Research Chair and Director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art
Last updated: November 14, 2024, 3:14 p.m.
Job title: Research Chair and Director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art
Position code: 23_C_ARTH_O
Date posted: September 30, 2024
Application deadline: December 15, 2024
Advertised until: Position is filled
Situated on the traditional and unceded territory of the Kanien’kehá:ka people, Concordia University is North America’s top university under the age of 50, celebrated for advancing transformative learning, convergent thinking and public impact.
Position description:
The Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art, founded in 1998, invites applications for the position of Research Chair and Director of the Institute to begin August 1, 2025. We are searching for emerging leadership in this rapidly evolving field. The Research Chair and Director will hold a full-time tenured faculty appointment at the rank of Associate or Professor in the Department of Art History; applications will be accepted from external and internal candidates. The position presents considerable opportunities to lead a dynamic and innovative arts institute in the heart of a multi-lingual, multi-cultural milieux. We welcome applicants who are leaders in Canadian art, broadly conceived. This may include, but is not limited to, specialization in art history and visual culture, First Nations, Metis and Inuit Studies, diasporic studies, craft and design history, photo history, architectural history, curatorial studies, art historiography and/or new pedagogies.
As a member of the Department of Art History, the successful candidate will contribute to the teaching of Canadian art and visual culture at both undergraduate and graduate levels, including active supervision of students in MA and PhD programs. They will also participate actively in the collegial governance of the department. In their capacity as a Research Chair, the successful candidate will engage in an original program of research, as well as develop and support research networks and partnerships related to Canadian art and visual culture. In the capacity as Institute Director, the core responsibilities for the position are to develop and support research initiatives promoting scholarship in Canadian art. As Director, this will include developing strategic directions for the Institute and facilitating its activities including programming, outreach, and student training. Other duties will involve managing a sizable budget, annual reporting, consultation and communication with Institute members, Concordia stakeholders, and external partners. The incumbent will also be expected to actively seek external funding to support the Institute’s research activities and to engage in a broad and ongoing dialogue with educational and cultural institutions dedicated to studies in the visual arts across Canada and beyond. The Research Chair appointment (five-year term) and directorship (four-year term) are subject to renewal; annual reporting and mid-term reviews are required. Both the directorship and Research Chair positions include annual research and salary stipends, as well as teaching remissions totalling six credits per academic year.
Qualifications and assets
The successful candidate will have a PhD in Art History or a related field, and will provide evidence of high-quality scholarly output, an important grant-funding profile, and excellence in teaching and leadership in academic administration. They will be an outstanding researcher with a strong record of university teaching, research, service, and administration, as well as considerable expertise in one or more facets of Canadian art as broadly conceived. Candidates are encouraged to share any career interruptions or personal circumstances that may have had an impact on their career goals in their letter of application. These will be carefully considered in the assessment process. The Department of Art History values diversity among its faculty and strongly encourages applications from those who will contribute to that profile. Concordia University is an English-language institution of higher learning at which the primary language of instruction and research is English. Since this position supports academic functions of the university, proficiency in English is required. Working knowledge of French, including reading and grading student work in French, is an asset. The ability to actively participate in the bilingual inter-university doctoral program is considered an added advantage.
How to Apply
All qualified candidates are encouraged to apply; however, Canadians and Permanent Residents will be given priority. To comply with the Government of Canada’s reporting requirements, the University is obliged to gather information about applicants’ status as either Permanent Residents of Canada or Canadian citizens. While applicants need not identify their country of origin or current citizenship, all applicants must include one of the following statements:
Yes, I am a citizen or permanent resident of Canada.
or
No, I am not a citizen or permanent resident of Canada.
Electronic applications should be submitted to art.history.positions@concordia.ca on or before December 15, 2024, but will continue to be reviewed until the position is filled. Only shortlisted candidates will be notified. Submissions should consist of a single PDF file that is clearly identified with the candidate’s name and position code (23_C_ARTH_O), and includes the following items in the order specified below:
A cover letter emphasizing key qualifications for this multi-faceted position
A detailed curriculum vitae
A vision statement sketching a five-year plan for the Institute (2-3 pages)
A research statement in relation to the chair, laying out a detailed plan for the next five years (up to 3 pages)
Links to any relevant research including publications, exhibitions, etc.
A teaching statement that includes the applicant’s teaching philosophy and approaches to mentorship (2-3 pages), and may further include supporting materials: sample assignments, teaching evaluations and/or syllabi of courses taught
Names and contact information of three referees
An Equity, Diversity, and Inclusion statement (see below)
All inquiries regarding this position may be directed to Dr. Nicola Pezolet, Associate Professor and Chair, Department of Art History at nicola.pezolet@concordia.ca.
Concordia University is strongly committed to building a diverse, equitable, and inclusive community, and recognizes the importance of inclusion in achieving excellence in teaching and research. As part of this commitment to providing our students with the dynamic, innovative, and inclusive educational environment of a Next‐Generation University, we require all applicants to articulate in their cover letter how their background, as well as lived and professional experiences and expertise have prepared them to teach in ways that are relevant for a diverse, multicultural contemporary Canadian society.
Possible examples to demonstrate a diverse experience may include, but are not limited to:
teaching about underrepresented populations
mentoring students from underrepresented backgrounds
committee work
offering or organizing educational programming
participation in training and workshops
All applicants will receive an email invitation to complete a short equity survey. Participation in the survey is voluntary and no identifying information about candidates will be shared with hiring committees. Candidates who wish to self-identify as a member of an underrepresented group to the hiring committee may do so in their cover letter or by writing directly to the contact person indicated in this posting.
Adaptive Measures
Applicants who anticipate requiring adaptive measures throughout any stage of the recruitment process may contact, in confidence, Anna Barrafato, Accessibility Change Lead: anna.barrafato@concordia.ca or by phone at 514-848-2424, extension 3511.
The Department of Art History at Concordia University is one of the leading departments in the country. Known for its theoretical and methodological strengths, its focus involves visual and material culture, and its commitment to historic and contemporary forms of Canadian and Indigenous art. The department currently has a Concordia University Research Chair in Critical Curatorial Studies and Decolonizing Art Institutions and an Endowed Research Chair in Studies in Canadian Art. Two scholarly journals (Journal of Canadian Art History and Journal of Asian Diasporic Visual Cultures and the Americas) are housed in the department-affiliated Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art. Three undergraduate degree programs are offered: Art History; Art History and Film Studies; and Art History and Studio Art; there is also a stand-alone Master’s in Art History and an inter-university PhD program offered collaboratively with Université de Montréal and Université du Québec à Montréal. The Department of Art History offers innovative curricula on historical, modern, and contemporary forms and prioritizes diverse perspectives and culturally situated approaches to the study of art history, theory, criticism, and curatorship.
The Institute seeks to initiate national and international conversations about historical and contemporary forms of Canadian art and visual culture by forging links between established and emergent scholars working across the country and abroad. Its programs support innovative research and the mobilization of knowledge in the following core areas: ethnocultural art history; Indigenous art history; materialities; networked art history; photographic studies; settler-colonial art history; urban art history; and women’s art history. Three new axes include: activist environment art; health, well-being and the visual arts; and new pedagogies.
Emphasizing exchange, collaboration, and trans-Canada partnerships, the Institute builds on its founders’ collective vision to advance the greater appreciation and richer understanding of Canadian art and visual culture of all eras. The Institute collaborates on research programs and vital forms of public outreach with educational and cultural institutions, as well as the private sector by:
supporting research on Canadian art for pedagogical purposes at all levels of education, and most importantly for the public at large
producing scholarly materials in print and electronic format such as monographs, journals, bibliographies, catalogues raisonnés, films and videos
maintaining a broad and ongoing dialogue within the academic and museum communities on the evolving nature of studies in the visual arts in Canada
establishing links to national and international art communities through public events such as conferences and lectures
Located in the Engineering, Computer Science and Visual Arts Complex and closely associated with the Department of Art History in the Faculty of Fine Arts, the Institute organizes a rigorous program of public lectures, workshops, and publishing. Additionally, it houses a documentation centre that collects and makes accessible a range of research materials and electronic media relating to Canadian art. The Institute develops programming on site and online, as well as other locations in Canada and elsewhere, in collaboration with partners and host institutions.
With over 4,000 students, faculty, and staff, the Faculty of Fine Arts is among the five largest art and design schools in North America. Nestled in the heart of a pulsing city, embraced by a dynamic research university, the Faculty of Fine Arts benefits from extraordinary access to brilliant practitioners, thriving venues, cross-cultural perspectives, and an extensive network of outstanding facilities for research and production.
Taking advantage of our place within the rich fabric of a research university and our long history as one of the premiere sites in Canada for the study and creation of the arts and arts-based scholarship, the Faculty of Fine Arts is currently engaged in a transformative moment in which pedagogical, conceptual, theoretical, and material practices find resonance with a significant diversity of approaches. In our university community we value equally those practices that embrace aesthetic activism, live performance, historical scholarship, technical experimentation, skills-based production, community fieldwork and education, and therapeutic practices as well as traditional and digital fabrication. In addition to curricular advances, the formation of significant research centres and external partnerships in the Faculty of Fine Arts continue to enrich opportunities for faculty and students alike. The faculty is also home to a number of research groups led by faculty members who are Black, Indigenous and people of colour and disabled, and centred on their concerns. For more information, please visit the Faculty of Fine Arts website.
“Concordia is a young, forward-looking university. It’s a unique place where experimentation, innovation and creativity are truly valued. Our community of students, faculty, staff and alumni all contribute to our momentum as Canada’s next-gen university.” — Concordia President Graham Carr.
Building on the skills of our faculty and the strengths of Indigenous, local, and global partnerships, we set our sights further and more broadly than others and align the quality of learning opportunities to larger trends and substantial challenges facing society.
Profoundly global, Concordia is recognized for attracting some of the most talented faculty and students from around the world. We are driven by ambition, innovation and a commitment to reconciliation, research and community engagement.
Tiohtià:ke/Montreal is exceptional; safe, vibrant and diverse, with new things to discover around every corner. With a population of 1.7 million, it houses four major universities, several clinical research centres, and has been named the best student city in the world.
Historically known as a gathering place for many First Nations, the city is now home to a diverse population of Indigenous and other peoples, and its residents enjoy the benefits of a thriving multicultural scene. While supporting a significant anglophone population, it is the one of the largest French-speaking cities in the world.
Montreal is famed for its innovative culinary scene and festivals. It was also the first metropolis to be designated a UNESCO City of Design by the Global Alliance for Cultural Diversity. The city is recognized globally as an important centre for commerce, aerospace, transport, finance, pharmaceuticals, technology, design, gaming and film.
Employment Equity
Concordia University is strongly committed to employment equity within its community, and to recruiting a diverse faculty and staff. The University encourages applications from all qualified candidates, including women, racialized persons, Indigenous persons, 2SLGBTQI+ persons, and persons with disabilities; candidates are invited to self-identify in their applications.
Immigration Status
All qualified candidates are encouraged to apply; however Canadians and Permanent Residents will be given priority. To comply with the Government of Canada’s reporting requirements, the University is obliged to gather information about applicants’ status as either Permanent Residents of Canada or Canadian citizens. While applicants need not identify their country of origin or current citizenship, all applicants must include one of the following statements:
Yes, I am a citizen or permanent resident of Canada
or
No, I am not a citizen or permanent resident of Canada