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Juan Ortiz-Apuy

Pronouns: He/Him

Thesis supervisor Accepting inquiries

  • Assistant Professor, Critical Perspectives on Inclusion in 3D Art Practices, Studio Arts

Research areas: Commodity Fetishism, Object-Oriented Ontology, New Materialism, Sustainability, Environmental Exploitation, Post-colonialism

Contact information

Biography

Education

2011        MFA, NSCAD University

2009        PG Dip, The Glasgow School of Art

2008        BFA, Concordia University (Major in Sculpture, With Great Distinction)

Biography

Juan Ortiz-Apuy is a Canadian-Costa Rican artist who has been living and working in Tiohtià:ke/Montreal since 2003. Ortiz-Apuy has a BFA from Concordia University (2008), a Post-Graduate Diploma from The Glasgow School of Art (2009), and an MFA from NSCAD University (2011).

His work has been exhibited across Canada and internationally in venues such as Les Abattoirs Museum of Modern and Contemporary Art (France), IKEA Museum (Sweden), Pamflett (Norway), DHC/ART Fondation Phi pour l’art contemporain (Montreal), Owens Art Gallery (Sackville), Carleton University Art Gallery (Ottawa), AXENÉO7 (Gatineau), MOMENTA Biennale de l’image (Montreal), Quebec City Biennial: Manif d'art 7 (Québec), Truck Contemporary Art (Calgary), Museum London (London), Gallery 44 Centre for Contemporary Photography (Toronto), VOX Centre de l’image Contemporaine (Montreal), Plug In Institute of Contemporary Art (Winnipeg), and the Esker Foundation (Calgary).

Ortiz-Apuy has been awarded numerous grants from the Canada Council for the Arts, Le Conseil des arts et des lettres du Québec, and the Social Sciences and Humanities Research Council. His work has been reviewed in various publications such as Canadian Art, MOMUS, esse arts opinions, The Gazette (Montreal), Le Devoir (Montreal), and Public Parking. In 2024, he was awarded 
Best International Representation by the International Association of Art Critics (AICA, Costa Rican Chapter).

Ortiz-Apuy has completed several artist-in-residence programs, most notably at MASS MoCA (USA), The Vermont Studio Center (USA), The Frans Masereel Centre (Belgium), and the Guldagergaard International Ceramic Research Center (Denmark).

Ortiz-Apuy is an Assistant Professor in the Department of Studio Arts at Concordia University.

Research Interests

Commodity Fetishism, Object-Oriented Ontology, New Materialism, Sustainability, Environmental Exploitation, Post-colonialism

Tropicana, 2020. Installation, dimensions variable. Video projection, pendant speakers, inflatable made with recycled nylon, video light with C-stand, lighting gels and spring clamps, 3D animation, inkjet prints on backlit film, lightboxes, found objects.

Michel Brunelle

La Guaria Morada, 2019. Installation, dimensions variable. Industrial mist humidifier, dehumidifiers, Big Country Blue paint, national flower of Costa Rica, gallery lights, heating system and staff.

Paul Litherland

The Garden of Earthly Delights, 2019. Video installation, dimensions variable. Found YouTube video clips, bean bag chairs, printed vinyl, Mint Liquor paint, MDF, found objects.

Richard Max-Tremblay

Publications

SELECT EXHIBITION REVIEWS, INTERVIEWS & FEATURES


2024    Toledo, Tamara. Sur Gallery Profiles: Juan Ortiz Apuy.” YouTube, 2 Apr. 
2024    Simon, Josie. 
“Tropicana: Unpeeling Consumer Culture with Juan Ortiz-Apuy.” Calgary Guardian, 2 Feb.
2023    
“Tropicana by Juan Ortiz-Apuy: Virtual Tour.” YouTube, Art Gallery of Mississauga, 9 Sept.
2023    Behzadi, Mojeanne. 
“Éclaireurs·euses 31 - Mojeanne Behzadi Juan Ortiz Apuy.” VU Centre de Diffusion et de Production de Photographie, 26 May
2023    Rivard, Élise. 
“Du Costa Rica Au Canada: Quand L'objet De Consommation Devient Objet D'art.” DICI: Toute La Culture en Mauricie, 21 Feb.
2022    Behzadi, Mojeanne. 
“Trajectories: Episode 4 - Juan Ortiz-Apuy.” Musée des beaux-arts de Montréal, 26 Jan.
2021    Bélisle, Julie. 
“Dans Les Ateliers: Juan Ortiz-Apuy: La Vie Secrète Des Objets.” La Fabrique Culturelle, La Ville De Montreal, 16 Aug.
2021    Naqvi, Zinnia. 
“A Slippery Fish: the Work of Juan Ortiz-Apuy.” Public Parking, 20 Apr.
2021    Delgado, Jérome. 
“Résister à la séduction.” Le Devoir [Montreal], 6 March, p. 21.
2021    
“Interview with Juan Ortiz-Apuy.” Vimeo, VOX Centre de l’image contemporaine, Montreal, 11 Feb.
2021    
“Midnight Poison De Juan Ortiz-Apuy.” YouTube, Vaste et Vague, 5 Jan.
2019   
 “Juan Ortiz-Apuy: Fountain Mist.” Vimeo, Owens Art Gallery, 11 Jan.
2019    Lee, Yaniya. 
“The Morbid Spectre of Hoarding.” Canadian Art, 26 Sept.
2019    Charron, Marie-Ève. 
“Incursion dans le monde des objets.” Le Devoir [Montreal], 14 Sept., p. 16-17.
2019    Miller, Geordie. 
“You Are Not Here.” Visual Art News, summer, pp. 18-20.
2019    Desloges, Josianne. 
“Morceaux d'identité à Collectionner.” Le Soleil [Quebec], 25 May, pp. M18–M19.
2019    Pearce, Dianne. 
“Por Encima, Debajo Y A Lo Largo: Vidas En Vilo.” Nierika, n° 15, pp. 22-31.
2018    Sanader, Daniella. 
“Room Temperature.” Canadian Art, fall, pp. 144-145.
2018    Carton de Grammont, Nuria. 
“Ville Multiple.” esse arts opinions, n° 92 winter, p. 113.
2017     
"Out of this Light, into this Shadow at the GNO." Sudbury Star, 9 Feb.
2015    Twerdy, Saelan. 
"Bad Dream Of The Bauhaus: Juan Ortiz-Apuy's IKEA Fantasia." Momus, 16 Feb.
2014    Dick, Terence. 
"Space Fictions At A Space." Akimblog, 11 Mar.
2014    Sullivan, Joan. 
"Quiet Please, Art In Progress." The Telegram [St. John’s], 23 Jan.
2013    Cotter, Sam. 
"Juan Ortiz-Apuy Downsizes Global Cultural Capital In Montreal." Canadian Art, 30 May
2013    Pohl, John. 
"Canadian Galleries Present Great Ideas On Paper." The Gazette [Montreal], 20 Apr.
2011    Delgado, Jérome. 
"Double Visions." Le Devoir [Montreal], 5 Feb.

SELECT EXHIBITION PUBLICATIONS


2024    Tam, Agnes. What’s in a Name? That Which We Call Home? Permanent Collection,  Esker Foundation.
2023    Jean, Marie-Josée. 
The Exhibition as Experience: Young Audiences and Art. VOX, Centre de l’image Contemporain.
2023    Konadu, Luther. 
Darkroom: A Solo Exhibition Featuring Juan Ortiz-Apuy. Plug In Institute of Contemporary Art.
2019    Kvaran, Gunnar B., and Cheryl Sim. 
Yoko Ono: Growing Freedom. Hirmer Verlag.
2019    De la Garza, Amanda, et al. 
The Life of Things. Edited by Audrey Genois, Kerber.
2019    Falvey, Emily. 
Turning Tables. Owens Art Gallery, Mount Allison University.
2018    El-Sheikh, Tammer. 
Juan Ortiz-Apuy’s La Guaria Morada. Truck Contemporary Art in Calgary.
2018    Babcock, Joshua. 
Fountain Mist. Artcite Inc.
2017    Sanader, Daniella. 
The Garden of Earthly Delights. Gallery 44 Centre for Contemporary Photography.
2017    Getty, Cassandra, and Dianne Pearce. 
TransAMERICAS: A Sign, A Situation, A Concept. Museum London.
2016    Cotter, Sam. 
Working Conditions. Gallery TPW, 23 June.
2015    Toledo, Tamara. 
Sportsmanship Under Surveillance. Latin American-Canadian Art Projects.
2014    Léger, Marc James, and Vicky Chainey Gagnon. 
Résistance: Et Puis, Nous Avons Construit De Nouvelles Formes. Manif d'art .
2014    Moufawad-Paul, Vicky. 
Space Fictions. A Space Gallery.
2013    Berson, Amber. 
Syncopated Histories. Eastern Edge Gallery.
2011    Portis, Ben. 
Empty Texts: Covers, Titles, Contents, Notes And Indices. MacLaren Art Centre.
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