Mark J. Sussman, MA, Ph.D.

Mark Sussman is a theatre artist and Performance Studies scholar working on the animation of public space, material dramaturgies, puppetry and object performance, and the integration of old and new technologies.  He earned MA and PhD degrees from the Department of Performance Studies at New York University, receiving the Michael Kirby Memorial Award for his doctoral dissertation on 18th and 19th Century stagings of the new technology of electricity. He joined Concordia's faculty and moved to Montreal in 2005. For six years he held the position of Associate Dean, Academic Affairs in the Faculty of Fine Arts and is now a Professor in the Department of Theatre. He also advises graduate students in the Humanities PhD and Individualized interdisciplinary programs.

In Summer, 2020, he was appointed director of Concordia's Centre for Interdisciplinary Studies in Society and Culture. A joint creation of the Faculties of Arts and Science and Fine Arts, the Centre provides a gathering place for researchers, graduate students, and guest speakers from across the humanities and arts. The Centre sponsors several Working Groups each year, and funds events in collaboration with individual researchers and research centres housed in the two Faculties.

Prior to teaching at Concordia, he taught at New York University (Performance Studies, UG Drama), Barnard College (Theater), Wesleyan University (Theater), CalArts (Theater, Critical Studies), UQÀM (DESS en arts de la marionnette contemporarin), and the Parsons School of Design at the New School (Architecture/Lighting Design). At Concordia, he has taught performance studies and studio-based courses at the undergraduate and graduate levels, with a focus on such topics as performance and the contemporary city, material performance and performing objects, performance ethnography, puppetry, queer theatre, radio drama and sound arts, history of the avant-garde, dramaturgy, theatre history, and the epic theatre tradition. He has also led a number of Field School courses with students at the Bread and Puppet Theater in Vermont's Northeast Kingdom, returning again in Summer, 2025

Sussman is a founder and co-artistic director of Great Small Works, an OBIE and UNIMA/Jim Henson Award-winning theatre collective based in New York City. Since 1995, Great Small Works has been producing new theatre works on a variety of scales, from miniature toy theatre pieces using two-dimensional cutouts and live montage, to giant parades, community processions, and circuses. The company specializes in the reinvention of ancient, popular, and avant-garde performance techniques in contemporary contexts, creating variety evenings, international festivals, and community-based projects in addition to discrete performance works. With Great Small Works, he was artistic director for Bienvenue à Tourne-York, a large-scale outdoor carnival commissioned by the town of Tournefeuille, France (2009). He has also worked as a performer, designer, and producer for the company's ten International Toy Theater Festivals (1991-2013). He has led many workshops in the form of "toy" or "paper theatre," most recently with Feminismo Communitario Antipatriarcal in La Paz, Bolivia (2016), with Taichung University students and museum educators from the Tainan region of Taiwan (2019), with professional artists through the Association Québécoise des Marionnettistes in Montreal (2022), and with faculty and graduate student researchers through the Hemispheric Encounters Network (EN).

As part of his ongoing research in collaboration with Great Small Works, he is at work on a two new performance projects: one, Ten Sentences: A Life of Robert Walser,  based on the writings by the early twentieth century Swiss author, was performed at Montreal's Casteliers Festival in 2024; a second, titled The Myceliad, is scheduled for a spring, 2026 premiere in New York City. With Great Small Works, he continues to work on their longtime Spaghetti Dinner cabaret series, among other projects

Apart from Great Small Works, Sussman has collaborated as solo performer/puppeteer and lighting/set designer with writer/director Allen S. Weiss. With sound designer Gregory Whitehead, they created Theater of the Ears / Théâtre des Oreilles (CalArts/LaMama/Charleville-Mézières/Paris/Avignon, 1999-2001) and Danse Macabre, an animated installation using dolls created by Paris-based artist Michel Nedjar at the Halle St. Pierre, Musee d'Art Brut, Paris (2004) and subsequently performed at the In Transit Festival, HKW, Berlin (2009) and the Centre Pompidou, Metz, France (2022).

In Montreal, he is the founder and member of the collective organizing Café Concret, an occasional cabaret of experimental puppetry and object-based performance, and a forum for new works in a variety of media. Editions have taken place at venues across the city, including Bâtiment 7 in Pointe-St-Charles, Sala Rossa, La Sotterenea, and Casa del Popolo in Mile End, Studfio 303, and Espace Transmission; and online editions were livestreamed during the pandemic years, 2020-22. Live outdoor editions have taken place at the MIAM in Outremont (2021) and at Bâtiment 7 (2022). Edition #50 is planned for Winter, 2025

In 2014, he was the Academic Convener for Manifest: Choreographing Social Movements in the Americas, the 9th Encuentro of the Hemispheric Institute of Performance and Politics at New York University, bringing more than eight hundred artists, scholars, and activists from across the Americas to the Concordia campus and the city of Montreal.

Sussman's writing has appeared in TDR (The Drama Review), Connect, Stagebill, Cabinet, Performance Research, Radical Street Performance (Routledge, 1999), and Puppets, Masks, and Performing Objects (MIT, 2001). His article "Notes on New Model Theaters" can be found in The Routledge Companion to Puppetry and Material Performance (2014). An updated essay on New York's Circus Amok can be found in The Routledge Circus Studies Reader (2016). In 2018 and '19 he worked with the Café Concret collective on Moving Parts: Articulated Bodies and Objects in Performance, a three-part performance residency at Tangente, interdisciplinary symposium, and anthology project exploring the movement vocabularies shared across the fields of puppetry and dance. The symposium took place at Concordia's department of Theatre and the book, edited by Erin Hill and available on the Café Concret website, appeared in 2021.

Interdisciplinary Approaches to Performance Creation

Puppetry & Performing Object Workshop

Introduction to Performance Studies

Special Topic in Performance Studies: Epic Theatre Before and After Brecht

Special Topic in Performance Studies: Queer Theatre

Performance Ethnography

Theatre History I & II

Special Topic: Dramaturgy

Special Topic: Ritual, Play, & Performance

April 2-3, 2020

April 29-May 2, 2020

July 16 & 19, 2020

August 14, 2020

Dec 30, 2020

March 24, 2021

August 19, 2022

January 3, 2023

videos available on Facebook here

CC#35 - April 25, 2020

CC#36 - June 20, 2020

CC#37 - Nov 5-6, 2020

CC#38 - April 10, 2021

videos available on Facebook here