

Sep 2021-Dec 2021: A transdisciplinary approach to law and art to innovate a global Charter for our times; Oonagh Fitzgerald

May 2021-Aug 2021: Queer Creation and Ensemble; Jacob Caines

Aug 2019-Jan 2020: Mixed-Music Improvisational Practice & Feminist Studies; Anoush Moazzeni

Jan 2019-Aug 2019: Experimental performing and creative arts practices as a site and language to facilitate neurodiverse thinking and communication; Sheena Bernett

Jan 2019-Apr 2019: Conducting an electrophysiological study: From stimuli generation to data analysis; Antoine Bellemare

Funded Undergraduate Research

May 2021-Aug 2021: Developing and designing original electronic instruments and sound generators together with functional design and aesthetics through 3D-printing and laser cutting; Malte Leander

May 2016-Aug 2016: An interactive application for teaching FM synthesis; Travis West

May 2016-Aug 2016: An electronically augmented acoustic instrument design; Bennett Dobni

May 2015-Aug 2015: Discovering New Sounds in Building Hybrid Electroacoustic-Acoustic-Mechanical Instruments; Sarah Feldman

May 2014-Aug 2014: Game Composition III: An audiovisual networked multiplayer game piece for laptop orchestra; Michael Palumbo

Independent Studies And Internship Supervision

Sep 2024-Dec 2024: Robotic Enhancements for Autoharp: Exploring Rhythmic and Timbral Potential in Live Structured Improvisation; Delia Maertens

Jan 2024-Apr 2024: Crimson Souls: A Musical Theatre Piece Exploring Villainy, Discrimination, and Acceptance; Rae Darius

Sep 2022-Dec 2022: Exploring strings and their sonic qualities: A 3D String Art Instrument; Sisi Chen

Sep 2022-Dec 2022: Jupiter Machine - Terraform: A New Dark Ambient Album; James Healey

Apr 2022-Aug 2022: Creative projects on WWISE, Unreal, and Unity; Étienne Dubé

Apr 2022-Aug 2022: A documented mixing of the 9-song album 'That’s It' by electronic rock duo DahL; William Wattley

Apr 2022-Aug 2022: A ‘suite’ of self-built and modified max abstractions and patches; Sam Risser

Apr 2022-Aug 2022: I.C. SICKNESS: Technology, Mediation and Power in Contemporary Soundwork; Sam Risser

Jan 2022-Apr 2022: A production of a soundscape EP made from home sounds; Sisi Chen

Jan 2022-Apr 2022: A collaborative creation of a visual music composition; Joseph Sims

Sep 2021-Dec 2021: An exploratory creation of a graduate portfolio; Alana DeVito

Sep 2021-Dec 2021: Designing and building a metallic sound sculpture utilizing it in composition; Landon Kerouac

Sep 2021-Dec 2021: Designing and building DIY instruments (A continuation of CUSRA funded project); Malte Leander

Sep 2021-Dec 2021: Producing a collection of hybrid beat-based/electroacoustic compositions; William Wattley

Sep 2021-Dec 2021: A creative inquiry into lucid-dreaming, preparing the design of the Why Do We Dream Micro-opera by RISE; Valentina Plata

Apr 2021-Aug 2021: An exploratory integration of pop/electroacoustic creation; Connor Cook

Apr 2021-Apr 2022: A stylized ambient exploration suite, utilizing VR and WWISE; Emmanuel Racine

Apr 2021-Aug 2021: A personal discovery of efficient sound design practices; Christoph Daigle

Apr 2021-Aug 2021: A seasonal time-lapsed collection, analysis, and composition of field recordings from a single environment; Alexandre Calixte

Jan 2021-Apr 2021: The composition and production of a creative coding music album; Charles Harding

Jan 2021-Apr 2021: Production and analysis of a song collection; Ollis Oien

Jan 2021-Apr 2021: Seeking a decolonized music theory; Elena Stoodley

Sep 2020-Apr 2021: Implementation of EEG in virtual 3D; Christophe Cinq

Sep 2020-Apr 2021: Designing a hybrid model for rendering impulse-res VST plugins; Aidan Baker

Sep 2020-Dec 2020: Creating moments of frisson in soundtrack composition; Rafferty McMahan

Sep 2020-Dec 2020: Research into pivotal tech in electroacoustic composition; Liam Mansfield

Sep 2020-Dec 2020: Exploring Breton heritage through audiovisual convergence of traditional Breton and contemporary electroacoustic aesthetics and techniques; Dorian Bell

Sep 2020-Apr 2021: Research into the implementation of biofeedback loop in a virtual 3D environment; Christophe Cinq

Sep 2020-Dec 2020: Compiling field recordings to highlight the evolution of Montreal's soundscape; Alexandre Calixte

Sep 2020-Dec 2020: Designing plugins for rendering impulse responses of digitally defined spaces; A.B.

Sep 2020-Dec 2020: Creation of an album of mixed electroacoustics; Landon Kerouac

Apr 2019-Aug 2019: Compositions in homage to Mort Garson's Mother Earth’s Plantasia; Piper Curtis

Apr 2019-Aug 2019: A “swiss army knife” of barberpole based filtering; Aidan Baker

Apr 2019-Aug 2019: Developing a live coding environment, language, and performance in Max; Kasey Pocius

Apr 2019-Aug 2019: A collection of songs made with non-instruments; Liam Driscoll

Apr 2019-Aug 2019: A game composition with a cushion ball and cellphone; Alex Paradis

Apr 2019-Aug 2019: Macro – Micro - Organic –Transformed Soundscape EP; Mitch Greeley

Apr 2019-Aug 2019: An EP with field recorded sounds; Anthony Caci

Apr 2019-Aug 2019: A research/creation project exploring Roland SH2000 synthesizer; Zoe Warren

Jan 2019-May 2019: Creation of a YouTube essay series about media criticism; Sam Donald

Jan 2019-May 2019: Creating and documenting an LP vinyl of electronic music; Jade Oueni

Apr 2019-Aug 2019: Supervised internship at MUTEK; Alana DeVito

Apr 2019-Aug 2019: Supervised internship at CJLO Radio; Piper Curtis

Apr 2019-Aug 2019: Supervised internship at Rock Camp for Girls; Zoe Warren

Apr 2019-Aug 2019: Supervised internship at La Hacienda Studio; Alex Paradis

Sep 2018-May 2019: A Collaborative Production of a Contemporary dance based on the book The Forever War by Joe Haldeman; Kurtis Mitchell

Sep 2018-May 2019: Design of an interactive program in supercollider for electroacoustic composition/performance; Ben Muñoz

Sep 2018-May 2019: Digitization, analysis, and cataloguing of a collection of musical works by women composers from the Audible Women radio show (donated by Stephanie Moore); Kayla Shears

May 2018-Aug 2018: Creating and documenting an electroacoustic/chiptune EP; Jaian Mascotto

May 2018-Aug 2018: Implementing the use of a consumer grade EEG Brain Research headset as real time audio controller and compositional tool; Diana Lazzaro

Sep 2017-Jun 2018: Research into the history of women in electronic music and facilitation of an in-progress publication of an edited volume on the topic (Vernon Press, co-editors Donna Hewitt and Eldad Tsabary); Cassandra Beauvais

Sep 2017-May 2018: A co-supervised internship at Eastern Bloc; Tatum Wilson

Sep 2017-May 2018: A co-supervised internship at Revolution Studio; Cassandra Beauvais

Sep 2017-Jan 2018: A new score and sound design for Chris Marker’s 1962 film La Jetée; Devon Hansen

Jun 2017-Sep 2017: A research/creation project investigating three first-nation centred incidents with weighty political implications, yielding three sound/radio compositions; Matt Murphy

May 2017-Sep 2017: The construction of several guitars and banjos in an investigation into the timbre of different wood species; Liam Fenton

May 2017-Present: Jerusalem Fine Arts Field School. A two week intensive interdisciplinary field school in Jerusalem with 12 fine arts students, each with a Jerusalem focused project. The project involved tours of the land, gallery visits, workshops in various arts, and research/material collection by the students leading to an exhibition of their works, titled Mediating Grounds: A Field Study, at le livart (Montreal), October 5th 2017;

Jan 2017-May 2017: Building an electroacoustic instrument for performance of mixed dance/electroacoustic music; Devon Hansen

Sep 2016-Feb 2017: Envisioning and organizing “Loudspeakers”: A conference focused on gender and race in audio technologies and music production; Joanne Mitrovic

Sep 2016-Jan 2017: Building a wireless hand-worn midi controller for live electronic music; Georges Varoutsos

Sep 2016-Jan 2017: A research/creation project investigating effective ways to blend art (electroacoustic) music and dance electronic music; Devon Hansen

Jun 2016-Dec 2017: Composition and sound design for a KO-OP video game; Omar Dabbous

May 2016-Aug 2016: A journal about film production sound mixing; Ilyaa Ghafouri

May 2016-Aug 2016: Sound in the theatre: A scenographic sound installation; Ilyaa Ghafouri

Jun 2016-Aug 2016: Designing a mixed string/electroacoustic instrument; Alex MetCalfe

Apr 2016-Sep 2016: CLOrk 22h22. A group of 18 CLOrk players preparing a performance with pop singer Ariane Moffatt at the Musée d'Art Contemporain Montréal (MAC);

Jan 2016-Apr 2016: Mood Ring: an audio installation that interacts with the movement of human bodies; Thomas Speakman

Jan 2016-Apr 2016: A collection of mini microtonal polyphonic compositions exploring swarm effect; Sylvain Paradis

Jan 2016-Apr 2016: Creation of Generative, Process-based, Stochastic, and Algorithmic systems for artists; Rafferty McMahan

Jan 2016-Apr 2016: An interactive sound installation designed to explore user-defined harmonic structures and the relationship of sound with space and material through vibrating cubes; Thomas Christie

Sep 2015-Mar 2016: Sound design for the play TRAGIC CYCLE I Elektra/Orestes at Dawson College, Montreal; Cassandra Beauvais

Sep 2015-Apr 2016: Crystal Interface: A large-scale interactive sound installation, presented at Espace Cercle Carre and Matralab, Montreal; Tyler Lewis

Sep 2015-Dec 2015: A large collection of electroacoustic micro compositions; Marcus Aterman

Sep 2015-Dec 2015: Composing and performing microtonal music; Sarah Feldman

May 2015-Aug 2015: A rule based algorithmic program for rhythmic analysis and composition; Phillip Blanchet

May 2015-Aug 2015: Creating a mechanical/midi banjo for electroacoustic improvisation; Patrick D. Molicki

May 2015-Aug 2015: Sound for video; Wes Moran

Jan 2015-May 2015: Making a better performance game: An analysis of qualitative play tests; Michael Palumbo

Sep 2014-May 2015: Talk to Me – Radio Art project with individuals who have gone through the Canadian prison system; Elena Stoodley

Jan 2014-May 2014: An album and performance;

Sep 2013-May 2014: A live controlled algorithmic composition for a laptop chamber group; Reginald Kachanoski

Jul 2013-Jan 2014: Creating a generative composition patch in Max/MSP; Byron Edelmann

Jun 2013-Dec 2013: A live algorithmic performance system, in Pure Data; Peter van Haaften

Jun 2013-Sep 2013: Whale 2013: creating a program (PD) to interact with beluga whales at the Churchill River estuary and Hudson Bay (Canada). Presented at the Inter/Actions conference, Bangor; Jamie Woollard

Jun 2013-Jan 2014: An EP of electroacoustic hip-hop (BUFFLO). An official CD release; Devon Bate

• Chair, 10th International Conference on Arts and Humanities 2022 (Topic: Collaborative Process, Cooperation, and Multiplicity. Bangkok Thailand, 2023-09-7 to 8
• Chair, 9th International Conference on Arts and Humanities 2022 (Topic: Technological Transformations. Online, 2022-09-15 to 16
• Chair, 8th International Conference on Arts and Humanities 2021 (Topic: Health in the Arts and Humanities. Online, 2021-09-21 to 22
• Chair, 7th International Conference on Arts and Humanities 2020 (Topic: Imagination and Freedom. Online, 2020-09-17 to 18
• Chair, 6th International Conference on Arts and Humanities 2019 (Topic: Decolonization in the arts and humanities), Kuala Lumpur, 2019-09-19 - 2019-09-20
• Chair, 5th International Conference on Arts and Humanities 2018, Colombo, Sri Lanka, 2018-09-27 - 2018-09-28
• Co-chair (with Christine Beckett), North-American hub, 15th International Conference on Music Perception and Cognition (ICMPC) and 10th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), 2018-07-23 - 2018-07-28, Graz, Montreal, Sydney, and La Plata.
• Organizing committee member, Tenor Symposium: International Conference on Technologies for Music Notation and Representation 2018, Concordia University, Montreal
• Co-chair, 4th International Conference on Arts and Humanities 2017, Colombo, Sri Lanka, 2017-09-21 - 2017-09-22
• Program committee Co-chair, Klingt gut! symposium on sound 2017, Hamburg, Germany, 2017-06-08 - 2017-06-10
• Co-chair,  3rd International Conference on Arts and Humanities 2016, Bali, Indonesia, 2016-09-22 - 2016-09-23
• Co-chair, Toronto International Electroacoustic Symposium (TIES 2016), Conference, 2016-08-10 - 2016-08-13
• Chair of Review Committee, Toronto International Electroacoustic Symposium (TIES 2015), Conference, 2015-08-19 - 2015-08-23
• Advisory committee member, RE-CREATE (hosted by Hexagram), Concordia University, Montreal, 2015-11-05 - 2015-11-08 
• Advisory Committee member, UPHONIAS - Sounds and Future Environments At Matralab, Concordia University (Montreal), part of festival Montréal Nouvelles Musiques 2015, Conference, 2015-03-06 - 2015-03-07
• Co-organizer, The Canadian Electroacoustic Community’s 25th Anniversary at Concordia University, Conference, 2011-11-11 - 2011-11-11 
• Organization Committee member, Balance-unBalance, Conference, 2011-11-04 - 2011-11-05 
• Co-chair, Understanding Visual Music, Conference, 2011-08-26 - 2011-08-27 
• Co-chair, Concordia Live and Interactive Electroacoustic Colloquium, Conference, 2011-03-26 - 2011-03-26