2015
Vol. XXXVI:2
To purchase a copy of this volume please contact the Journal.
Pour acheter une copie de ce volume s'il vous plaît contactez nous.
$35.00 CA
$40.00 US
Editorial-Éditorial
Articles
- Jean-Antoine Aide-Créquy (1749–1780)
matériaux et technique picturale - A Postscript to the David B. Milne Biography and Catalogue Raisonné of the Paintings
- “These Diminished Waters”
Conservation, Camera Hunting, and Settler/Indigenous Conflict in Lorene Squire’s Wildfowl Photography of Northern Canada - Subconscious Selling
Bertram Brooker and the Visual Culture of Couéism - The National Gallery Lands a Jackson Pollock
A Case Study in Curatorial Agency
Reviews-Comptes rendus
- The Life of David Milne
James King - The Last Art College: Nova Scotia College of Art and Design, 1968–1978
Garry Neill Kennedy - 1920s Modernism in Montreal: The Beaver Hall Group
Edited by Jacques Des Rochers and Brian Foss
Vol. XXXVI:1
To purchase a copy of this volume please contact the Journal.
Pour acheter une copie de ce volume s'il vous plaît contactez nous.
$35.00 CA
$40.00 US
Editorial-Éditorial
Guest Editorial-Éditorial invité
- Networked Print Culture
La culture de l’imprimé en réseau
Articles
- “If you do not grow you are a dead duck”
Funding Art Publications in Canada from the 1940s to the 1980s - Tawow
Canadian Indian Cultural Magazine (1970–1981) - Producing and Publishing The Banff Purchase
Nationalism, Pedagogy, and Professionalism in Contemporary Canadian Art Photography, 1979 - About image nation, 1970–1982
- Serial Positionings
Roy K. Kiyooka’s “Conceptual Art Trips” - Asiancy and Visual Culture
The Asianadian Magazine, 1978–1985 - Relations, 1988
Photographic, postmodern, feminist - CyberPowWow
Digital Natives and the First Wave of Online Publication
